Tipsday: Informal writerly learnings, March 13-19, 2022

You’ve survived Monday! Reward yourself with some informal writerly learnings 🙂

Sophie Masson helps you use varied narrative forms in your novel. Then, Dave King wonders if you’re drowning your story in imagery. Barbara Linn Probst wants you to write secondary characters with purpose and pizzaz. Porter Anderson: evil and The Age of Madness. Writer Unboxed

K.M. Weiland: how do you know when you’re a successful author? Helping Writers Become Authors

Ellen Brock explains how to write your novel as an intuitive pantser.

Lori Freeland returns with to comma, or not to comma, part 3. Then, Lynette M. Burrows shares even more things she wishes she knew before she published (also, part 3). Eldred Bird tells a modern writing horror story. Writers in the Storm

Tim Hickson wonders if there’s any hope for Amazon’s Lord of the Rings series. Hello, Future Me

Lori Walker reviews 1984 by George Orwell—in graphic novel form. Then, Stephanie BwaBwa fills your self-publishing toolkit for authorial success with writing tools. Ashley Christiano helps you beat writer’s block and plot your novel with tarot cards. Brittany Capozzi explains five ways the vagus nerve helps writers focus. DIY MFA

Shaelin explains how to write compelling secondary characters. Reedsy

Ashleigh Renard explains how to make money through social media without being an influencer. Then, Caroline Topperman helps you figure out which social media platform is the best. Jessi Rita Hoffman unpacks children’s dialogue: they don’t talk like adults. Jane Friedman

On her own channel, Shaelin shares how she works on multiple projects. Shaelin Writes

Lucy V. Hay helps you figure out if your story is a mystery, thriller, or horror. Then, Becca Puglisi recommends choosing the right job for your character. Writers Helping Writers

Nathan Bransford: writing a book is a time game.

Dr. Moiya McTier explains what constellations mean to different cultures. Fate & Fabled | PBS Storied

Story theme: definition and examples for a controlling idea. Story Grid

Chris Winkle examines six types of downward turning points. Then, Oren Ashkenazi discusses five conflicts with weak turning points, and how to fix them. Mythcreants

Angie Hodapp is zeroing in on comps (part 2). Pub Rants

This story will break your heart—The Ocean at the End of the Lane by Neil Gaiman. Tale Foundry

Anna Russell enters the secret life of Beatrix Potter. The New Yorker

Erin Somers reports how editorial resignations at big houses spark reckoning. Publishers Lunch

Jonah Berger analyzes the science of blockbusters: what makes a good story? University of Pennsylvania, Wharton

Why Game of Thrones already feels dated. The Take

Allegra Hyde considers what makes a great opening line. Literary Hub

Anne Delaney unpacks filler words and floor holders: the sounds our thoughts make. JSTOR Daily

Thanks for spending some time with me, and I hope you found something to support your current work in progress, whatever stage it’s at.

Until Thursday, be well and stay safe!

Tipsday: Informal writerly learnings, Jan 30-Feb 5, 2022

Was it a monumental Monday for you? Well, now it’s time to reward yourself with some informal writerly learnings.

Anita Ramirez concludes her writerly journey with a couple of revelations. Then, Angela Yeh is finding nourishment and joy in daily life through the spirit of haiku. Eliza Jane Brazier explains how to write better by not writing. Then, Heather Campbell shares five sneaky ways perfectionism sabotages your writing. DIY MFA

The existential dystopias of Arcane and Squid Game. Hello, Future Me

Tessa Barbosa presents an introvert’s guide to a public online presence. Donald Maass: back story versus the past. Keith Cronin gets an unexpected gift from covid. Then, Rheea Mukherjee is writing with depression. Writer Unboxed

Rape revenge and Promising Young Woman: realism vs. catharsis. Melina Pendulum

K.M. Weiland explains what conflict in fiction really is and why it’s important to plot. Helping Writers Become Authors

What is white room syndrome? Reedsy

Shannon A. Thompson: yes, writers need to hear the hard truths, but warnings can go too far. Then, Eric Newton discusses making difficult decisions about the work left behind when a writer dies. Joe Ponepinto explains how to use telling details to connect description to character. Jane Friedman

