Tipsday: Writerly Goodness found on the interwebz, Nov 8-14, 2015

I’m a curating machine 🙂

Roz Morris discusses the differences between British, Canadian, and American English and why writers should know when to use each. Nail Your Novel.

Writer tech: How to storyboard in Scrivener. Matt Herron for The Write Practice.

K.M. Weiland offers six steps to create a fantastic narrative voice in her lessons learned from Storming series.

Katie then discusses the easiest character she’s ever had to write.

Lisa Cron gives us the inside story on what grabs readers. Writer Unboxed.

Sophie Masson helps us get the most of mentoring, from both sides of the fence. Writer Unboxed.

Christine Frazier shares ten traits of the mentor archetype on the Better Novel Project.

Kameron Hurley was never in this for the parties.

Then, she wonders if Goodreads ratings correlate to sales.

Next, she reassures us that everything is not awful.

Finally, Kameron explains why having a writing-related day job does not ‘ruin’ you for fiction. Silly rabbits.

Mary Robinette Kowal helps us discern when writer’s block is depression. And when it’s not.

Madeleine Dore shares fifty ways to take care of yourself in the arts. Performing Arts Hub.

Dan Blank discusses the three essential ingredients to creative success. Writer Unboxed.

Building a better world through science fiction: the new utopians. New Republic.

Carly Watters shares fifteen things she’s learned in her five years as an agent.

Declining ebook sales hit home with the big five. Publishers Weekly.

Erin Lindsey is in search of a more nuanced discussion of women and gender in SFF: When Mary Sue failed the Bechdel test. Tor.com.

Margaret Atwood addresses the lack of diversity in fiction: In Tolkien, there are hardly any women at all. The Guardian.

Buffy Ste. Marie recommends eight books she loves. CBC.

Neil Gaiman stops by Buzzfeed to offer writing advice.

100 pieces of writing advice from Chuck Wendig.

The Myers-Briggs types of 101 famous authors. BookRiot.

It’s going to be okay. I did not know this. The Oatmeal.

Judging medieval books by their covers.

Finding Dory’s going to be a-dory-ble 🙂 Space.

Krysten Ritter kicks all the butt as Jessica Jones. i09. <Starts this Friday, guys!>

Tor.com lists all the TV series and movie adaptations of SFF books in the works.

Ima check out SyFy’s new series The Expanse. Tor.com.

Come back next week for more Writerly Goodness.

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Oct 18-24, 2015

Whee! The countdown to Can-con and NaNoWriMo has begun!

I’m all a-squee!

K.M. Weiland answers a reader’s question: How do I keep writing during NaNo when all I want to is watch football?

Katie describes how to make your hero’s self-sacrifice even more heart-breaking.

Jan O’Hara explores those times when dark emotions threaten your writing. Writer Unboxed.

Dan Blank compares copying others and failing vs. forging your own path on Writer Unboxed.

Veronica Sicoe looks at the power of momentum and the three c’s of productivity.

Maya Sapiurka teaches us how to cure writer’s block. Time.

C.S. MacCath gives us a strategy for writing through an emotional block.

Catherine Ryan Howard gives us a virtual tour of her writing space: where the crying happens.

Joanna Penn presents seven things to fix in your first self-edit.

Chuck Sambuchino guest posts on Carly Watters’ blog with seven tips to help you craft your novel’s pitch.

Ruthanne Reid provides a lesson in world building 101. The Write Practice.

Liz Bourke writes about strong female characters and the double standard. Tor.com.

Jamie Gold offers great tips for and examples of writing diversity (without issues).

Noah Charney describes the not-quite end of the book tour. The Atlantic.

George Saunders shares his writing education in The New Yorker.

Was there a real-life Rochester in Charlotte Bronte’s life? The Telegraph.

Has sci-fi become a 21st century religion? The Guardian.

Emil Lendof of The Daily Beast introduces us to Brian K. Vaughan, the comic visionary behind Y: The Last Man.

The Jessica Jones trailer:

And the heresy of Pride and Prejudice and Zombies:

I guess it’s trailer day on Tipsday. Here’s the supercut trailer for The Force Awakens:

Charlie Jane Anders lists 50 science fiction movies that everyone should see at least once. i09.

Grammarly shares 20 jokes for grammar nerds.

BuzzFeed presents 17 rooms for book lovers.

Seven celebrities recite Edgar Allan Poe’s “The Raven.” MentalFloss.

Come on back for Thoughty Thursday!

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Sept 27-Oct 3, 2015

This week’s offerings:

We all “know” we’re supposed to be honest in our fiction, but what does that really mean? K.M. Weiland.

