Tipsday: Writerly Goodness found on the interwebz, May 26-June 1, 2019

You’ve survived Monday! Reward yourself with these informal writerly learnings 🙂

K.M. Weiland unpacks four challenges of writing for a modern audience. Helping Writers Become Authors

Julia Munroe Martin shares lessons from a revision. Writer Unboxed

Leslie Marshman: when giving up is not an option. Tiffany Yates Martin waxes on the rarity of one random “yes” and what to do if you never get one. (Hint: keep writing!) Laurie Schnebly wants you to grab ‘em, keep ‘em, bring ‘em back. Writers in the Storm

Jenn Walton is turning daily news into story fodder. Bronwen Fleetwood helps you figure out whether your book is YA or adult. Charlene Jimenez shares five truths about receiving writing critiques. DIY MFA

Janice Hardy five tips to help you move forward when you’re stuck on a scene. Fiction University

Becca Puglisi explains how to introduce otherworldly elements without confusing readers. Then, Oren Ashkenazi says, stories need to stop promoting torture. Mythcreants

Chuck Wendig: on running and writing and how a little becomes a lot. Terribleminds

Jami Gold discusses the importance of balance in our lives.

Mareila Santos introduces us to Beth Phelan, the literary agent behind #DVPit, who brings new voices of colour to the literary world. Ozy

And that was Tipsday.

Until Thursday, be well!

Tipsday2019

Advertisements

Tipsday: Writerly Goodness found on the interwebz, Apr 21-27, 2019

Another week, another batch of informal writerly learnings.

Emily Wenstrom advises what to post on social media when you have nothing to say. And here’s my latest speculations column: why you should follow myth and legend off the beaten path. DIY MFA

Kim Bullock shows you the positive side of envy (it’s great motivation!). Barbara O’Neal is finding the world through reading. Julianna Baggott issues a challenge: if your room has a view, but also wifi, will you ever see anything but a screen? Writer Unboxed

K.M. Weiland is helping authors become artists. Helping Writers Become Authors

Lisa Hall-Wilson shares the three-act emotional arc for showing shame in fiction. Laura Drake looks at the reality of writing for a living today. Writers in the Storm

Janice Hardy points out two reasons your protagonist isn’t driving your plot. Fiction University

Jami Gold wonders whether to revise or start fresh? What’s better when you’re stuck?

Oren Ashkenazi shares five activities to beat writer’s block. Then, Oren lists six pros and cons of the magic school genre. Mythcreants

Cherie Demaline answers the question, who gets to write Indigenous stories? (Yes, it’s from last year, but always a timely reminder.) CBC Books

And that tipsday.

Consider returning on Thursday for your weekly dose of thoughty.

Until then, be well, my friends.

tipsday2016

Tipsday: Writerly Goodness found on the interwebz, Mar 3-9, 2019

I have a lot of informal writerly learnings for you this week.

By the way, a couple weeks ago, I decided to group posts by blog/source. Are you liking this slight rearrangement, or do you find it more difficult to read? Let me know, if you wish, in the comments. I can always change things back. More whitespace on the page can be helpful for readers.

Oren Ashkenazi examines six common mistakes in fight scenes and explains how to avoid them. Bunny explains how to use the uncanny in your writing. Mythcreants

Greer Macallister explains what it means to be a working writer. Sophie Masson outlines the options for planning your book launch (‘cause not every publisher has budget for that anymore). Donald Maass eschews his usual concise and pithy titles in this installment: nasty, menacing, and murderous protagonists and why we love them. Alma Katsu offers tips for complex historical research. David Corbett writes about what it means to sink into the bog. Kathryn Magendie wants to thank those who encourage us to write and dig deeper. Writer Unboxed

Joanna Penn interviews Sacha Black on how to create heroes and villains for the Creative Penn podcast. Then Bharat Krishnan stops by to discuss how to write diversity authentically. The Creative Penn

James Scott Bell visits Writers Helping Writers: does every protagonist need an arc? Spoilers: yes, but it doesn’t have to be a positive or negative change arc. Sometimes … it’s flat (no change). Janice Hardy stops by later in the week to point out three ways writers tell, don’t show and how to fix them.