Why are cats mythology’s most popular creatures? Fate & Fabled | PBS Storied

Diana Clark wonders how much research is enough. Then, Eldred Bird is building a better villain. Ellen Buikema continues her explorations of sensual writing: using the power of taste in your writing. Writers in the Storm

Why the disabled villain trope is so offensive. The Take

September C. Fawkes shares six cheats to “tell” well (when it’s warranted). Writers Helping Writers

Chris Winkle lists nine personality clashes for character conflicts. Then, Oren Ashkenazi explains why tossing in calamity won’t make your story exciting. Mythcreants

How writers revise: the relentless resilience of Ruta Sepetys. Fox Print Editorial

Point of view: definition and examples for the narrative path. Story Grid

How Disney commodifies culture – Southeast Asians roast Raya and the Last Dragon, part 1. Long, but well worth your while. Xiran Jay Zhao

And part 2:

Part three … yet to come.

Nina Munteanu touts the benefits of expressive writing: the journal writer.

Susan DeFreitas shares the lessons learned during her year of reading every Ursula K. Le Guin novel. Literary Hub

Weike Wang: notes on work. “There’s a masochistic pride to overworking. How heavy a workload can I truly handle? How many plates can I keep in the air?” The New Yorker

Ena Alvarado: animal teachers and Marie de France. JSTOR Daily

Thanks for hanging out with me. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday: Informal writerly learnings, Oct 3-9, 2021

A belated Happy Thanksgiving to my Canadian readers! It’s time to indulge in some informal writerly learnings. Enjoy!

K.M. Weiland presents the archetypal antagonists of the crone arc: death blight and tempter. Helping Writers Become Authors

Greer Macallister seeks success without self-promotion. Then Jeanne Kisacky is walking the line between insanity and perseverance. Donald Maass reveals the secret of passive protagonists: seeking vs. suffering. Nancy Johnson: the blessed curse of the second book. Then, David Corbett discusses the character in secret search of midnight. Writer Unboxed

Jill Bearup made armor. In a cave shed. From a box of scraps.

Karen DeBonis helps you navigate a story identity crisis. Then, Eldred Bird wonders, what (the heck) is a MacGuffin? Jenny Hansen: writing and the law of loss aversion. Writers in the Storm

Shaelin helps you edit your short story. Reedsy

Angela Ackerman says, if you want powerful conflict, you can’t forget the stakes. Elizabeth Spann Craig

Then, over on Jami Gold’s blog, Angela explains how to write conflict without “bad guys.”

Bethany Henry is making magic systems that work and wow. Fiction University

Why fat phobia is still a problem onscreen. The Take

E.J. Wenstrom presents book promotion graphics for newbies. Then, Sara Farmer looks at some modern girl detectives. Maan Gabriel shares hacks to combat writer’s block and develop discipline. Then, Jane Elizabeth Hughes offers five tips for writing a historical mystery. DIY MFA

Seth Harwood says, your writing matters; a coach can help. Jane Friedman

The Bond Girl, her secret, and her future. The Take

Chris Winkle explains how to keep mysteries from looking like mistakes. Then, Oren Ashkenazi analyzes five stories that break their worlds’ themes. Mythcreants

Lindsay Syhakhom: writing and the art of surrender. Nathan Bransford

Allison Flood celebrates Abdulrazak Gurnah’s 2021 Nobel Prize in literature win. The Guardian

Thanks for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Informal writerly learnings, Sept 12-18, 2021

It’s tipsday! That means you’ve made it through Monday 🙂 Celebrate with some informal writerly learnings.