Katie features One stop for writers, by Angela Ackerman, Becca Puglisi, and Scrivener’s Lee Powell, on her personal blog. We have to wait until October 7 to sign up, though. (Hey! That’s TOMORROW!)

Then, Katie offers two warning signs that you’re starting your story too early in her Friday vlog.

Bonnie Randall is back with another great post on Janice Hardy’s Fiction University: Getting psyched out.

C.S. Lakin gives us a list of ten questions that will help check our stories for underwriting. Live, write, thrive.

Every journey starts with a first step. Every story begins with the first word. About gittin’ ‘er done. BookBaby blogs.

Cathy Yardley asks, is your story complex, or overly complicated? How to build complexity without confusing your reader. Writer Unboxed.

Nicole Winters writes about how she kicked research in the butt. Writers in the Storm.

Canadian small press Bilblioasis is doing great things (with three books on the Giller long-list). The Globe and Mail.

Now is not the time for realistic fiction, says Margaret Atwood. NPR.

Elizabeth Gilbert warns of the perils of ignoring your creative self on CBC’s Q.

Eleanor Arnason guest posts on the Women in Science Fiction blog.

Chuck Wendig asked a few cool people to write guest posts on his Terribleminds blog. First, Stina Leicht offers her thoughts on message fiction in SFF. The S.L. Huang defends escapist, blow-shit-up-hell-yeah, popcorn entertainment. Then, editor John Adamus explains why getting an independent and professional editor to review your work is so important.

Anna Lovind explains why she ditched her beautiful career in publishing. Annapurna Living.

“If you’re being rejected 90% of the time, you’re actually incredibly successful.” Dan Blank interviews Eric Wert on We Grow Media.

Check out this historical fiction: The incredible expandable book. Medieval Books.

Put these ten ultra-weird science fiction novels on your reading list. i09.

Mental Floss presents 11 unusual books stores you can visit.

Hope you found something useful. If you did, I’d love to hear from you in the comments.

Hang in until Thoughty Thursday.

Tipsday

Thoughty Thursday: Things that made me go hmmmm on the interwebz, September 13-19, 2015

Moar awesome in this curation.

Dan Blank is searching for Tim Cook’s energy bar on 99u. Tips on conserving time and energy for the important stuff.

Your attitude is more important than your IQ. Quartz.

Mindfulness on the rocks. Sudbury’s labyrinth featured on CBC.

Someone explains that Beauty and the Beast is really about intolerance and bullying. Tickld.

Margaret MacPherson finds strength in vulnerability during her summer of sickness. The Globe and Mail.

Elite Daily shares 41 mental health resources you can use when you can’t afford a therapist.

The Black Dot Campaign: a very important initiative in support of victims of domestic abuse. Bustle.

What happens when women aren’t consulted on “girl toy” creation and marketing. GeekXGirls.

Want to keep a secret? Give it to a tree (or bury it beneath). Medieval skeleton found in the roots of a fallen tree. i09.

SF authors take note: Twelve ways humanity could destroy the solar system. i09.

Vertical farming: A solution to the dustbowl future presented by Interstellar? i09.

Nova’s Secret Lives of Scientists features Mayim Bialik (Amy of The Big Bang Theory):

Check out the whole series on YouTube. Lots of cool ladies of science like Jane Goodall 🙂 And, of course, the guys . . . Bill Nye and Neil deGrasse Tyson.

Alan Cumming shares his experience losing a pet and what it taught him. I so love this. We did a lot of the same things for Nuala. The Globe and Mail.

A few weeks ago, I shared a dolphin surfing on a whale. Now the seals are in on it! The Boston Globe.

I’ve showed these to you before, but it’s just so cool. In Morocco, the goats live in trees:

Hope some of this inspired some great ideas. That’s the whole point behind Thoughty Thursday: Popping your mental corn for . . . some time now 😀

I should be able to get my shit together for more than pictures this weekend.

See you Saturday!

Thoughty Thursday

Tipsday: Writerly Goodness found on the interwebz, August 16-22, 2015

Blissfully back to normal!

And Mom’s surgery went wonderfully, thanks.

Now, on to the Writerly Goodness:

Are you protagonist and your main character the same person? K.M. Weiland explains how the answer could transform your story.

The Pixar way to think about conflict in your story. Katie’s weekly vlog.

Chuck Wendig shares his writing process and invites us to share ours. Terribleminds.

He also smells our rookie moves . . . and tells us how we can avoid them.

Marcy Kennedy guest posts on Jami Gold’s blog on the topic of internal dialogue and three story problems it can help us address.

How to become a bestselling, full-time novelist—it’s so easy! Dan Blank takes a facetious look at becoming an overnight success as an author on Writer Unboxed.