Abigail K. Perry examines another of James Scott Bell’s signpost scenes. This time, #8: pet the dog. Brenda Joyce Patterson takes a deep dive into flash non-fiction. Gabriela Pereira interviews Anita Sarkeesian and Ebony Adams for DIY MFA radio. Rachel Thompson list five ways to celebrate women and non-binary authors on International Women’s Day. DIY MFA

Fae Rowan wants to write the perfect book. Spoiler: it’s not possible. What to do instead 😉 Then, Julie Glover wonders, have you forgotten to have fun writing? Writers in the Storm

Susan DeFreitas: when your query reveals a story-level problem. Jane Friedman

Self-rejection: what it is, why you do it, and how to chuck its ass out an airlock. Chuck Wendig, Terribleminds.

Ammi-Joan Paquette is taming the synopsis with these four steps. Writer’s Digest

Jami Gold says, what makes a story uplifting is more than a happy ending.

Rosa Saba: authors irritated by “smug” defense of the Vancouver website they say is stealing their work. Readers, shun ebook.bike. SHUN! The Toronto Star

And that is tipsday for this week. Come back on Thursday for some inspiration and research resources.

Until then, be well, my friends!

tipsday2016

Tipsday: Writerly Goodness found on the interwebz, Jan 27-Feb 2, 2019

And here I am, back with your weekly dose of informal writerly learnings.

Kathryn Craft: the story that holds you back. Hint: it’s the one you tell yourself. Writers in the Storm

Kim Bullock advises you to vanquish emotional overwhelm to increase productivity. Writer Unboxed

Elizabeth Huergo honors Mary Oliver on Writer Unboxed: walk slowly and bow often.

Cathy Yardley guides you from cool idea to premise. Writer Unboxed

Jo Eberhardt mines her (misspent/not misspent) RPG youth: when your characters have minds of their own. Writer Unboxed

K.M. Weiland shares her nine writing goals for 2019. Helping Writers Become Authors

Manuela Williams shares five simple SEO tips for authors. DIY MFA

Pamela Taylor explains how to create authentic details: keeping secrets. DIY MFA

Bess Cozby shares her experience going for six weeks without social media. DIY MFA

Sofia Ashdown shares her top ten editing tips. The Creative Penn

Chuck Wendig explains the story about the story, or, how writers talk about their books. Terribleminds

Becca Puglisi guest posts on Jerry Jenkins’ blog. Got subtext? Writing better dialogue.

Janice Hardy explains what writers need to know about hooks. Fiction University

Chris Winkle shares lessons from The Maze Runner’s point of view disaster. Then, Oren Ashkenazi tackles the problem with oppressed mages. Mythcreants

I post about writer’s grief. WarpWorld

Sangeeta Mehta lists 19 diversity-focused writing conferences and events in 2019. Writer’s Digest

I hope you found something you need to fuel your creative efforts this week.

Come back on Thursday to get your weekly batch of thoughty.

Until then, be well.

tipsday2016

Tipsday: Writerly Goodness found on the interwebz, May 28-June 3, 2017

It’s time for some informal writerly learnings.

The Story Masters workshop James Scott Bell refers to? Yeah. I was there 🙂 Where’s your edge? Writer Unboxed

Cara Black says villains are the architects of your story. Writer Unboxed

Jo Eberhardt shares her experience weaving sub-plots into her story. Writer Unboxed

K.M. Weiland explains how to find your story’s big moments before you outline. Helping Writers Become Authors

Elisabeth Kauffman shares her #1 tip for introverts attending a writing conference. DIY MFA

Laura Highcove: when your why is bigger than your fear. DIY MFA

Christina Delay explains why it’s important to control your survival instinct when it comes to your fiction. Writers in the Storm

Tasha Seegmiller guest posts on Writers in the Storm: enhancing your story through micro and macro setting description.

Writing coach April Bradley says theme is the marrow of your story. Writers Helping Writers

Suzanne Purvis visits Fiction University: how to write a sizzling, scintillating synopsis.

Jami Gold: strong characters come from strong writing.

Kristen Lamb says, when running your race—be content but stay hungry.

Dear writers: a book needs time to cook. Chuck Wendig’s Terribleminds.

If you want to write a book, don’t listen to Stephen Hunter. Foz Meadows, Shattersnipe: malcontent & rainbows.

And here, for your perusal, is the Stephen Hunter article in question: if you want to write a book, write every day, or quit now. Daily Beast

Creative alchemy: experience transformed by imagination with Ursula K. Le Guin and Kristin Kwan on Terri Windling’s Myth & Moor. And here’s more Ursula: the writer as wizard.

Sangeeta Mehta interviews agents Eric Smith and Saba Sulaiman about diversity on Jane Friedman’s blog.

Oren Ashkenazi lists five plausible scenarios for planetary evacuation. Mythcreants

Mary Robinette Kowal shares the highlights of her visit to the SpaceX CRS-11 Cargo Launch NASA social.