Sophie Masson is cooking up great book buzz. Then, Jim Dempsey explains how to tap into your characters’ emotions. Barbara Linn Probst wants you to go beyond description with story-relevant aspects of setting. Then, Matthew Norman shares the best writing advice he’s ever gotten. Kelsey Allagood says, active protagonists are tools of the patriarchy. Writer Unboxed

K.M. Weiland looks at the archetypal antagonists for the hero arc: the dragon and the sick king. Helping Writers Become Authors

Shang Chi: I can see clearly now … Jill Bearup

Jennie Nash asks, why write this book? Then, Anna David explains why and how she got her rights back from HarperCollins. Jane Friedman

Eldred Bird: everything has a story. Then, Piper Bayard explains how to bug a room (writing spies). Jenny Hansen: what if my [insert person] reads this? Writers in the Storm

John Kerr lists five story structures to use in your writing. Elizabeth Spann Craig

Kellie Doherty introduces us to some autumn deities. Fantasy Faction

How do we criticize our own? (Also, stop calling Lizzo a mammy.) Melina Pendulum

Jami Gold: if your story’s not behaving, try going deeper into structure. Then, Christina Kaye lists the three things you should consider before choosing your fiction genre. Writers Helping Writers

Olivia Fisher recounts her long road to becoming a freelance editor, part 1. And here’s my latest Speculations: one author’s journey on the autism spectrum. Sonia Hartl explains the importance of friendships in YA. Then, Kanh Ha shares five tips on writing fiction. DIY MFA

The Oedipus Complex: Film and TV’s Freudian obsession. The Take

Kristen Lamb considers types of plot twists and why they’re amazing for stories.

Christine Pride explains how a book goes from acquisitions to books store shelves. Nathan Bransford

Chris Winkle explains why you shouldn’t write a masterpiece. Then, Oren Ashkenazi scores WandaVision, Falcon and the Winter Soldier, and Loki on engagement. Mythcreants

Susanna Clarke: I’d really ceased to think of myself as a writer. The Guardian

5X15 presents Neil Gaiman and Susanna Clarke.

Beth Cato: shared pain. Nature

James Whitbrook: Marvel’s Eternals star, Lauren Ridloff, wants movie theatres to be more accessible for everyone. Gizmodo

Thanks for taking the time to stop by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 8-14, 2021

Another week, another batch of informal writerly learnings.

Ann Marie Nieves answers your book PR and marketing questions (part 4). Then, Jim Dempsey wants you to enhance your fantasies with a dose of reality. Kathryn Craft hopes you aim for the “extra” in ordinary. Then, Kathleen McCleary says, sometimes you’re the windshield; sometimes you’re the bug. Gwen Hernandez helps you create a series bible in Scrivener. Later in the week, Dee Willson connects the dots between research, sex, and related remedies. Writer Unboxed

Tim Hickson is killing characters. Hello, Future Me

Lori Freeland is talking location, location, location! Bring your book to life, part 2. Then, Jenny Hansen says, it’s okay to fall down. Eldred Bird contemplates coming out of hibernation. Writers in the Storm

The messy meaning of zombie stories. Like Stories of Old

Janice Hardy says, if you want a tighter point of view, ditch the filter words in your novel. Then, E.J. Wenstrom is creating creatures for speculative worlds. Ann Harth offers a nine-step plotting path to a stronger novel. Fiction University

K.M. Weiland shares three things to know about the ending of a story. Helping Writers Become Authors

Lindsay Ellis shares nine things she wished she knew before publishing her first novel.

Jane Friedman wonders, should MFA programs teach the business of writing? Then, E.J. Wenstrom explains what to know while you write dual point of view. Jane returns to show you how to harness community to build book sales and platform. Jane Friedman

Stefan Emunds examines eight elements that get readers invested in your story. Live, Write, Thrive

Shaelin Bishop explains why she’s a discovery writer. Shaelin Writes

Manuela Williams offers something for your poet’s toolbox: generate ideas and inspiration. Then, Kris Hill promotes worldbuilding using tabletop games. Tori Bovalino: genre-bending and The Devil Makes Three. Later in the week, Sarah R. Clayville shares five bad habits to quit like a champ. DIY MFA

Fire cat or fire cart? The history of Japan’s Kasha. Monstrum | PBS Storied

Marissa Graff says, don’t let excess baggage bring down your character’s plane. Then Angela Ackerman poses problems and solutions for describing a character’s emotions. Writers Helping Writers