Stephen Kings asks, can a novelist be too productive? The New York Times.

Jeff Bollow’s how to write FAST. By the way, that’s an acronym. It’s not about speed or productivity.

Leta Blake highlights diversity in the LGBTQ community for Writer Unboxed.

The Rabbit Box: a strange and wonderful storybook for grownups. Brainpickings.

Neil Gaiman explains why our future depends on libraries, reading, and daydreaming. The Guardian.

Dylan Landis shares her experience with grief and how it affected her. The New York Times.

The BBC talks to Verlyn Flieger, who helped to bring J.R.R. Tolkein’s Kullervo to print.

R.F. Foster on Yeats, faeries, and the Irish occult tradition:

Flavorwire shares this list of 50 books for 50 classes—a curriculum on your bookshelf.

Who won the Hugos and why it matters. Wired.

Noah Berlatsky chimes in with this take on women authors in SF and the Hugo controversy for Playboy.

Gary K. Wolfe writes about it in the Chicago Tribune, as well.

Takeaway of the week: It doesn’t matter whether your write fast or slow, full-time or part-time, only that you write. Don’t go comparing your work or process to anyone else’s. You are you and your novel is something only you could have created. Value yourself and your time.

So get writing.

And we’ll see you in two days.

Tipsday

Tipsday: Writerly Goodness found on the interwebz, April 19-25, 2015

Some of the best writing posts and podcasts came out last week. Seriously. Awesome.

Here’s part 2 of K.M. Weiland’s Scrivener series: How she uses Scrivener to draft her novels.

How symbolism and subtext improve action beats in your dialogue. Katie’s Wednesday vlog.

Roz Morris’s video chat with Christine Nolfi and David Penny from #indierecon15: How to keep writing when time is scarce.

Then Roz joined Joanna Penn on The Creative Penn podcast to talk about plot.

Jami Gold has some excellent advice on . . . advice 🙂

Dan Blank wrote my favourite post of the week on Writer Unboxed: Shame and your writing career.

Christine Frazier of The Better Novel Project interviews Jeff Goins on the importance of fairy tales.

Jordan Rosenfeld guests on Jane Friedman’s blog on the topic of balanced productivity. Here’s another book for my “to read” pile . . .

Amazon pays this self-published writer $450,000 a year (!) I couldn’t do what Mark Dawson did. Kudos to him for making it. Forbes.

MPR News presents the top ten most challenged books of the year.

TED-Ed on Shakespearean insults:

Enrich your vocabulary with some 1920’s slang:

How Tatiana Maslany is transformed into a cast of clones by Orphan Black makeup artists. Vanity Fair.

See you on thoughty Thursday!

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Feb 22-28, 2015

Roz Morris asks the question, can writing be taught?

In a related article . . . things Ryan Boudinot can say about MFA programs now that he no longer teaches in one. The Stranger.

Now, this started up a bit of a kerfuffle. Though the following two posts by Chuck Wendig belong to the current week, I’m offering them as a counterpoint to Boudinot’s. Some people agreed with Boudinot and some with Wendig. Some took exception to the whole conversation. You may judge for yourselves.

K.M. Weiland explores the six elements of an effective story premise in her weekly post and podcast.

And her Wednesday vlog: how to drive your readers wild with hints and hooks without frustrating them. It’s a delicate balance.

Dan Blank posts on becoming a student of your own writing process on Writer Unboxed. I love process-y stuff. This was “in my wheelhouse.”

Heather Webb explores the science of character creation (lots of resources). Writer Unboxed.

The Kobo Writing Life podcast: Mark Leslie interviews Kristine Kathryn Rusch.

This one goes along with my post on Gatekeepers, rejection, and resilience: Ten of the reasons your manuscript might be rejected. Ruth Harris on Anne R. Allen’s blog.

And . . . 12 famous authors on literary rejection. Aerogramme Writers’ Studio.

Tor.com’s Ilana C. Myer deconstructs the strong, female character in SFF.

Okay, I’m gonna link dump here, but each one of these posts on Jim C. Hines’s web site on the topic of representation is well worth the read. Expand your brains.

How to know if you’re really a writer. Authors Publish.

The ALLi watchdog examines the merits of Amazon versus Apple.

May 2, 2015 will be the first ever Canadian Authors for Indies Day. Publisher’s Weekly.

30 books that were challenged by censors. Infographic on CBC Books.

Why How to get away with murder is TV’s most progressive show. The Daily Beast. It’s great storytelling. Also, I watch TV and movies for craft. This belongs in the writing tips post. So sez me.

And that’s all the Writerly Goodness I gots for this week.

See you Thoughty Thursday!