The Sunburst Award Longlist has been announced. Think Canadian Nebulas and you’ll be just fine 😉

Laura Miller examines what happens when literary novelists experiment with science fiction. Found this on Twitter with the tweet, when literary authors write science fiction, yet disavow it. Yeah, right? Slate

Charlie Jane Anders confesses: growing up, Wonder Woman was the hero I really wanted to be. Tor.com

And Megan Garber calls Wonder Woman the heroine of the post-truth age. The Atlantic

This is just fun. Why Wonder Woman’s sword can cut through anything. Because science w/ Kyle Hill.

 

Bryn Elise Sandberg reports the sad news that Sense8 has been cancelled. I gotta go over there and cry, now. The Hollywood Reporter

I hope you found something that you needed.

Come back on Thursday to get a little thoughty in your week.

Be well until then.

tipsday2016

Why you should enrol in Writing the Other

Disclaimer: I’m a total newb at trying to express my thoughts and feelings on diversity and cultural appropriation. If I inadvertently write anything offensive or harmful, I invite you to let me know. But I have to start somewhere, try and fail, or I might never improve. Thank you, in advance, for your time, attention, and kind intervention (if required).

I’m not rolling up content as I have in other posts of this nature.

Out of the gate, I’ll recommend Writing the Other (WtO) to any writer concerned about writing inclusive fiction with respect and dignity accorded to characters unlike the authorial self. If you’re not concerned with these vital aspects of craft, then stop reading this post now. There’s nothing for you here.

K. Tempest Bradford and Nisi Shawl deliver an amazing and thought provoking course, the point of which is not to police creativity, but to ask authors to examine their fears, context, and assumptions, and to do their best to write inclusively. WtO will give you the tools to write characters of other ROAARS (race, sexual orientation, age, ability, religion, and sex) characteristics with integrity, and the resources to deepen your knowledge and understanding.

The point is that writing well is hard work, and writing well and respectfully of otherness takes effort and practice, like any other aspect of the craft. You have to be open, willing to learn, willing to practice, and willing to think critically about the creative choices you make in your fiction.

Those of us who come from a background of privilege (white, male, heterosexual, able-bodied, etc.) and those of use who align fairly closely with the unmarked state, still want to write inclusively. If we do so without due consideration, education, or research, we run the risk of harming the people from the same communities as the characters we write from sheer ignorance.

This can take the form of tokenism. Only have one character who is a person of colour? Why not include two, or even three, so readers can see that these characters are, first and foremost, people? Explore the experience of these characters in a fully-fleshed and respectful way. Give them voices. Compare and contrast them. Give them as much attention and thought to them as you give your main character. They may not have as big a role to play in your story, but they deserve to be real.

If your one gay character just happens to be the antagonist, you may inadvertently send the message that you think all gay people are like the antagonist. If your one trans character is the sidekick who gets killed, they become disposable, and that is another negative message you may unintentionally send.

If you have a disabled character who is “cured” by technology or magic, you effectively erase the character’s identity and struggle. If the character has to be able-bodied for the story you’re telling, then tell the story with an able-bodied character. Think about why you want to write a disabled character. If it’s to honour their struggle, then honour it. If you just think it’s cool, that may be true, but your choices may bear more thought.

Recently, in Canada, there was the “appropriation prize” debacle. [I’ve been curating articles and posts on the issues, in Tipsday and Thoughty Thursday, for the past few weeks. Peruse, if you’re so inclined.]

Last year, there was the Lionel Shriver controversy. [And yeah, I curated that one, too.]

Cultural appropriation happens when you take a story that belongs to a culture other than your own without permission and consultation (both are required) and write about it in a way that dishonours the originating culture.

This can happen in any of the arts.

The word diversity has been thrown about in publishing and writing so much in recent years that the word has almost lost its meaning. I’ve heard of speakers who have retreated from panels on literary diversity because they are often attacked or their statements taken out of context for the sake of theatrics or sensationalism.

Diversity, to me, means that people of colour, of other sexual orientations, of differing ability, age, religion, or sex, should write their own stories. And they should be welcomed into the publishing world. We need more editors, agents, and other publishing professionals who are from different backgrounds, too.

This doesn’t mean that no one should write a character that doesn’t share their background. If they do, though, they should be prepared to take the time and do the research to represent that character authentically.