Nathan Bransford explains how to come up with good comp titles for your book. Then, Christine Pride walks you through how an editor at a publisher acquires a book. Nathan Bransford

The “asexual” Asian man. The Take

Kellie Doherty introduces us to some of the mythological creatures of Alaska. Fantasy Faction

Chris Winkle: Project Hail Mary shows when flashbacks work, and when they don’t. Mythcreants

Joanna Penn offers a primer on the metaverse for authors and publishing: web 3.0, AR, VR, and the spatial web. The Creative Penn

Souvankham Thammavongsa shares her feelings about winning the Scotiabank Giller Prize. CBC’s The Next Chapter

What to call that weird thing your pet does. Merriam Webster

Megan McCluskey reveals how extortion scams and review bombing trolls turned Goodreads into many authors’ worst nightmare. Time

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, July 11-17, 2021

Welcome to tipsday, your opportunity to reward yourself for making it through Monday and stock up on informal writerly learnings.

Greer Macallister wonders if authors should review books. Then, Jim Dempsey discusses the inherent nature of story structure. Juliet Marillier charts the ups and downs of a writer’s journey. Later in the week, Julie Duffy wants you to choose your own adventure. Then, Kelsey Allagood shows you how to be creative when you’re feeling “blah.” Writer Unboxed

Jill Bearup analyzes the Loki ep. 6 fight scene.

Richelle Lyn explains how Creativity, Inc. inspired her. Later in the week, Rachel Smith reveals how to use sensory details in historical fiction. Then, F.E. Choe shares five tips for navigating writing events as an extreme introvert. DIY MFA

Lindsay Ellis reveals the unappreciated women writers who invented the novel. It’s Lit | PBS Storied

Janice Hardy offers some advice. Do, or do not. There is no try. Clarifying what your characters do. Then, Kristin Durfee explains how to plot your way back from an unruly idea. Later in the week, Rayne Hall considers 12 story ending twists that don’t work. Fiction University

Why we can’t save the ones we love. Like Stories of Old

K.M. Weiland provides a summary of all the archetypal character arcs. Helping Writers Become Authors

Lisa Hall-Wilson helps you write complex emotions in deep POV: shame.

Alli Sinclair wonders, what is your character’s love language (and why does it matter)? Writers Helping Writers

Why there are so many lesbian period pieces. The Take

Kristen Lamb explains why editing matters (and simple ways to make your work shine). Then, she’s spotting terminological inexactitude syndrome.

Nathan Bransford advises you to avoid naming universal emotions in your novel.

Kathryn Goldman answers the question: are fictional characters protected under copyright law? Then, Jessica Conoley points out the most significant choice of your writing career. Jane Friedman

Why Disney kids take over everything—corporate girlhood. The Take

Eldred Bird presents five more writing tips we love to hate. Writers in the Storm

Chris Winkle explains how Romanticism harms novelists. Then, Oren Ashkenazi examines how Michael J. Sullivan employs the Neolithic in Age of Myth. Mythcreants

Award-winning speculative fiction author (and Damon Knight Grand Master) Nalo Hopkinson joins UBC creative writing faculty. I may just have to invest in another degree! UBC

Thank you for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, April 25-May 1, 2021

Welcome to the first tipsday of May 🙂 Get your informal writerly learnings while they last (just kidding, the archives are always accessible)!

Kim Bullock: what your protagonist’s Spotify playlist might reveal. Elizabeth Huergo recommends Kathleen Acalá and the extraordinary. Then, Sophie Masson shares her experience writing an exclusive audio novel. With apologies for the earworm, Lisa Janice Cohen says she’s “losing my ambition.” Milo Todd wants you to read outside your lane. Writer Unboxed

Tim Hickson: on writing great character descriptions (and he shares one of Shaelin’s). Hello, Future Me

K.M. Weiland delves into the king’s shadow archetypes in part 12 of her archetypal character arcs series. Helping Writers Become Authors

Shaelin Bishop shares three great writing tips that no one ever talks about. Reedsy

Janice Hardy explains why you should know who your narrator is speaking to. Fiction University