For myself, I’ve decided that I won’t write a protagonist that is significantly different from me. That’s my personal choice, though. I won’t prohibit anyone else from doing that. And there are some writers who have written the other brilliantly, so I won’t say that it can’t be done. I choose not to.

But I want to write inclusively about a world that’s like the one I see every day. To do that, I have to educate myself. And WtO was a first step on that path.

As always, be well, be kind, and stay strong.

Muse-inks

Tipsday: Writerly Goodness found on the interwebz, Oct 16-22, 2016

Just to let you know. I’m participating in #NaNoWriMo this year, but I wasn’t able to take much time off in November. So I’m working. And, I’ll be out of town, training for the day job, for the first week. And I’ll be at Wordstock Sudbury the weekend I get back. And I’ll be helping to launch the SWG anthology, Sudbury Ink. On the weekend of the 12th/13th (the day/date is yet to be determined).

So, it’s going to be a busy month.

As a result, I’m not going to be blogging at all in the month of November. I will be able to complete and schedule the curation posts for the first week (Tipsday on Nov 1st and Thoughty Thursday on Nov 3rd), but, after that, you won’t be seeing another post until December 3rd, when I’ll be doing a double monthly update for October and November.

I just wanted to let you know ahead of time, so you won’t be expecting posts, or wondering where the heck I am.

I’ll be well, and writing 🙂

Your #NaNoWriMo round up for the week:

K.M. Weiland reviews the WriteMind Planner (plus a chance to win!). Helping Writers Become Authors

Janice Hardy guest posts on Kate’s blog: three ways to instantly spot telling.

Chris Winkle shares five ways to hide your foreshadowing. Mythcreants

Vaughn Roycroft suggests the synopsis as a way to revision success. Writer Unboxed

Dave King helps you meet your characters on Writer Unboxed.

Janice Hardy asks, which character is the heart of your story? Fiction University

Writing a series: how much do you need to plan ahead? Jami Gold.

Alex Bloom makes a guest appearance on The Write Practice: what most writers don’t know about screenplay structure.

Steven Pressfield: what works and what doesn’t.

Gail Carriger discusses one of her literary influences, Mercedes Lackey.

Sabaa Tahir picks Patrick Rothfuss’s brain about writing sequels and impostor’s syndrome. Tor.com

Sarah Gailey wants to see more mentally ill women protagonists. Tor.com

Authors share their views on cultural appropriation. The Guardian

Marlon James: why I’m done talking about diversity. Literary Hub

Finally! An infographic that breaks down the big five and their imprints.

Kelsey Campbell-Dollaghan reports on a gorgeous typeface that drove men mad and sparked a 100-year mystery. Gizmodo

Charles Dickens and profanity. Bryan Kozlowski for The Millions.

Azhar A. Alkazwini documents the influence of the Norman Conquest on the English language. Medievalists.net

Five portmanteau words you want to start using. Sad and Useless

Hephzibah Anderson settles in with The Wide Sargasso Sea, the book that changed Jane Eyre forever. BBC

Looking forward to Guardians of the Galaxy, vol. 2? Check out this teaser trailer! Brian Raftery for Wired.

Women will direct every episode of Jessica Jones, season 2. Beth Elderkin for i09.

All the best until Thursday 🙂

See you then! *waves*

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Sept 25-Oct 1, 2016

Yup. Lots of informal writerly learnings for you this week. LOTS!

K.M. Weiland answers reader questions about scenes versus chapters. Helping writers become authors. Later in the week, Kate invites Wordplayer, Usvaldo de Leon, Jr., to share his thoughts on setting up the potential for change in character arcs.

Lisa Cron guest posts on Writers Helping Writers: how your character’s misbelief drives the plot. Later in the week, Angela Ackerman provides this amazing list of resources for writers.

Karen Woodward explores C.S. Lewis’s writing advice.

Jo Eberhardt shares her lessons learned from watching Supernatural. Writer Unboxed

Kristen Lamb shows how Girl on the Train demonstrates the two elements that all great stories share.

Barbara O’Neal responds to the Merritt Tierce article I shared last week: money and the writer. Writer Unboxed

Joanna Penn interviews Toby Neal on The Creative Penn podcast.

 

Janice Hardy guest posts on Writers in the Storm: five reasons your revisions aren’t working.

Erika Robuck has a message for all of us about remembering why we started writing. Writer Unboxed

Steven Pressfield digs deeper into the reasons he writes.

Jami Gold explores how to strengthen your stakes. It’s not always about going big.

Veronica Sicoe discusses story world design and choosing the right time period.