David Kadavy promotes mind management, not time management. The Creative Penn

On her own channel, Shaelin shares her short fiction writing process. Shaelin Writes

Tasha Seegmiller shows you how to build your own MFA experience. Then, Eldred Bird lists five writing tips we love to hate. Later in the week, John Peragine discusses serialized storytelling (part 1). Writers in the Storm

Yara-ma-yha-who: Australia’s Regurgitating, Blood-Sucking Monster. Monstrum | PBS Storied

Susan DeFreitas shares three key tactics for crafting powerful scenes. Then, Catherine Baab-Maguira wonders, what if it takes 12 years to get an agent? Jane Friedman

The paradox of cottagecore. The Take

Richelle Lyn helps you create your own virtual writers sabbatical. Then, Amanda Polick explains how to ignite tension in your story with food and natural disaster. Gabriela Pereira interviews Rena Rossner about weaving together history, folklore, and fairy tale. Later in the week, Finola Austin lists traps to avoid when writing in first person. Then, Angyne Smith shares five tips to make your writers’ circle sing. DIY MFA

Jenna Moreci shares ten self-care tips for when you’re busy AF.

Angela Ackerman explains how to write emotion well: know your character. Writers Helping Writers

Bunny and Svend Phillips collaborate on this list of five tired tropes about teenagers. Then, Oren Ashkenazi explains how Revenger fails at technology. Mythcreants

Kristin Nelson is not a fan of publishing house mergers: a non-love story. Pub Rants

Ashawnta Jackson introduces us to the haiku of Richard Wright. JSTOR Daily

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends 🙂

Tipsday: Writerly Goodness found on the interwebz, Feb 7-13, 2021

Another week, another batch of informal writerly goodness. Enjoy!

Janice Hardy lists four ways to develop character agency. Then, Laurence MacNaughton shares six steps to fast and easy revision. Fast and easy? OMG, this is what I need. Fiction University

Jessica Conoley is helping you build your writing support triangle. Then, Lisa Cooper Ellison helps you fix your story shapes to quickly improve your manuscript. Jane Friedman

Pride & Prejudice & Zombies: Lizzy vs. Darcy proposal fight. Jill Bearup

K.M. Weiland starts a new series: archetypal character arcs, pt. 1. Helping Writers Become Authors

Joanna Penn interviews David Farland about valuing your books for the long term. The Creative Penn

The Queen’s Gambit – what happens when the genius is female? The Take

Jim Dempsey wonders, what makes a good editor? Then, Kathleen McCleary asks, who are we now? Kathryn Craft examines the power of declaration. Later in the week, David Corbett explains the unique structure of the love story. Then, Desmond Hall drops some writing wisdom. Writer Unboxed

The bimbo trope, explained. The Take

Marissa Graff lists three critical elements of opening scenes. Again, advice I seem to be in desperate need of. Then, Savannah Cordova shares five tips for writing stellar romantic subplots. Writers Helping Writers

Leanne Sowul shares her DIY MFA story: trust your gut. Then, Adam W. Burgess answers the question, what is LGBTQ+ literature? Gabriela Pereira interviews Sharon Harrigan about point of view. Later in the week, Dr. Antonio Gomes helps you write medical fiction. Then, Kendra Beckley shares five effective tips on fiction writing. DIY MFA

Ellen Buikema offers ten self-editing tips. Later in the week, Eldred Bird explains how to write locations as characters. Writers in the Storm

All about structure: how to plot a book. Jenna Moreci

Chris Winkle lists five ways to make a selfish character likable. Then, Oren Ashkenazi discusses five bad habits writers learn from movies and television. Mythcreants

Shannon Luders-Manuel examines the “tragic mulatta” of Bridgerton. JSTOR Daily

Thank you for taking the time to visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Oct 25-31, 2020

Welcome to the first—and last—tipsday of November! Load up on informal writerly learnings and I’ll see you in December. ‘Cause NaNoWriMo.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot. We are firmly in the second wave and the situation is getting steadily worse. We all have to pull together to survive and protect each other until a vaccine is available.