Oren Ashkenazi lists six ways flight changes a fantasy setting. Mythcreants

Bonnie Randall guest posts on Janice Hardy’s Fiction University: on balance versus burn-out.

It’s NaNoWriMo prep season! Joe Bunting shares ten catalysts that will help you win NaNoWriMo. The Write Practice

Catherine McKenzie unpacks the issue of audience limiting covers for books by women authors. Writer Unboxed

More fallout from the Lionel Shriver keynote:

Stephanie Saul reports on how campuses are teaching freshmen about cultural sensitivity and microaggression. The New York Times. This was the kind of thing that Janet Reid ranted about last week.

Liz Dwyer closes the diversity gap in young adult literature. Take part

Tshaka Armstrong discusses Luke Cage, Black Panther, and why superheroes of colour matter. Rotten Tomatoes

Jenny Kay Dupuis shares her grandmother’s residential school story in honour of Orange Shirt Day. CBC

Heidi Ulrichsen interviews Danielle Daniel about her new memoir. Sudbury.com. Later in the week, Danielle was interviewed on CBC Sudbury’s Morning North.

Carl Slaughter of File 770 interviews Kelly Robson.

Haralambi Markov reviews Charlotte Ashley’s body of short fiction. Tor.com

Fran Wilde’s characters aren’t defined by their disabilities. Natalie Zutter for Tor.com.

PW Radio interviews Nisi Shawl on her novel, Everfair, and Writing the Other.

Rachel Cordasco reflects on the Three Body trilogy. Tor.com

Margaret Atwood writes about re-envisioning Shakespeare’s The Tempest in her novel, Hag-Seed. The Guardian

Laura Miller muses on the haunting of Shirley Jackson. Literary Hub

Michelle Fazekas and Tara Butters, the showrunners behind Marvel’s Agent Carter, sell series ideas to various networks, including a series based on Wesley Chu’s Tao series. Deadline

Susan Spann explains when you should walk away from a publishing deal. Writer Unboxed

Ed Nawotka of Publishers Weekly says the publishing world needs more Canada.

Wallace Immen visits the Penguin Random House offices where curling up with a good book is encouraged. The Globe and Mail

Award news! The British Fantasy Award winners announced 🙂

The Scotia Bank Giller Shortlist is announced.

Martha Schabas reviews Hannah Moscovitch’s Bunny and the play’s exploration of the double standard of consent. The Globe and Mail

Tori Amos: Trump is disrespectful to all women. The singer/songwriter talks about her response to Audrie and Daisy, the role of storytelling in her creative process, and accountability. The Daily Beast

And here’s her LA Times piece on the same issues.

Thu-Huong Ha lists 30 words and phrases that will soon be eliminated from American English. Quartz

Author Hannah Kent dives into the Irish world of faith and fantasy. Donna Liu for The Guardian.

John Plotz writes about the influence of Ursula K. Le Guin. The Guardian

Matt Santori-Griffith interviews Greg Rucka on Wonder Woman and queer narrative. Comicosity

Entertainment Weekly shares a fan-made mash-up between Stranger Things and Buffy the Vampire Slayer. Awesomesauce 🙂

Anne Perry recommends five Stephen King books you should read if you liked Stranger Things. Hodderscape

Estelle Tang talks to Sam Heughan about sweat, sheep-dipping, and Outlander spoilers. Elle

Lynette Rice of Entertainment Weekly takes a first look at Outlander’s new season. Later in the week, Lynette shares some breaking news on another actor cast for season three.

Film festival audiences say Split may be M. Night Shyamalan’s best movie yet.

 

Whew! I’m exhausted.

See you Thursday!

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Sept 18-24, 2016

You want moar informal writerly learnings, you say?

Here they are!

K.M. Weiland shares the secret to writing dynamic characters: it’s always their fault. Helping writers become authors

Later in the week, Kate returns with more lessons from the MCU: stay true to your characters.

Tonia Marie Harris guest posts on Writer Unboxed: confessions of an intrepid mermaid.

Lisa Cron digs deeper into the response to her last Writer Unboxed post, in which she posited an alternative to the plotter/pantser dichotomy. It’s hard to own what you believe.

Dave King: give your characters roots. Writer Unboxed

Lisa Janice Cohen shares the seven lessons she’s learned over five years and six novels. Writer Unboxed

Dan Blank: share your voice. Writer Unboxed

Chuck Wendig: here’s how to finish that fucking book, you monster. Terribleminds
Later in the week, Chuck posts: it’s art that will help us survive.

Susan Brooks returns to Janice Hardy’s Fiction University: the importance of genre specificity, part two. Then, Janice guests on C.S. Lakin’s Live, write, thrive: are you making these three common revision mistakes?

Megan Hannum shares five apps that will help you revise your manuscript. DIYMFA

Laura Drake: nail that first line. Writers in the Storm

Chris Winkle shares her insights into creating your antagonist’s journey. Mythcreants

W.B. Sullivan shares six ways to cultivate urgency that will captivate readers. The Write Life

Rebecca Smith: what Jane Austin can teach us about building suspense. Literary Hub

Alice Sudlow posts on the proper order of adjectives.* The Write Practice

*It should be noted that I posted about this in past weeks, including Chuck Wendig’s take.

Indigenous or aboriginal, which is correct? CBC

Roz Morris offers her views on writing as a hobby, an art, a profession, a business, or a vocation. Is there a difference and why is it important? Nail your novel

Kimberly Brock embraces her inner weirdos on Writers in the Storm.

Kirsten Oliphant posts on Jane Friedman’s blog: how to leverage the power of someone else’s platform without being smarmy. Later in the week, Andrea Dunlop shares five questions you should ask yourself when you’re getting ready for a book launch.

So this was a thing that happened:

Writescape profiles Jenny Madore.

Leonard Cohen celebrates his birthday with a present to us. Bob Boilen for NPR.

Buzzfeed lists 28 underused words that you should start using.

Jane Friedman offers her annual state of publishing update.

Publishers Weekly shares the results from their publishing industry salary survey. The trends and disparity are still unsettling.

Susanne Althoff looks at The Bestseller Code and how algorithms could save publishing but ruin novels. Wired

Viet Thanh Nguyen unpacks the complicated issue of diversity in publishing. The Library Journal

Alyssa Wong, Alice Sola Kim, Cat Valente, and Seth Dickenson discuss diversity in science fiction. Leah Schnelbach for Tor.com.

The Fantasy Faction presents part five of their gender and stereotyping in fantasy series: bisexual characters.

Emily V. Gordon says that television writers are doing a better job at portraying characters with mental illness. The New York Times

Keri Walsh: the taming of the bard. Public Books

Watch the PBS trailer for their documentary, Maya Angelou: And still I Rise. The Vulture

More sadness: Terry Jones diagnosed with dementia 😦 The Telegraph

Cinephelia & Beyond takes an in-depth look at Alan Parker’s Angel Heart.

A Nigerian comics startup is creating African superheroes. Lily Kuo for Quartz.

Sarah Gailey posits that Hermione Granger is more than just a sidekick. Tor.com

Watch the Stranger Things kids warm up the Emmy audience with their version of “Uptown Funk.” Entertainment Weekly

And now, I’m a little exhausted.

See you Thursday!

Tipsday

Thoughty Thursday: Things that made me go hmmmm on the interwebz, Sept 11-17, 2016

Time to get your mental corn a-poppin’!

Anna Lovind wants you to find the vision that wants to be born through you.

Kristen Lamb takes aim at the fashion industry.

Chimamanda Ngozi Adichie: we should all be feminists. TEDX Euston.

 

Illustrator Rasneth (Razzy) shows bros why everyone needs feminism. Bust

Daphne Patai: how diversity came to mean “downgrading the west.” Minding the Campus

Throat singer Tanya Tagaq combats indigenous stereotypes. Liz Przybylski for KCET.

Exorbitant food prices on the James Bay coast mean that children are going hungry. Olivia Stefanovich for CBC.

The Irena Sendler story.

 

Sweden is officially moving to a six-hour work day.

 

The wreckage of Sir John Franklin’s HMS Terror may have been found. Garrett Hinchey for CBC.

Phil Plait features Xkcd’s latest comic on global warming. Slate

Anna Nowogrodzki shares a first glimpse of a black hole being born from a star’s remains. New Scientist

Ria Misra reports on new evidence that points to a different theory for the moon’s formation. Gizmodo

The Martian landscape looks like Utah. Phil Plait for Slate.

Wasn’t sure where to put this . . . creepy. David Brown reports on the discovery of a skeleton that points to cannibalism in the Jamestown colony. The Washington Post

Photographer, Lorenzo Montezemolo, takes enchanting long exposure shots of fog over California. My Modern Met

Elyse Wanshel lists ten ways dogs show they love you. The Little Things

Hugs and stuff, ‘cause you’re all grand, you are!

See you Saturday for some movie madness and some series discoveries (midseason follies).

Thoughty Thursday