Kim Bullock explains why writers need rooms of their own. Later in the week, Barbara O’Neal distinguishes between using memory vs. backstory. Writer Unboxed

K.M. Weiland: the midpoint as the swivel of your novel’s linked structure. Helping Writers Become Authors

Janice Hardy shares six steps to creating a great character. Fiction University

Susan DeFreitas says, don’t hold out for publishing to make you feel seen. Pursue this goal instead. Jane Friedman

The Karen trope, explained. The Take

And then, the witch trope, explained. The Take

Tasha Seegmiller: how do your characters love? Later in the week, Eldred Bird offers some tips for upping your “what if” game. Then, Laurie Schnebly Campbell explains why we love (and resent) alpha males. Writers in the Storm

Gilbert Bassey offers four ways to fix a boring story. Writers Helping Writers

Helen J. Darling wants you to reconnect with your values if you’re feeling stuck. Then, Pamela Taylor helps you create authentic details in historical medicine. Later in the week, Gabriela Pereira interviews Laura Jamison about writing the ensemble cast. Then Sara Farmer interviews Linda Olson. DIY MFA

Shaelin reviews structuring your novel with Dan Harman’s plot embryo. Reedsy

And then, she looks at the traditional three act structure. Reedsy

Jami Gold gives some thought to world building on an epic scale.

Oren Ashkenazi analyzes the mixed climaxes of Marvel’s phase three, part 1. Mythcreants

Kristen Lamb explains why some stories fall apart and fail to hook readers (spoilers: it’s story structure).

Summer H. Paulus offers some insight into the origins of Halloween and its traditions. Fantasy Faction

Tricia Ennis reveals the strange, difficult history of queer coding. SyFy

Aja Romano explains how voice actors are fighting to change an industry that renders them invisible. Vox

Disney’s new content warnings on classic animation featuring racist characters. BBC

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Sept 13-19, 2020

It’s another tipsday, your opportunity to catch up on some informal writerly goodness.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

And in the midst of the pandemic and ongoing demonstration, Justice Ruth Bader Ginsberg dies. Such a blow for equality and justice. I hope her last wish can be honoured and her absence on SCOTUS won’t be filled until after the US election.

We’re seeing a bump in infection rates and we’re being told to brace for a second wave. This was something epidemiologists predicted could happen, way back in March. People tend to forget this. Despite what a certain president says, we will not have a vaccine that’s widely available before next year.

Wear your masks. Maintain physical distance when possible. Get your flu shots when they become available. Take care and stay safe.

Onto the curation:

K.M. Weiland: the crucial link between your story’s inciting incident and its climactic moment. Helping Writers Become Authors

C.S. Lakin explains how your premise determines your characters. Live, Write, Thrive

Shaelin has a chat about writing selfishly. Shaelin Writes

Eldred Bird says that a great story is like music to the eyes. Then, Barbara Linn Probst explains why your book matters. Later in the week, Jenny Hansen explains why storytellers are the most powerful people in the world. Writers in the Storm

Lucia Tang promotes the art of the constructive critique. Elizabeth Spann Craig

Meg LaTorre lists 17 things she hates to see in romance. iWriterly

Dave King helps you manage your cast. Then, Barbara Linn Probst shares road, neighbourhood, sky: a three-layer approach to writing a novel. Writer Unboxed

Lucy V. Hay shares awesome writing tips from six famous writers. Writers Helping Writers

Jenna Moreci shares her top ten tips for writing fight scenes.

Lauren J. Sharkey talks dollars and sense. And, my latest Speculations: how the NASA-SpaceX collaboration can inspire your writing. Sara Farmer interviews Adam Smyer. Later in the week, Lynne Golodner shares five tips for narrowing your focus. DIY MFA

Susan DeFreitas shares three common issues with early drafts. Jane Friedman

Chris Winkle lists seven ways jokes can sabotage your story. Then, Oren Ashkenazi sheds light on how Le Guin laid a shaky foundation for Earthsea. Mythcreants

Waubgeshig Rice launches his new column at Open Book: stories of the North.

Thanks for the visit. I hope you found something that will support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.