Tipsday

Reprioritizing

This week, I had an epiphany. The tension has been building for some time and, really, it should have happened years ago, but I had to come to this place in my life to be able to wrap my head around it fully.

Now that I’ve come to a decision, though, I feel stupid for not having realized this sooner.

I’m a writer (duh).

What, you say? I thought you figured that one out already. Yes. I had. But it’s one thing to know something and another to become it, to take action to make your dreams reality.

Let me ‘splain.

C’mon, people, by now you should realize that everything’s a story with me 😉

Back when I was still a wounded creative (oh, poor me), even though I’d been published as a poet, and completed my MA in English Literature and Creative Writing, I couldn’t establish a regular writing practice. I knew that I wanted to be a writer, but I couldn’t find my way there.

I’d been working contract jobs interspersed with employment insurance claims and then I started working for my current employer. At last, I had a job that could pay the bills. The hand-to-mouth existence ceased.

I finally started to sort out my damage, got into therapy, went on antidepressants. I did a few other things to help myself health-wise, and then, thanks to a writing workshop arranged by the Sudbury Writers’ Guild, I found my way to the page.

I drafted my first novel, went to more workshops and conferences, read my way though one writing craft book after another, and joined professional associations.

At work, I was successful in an assessment process, and, after a relatively short period of time, another.

I started this blog and began to work on creating a “platform.”

By this time, I was in my late 30’s and I was under the impression that I could do everything. I could be awesome in my day job, my personal life, and in my creative life.

The truth? You can only run on all cylinders all the time for so long before you need a tune up.

I thought that taking the occasional self-funded leave would be enough, but each time I returned to work, exhaustion crept up on me more and more quickly.

I hit forty and travelling for training started to become less enjoyable. I applied for process after process, getting screened out of most of them, and eventually landed an acting consultant position that drove me a little crazy. I got my training certification.

Then the certification program ceased and I wondered what I had spent all that time and effort on.

Our internal college is undergoing a transformation of its own, by the way, and may be losing more than just the training certification program.

Creatively, I started working on other novels and started to get my short fiction published again.

And now, I’m in another acting consultant position.

I’ve just spent a week in Toronto, training. Introvert me was so drained, I had nothing left for the page.

That was when it hit me.

I’m spending my energy on the wrong thing.

Last year, I wrote about how my creative life was feeding me in a far more meaningful way than my work life. Dan Blank, from whom I learned a lot about platform, made particular note of that statement. He saw it was the light that would eventually become a revelation. As usual, I was a little slow on the uptake.

I’d just returned to my substantive position as an advisor with the training unit and my employer was in the midst of a business transformation process. On the heels of that, they engaged in a massive hiring process that required a lot of training for the newly hired employees.

Retirements at the executive level caused another kind of upheaval and only eight months after getting our manager back from an extended leave, we lost her to a management shuffle. Nearly everyone was moving around; nearly everyone was acting in one capacity or another. There was no stability.

We’re still in chaos. I think that’s supposed to be the new normal, but I don’t deal well with that much upheaval.

I had just decided that I would be happy not getting another acting consultant position, because there were geographical restrictions and I was not willing to move. My friends in the pool were being offered indeterminate positions and I was happy for them.

Then this position came up.

I think the same thing has happened at work that happened back when I was finishing my BA.

At that time, I was moving into a good place creatively. I was starting to get published. I thought I needed the validation of an MA, though.

So, I put myself through hell and though I got the damned degree, it’s still one of my biggest regrets.

Now, I think I need the continuing validation of promotions. I don’t. I so don’t.

What I need is to settle in as advisor for the rest of my career, however long that may be. No more special projects that either get abandoned or taken over by other departments. No more assessment processes that have nothing to do with the jobs they result in. No more acting positions in which I fail to the degree that the lessons learned are no longer within my grasp.

More than that, I don’t want to travel anymore. It simply drains me too much. I’m even considering a parallel move into quality monitoring, which would not involve training or travel, though I would be willing to help out with training in my office, if my new manager would be agreeable.

I’m planning on another self-funded leave this year, but after I’ve paid that off, I’m considering part-time work as well. My work/life/creative balance has been off for so long I can’t see how screwed up things have gotten.

This is not to say that I’m going to coast, or dog it, for the rest of my career. I don’t think that would be possible. It’s just not in me to purposefully do a poor, or inadequate, job. I’m a perfectionist, after all.

I just don’t want a day job that depletes me to the point that I can’t do what it is that I’ve been put on this spinning orb to do.

I still have to work for a few years yet to make sure our remaining debts are paid off, but once we’re in a good place, financially, I intend to make an early retirement of it and get on with the business of the rest of my life.

I’m a writer and the day job is a means to that end. I have to keep my priorities straight. I can’t afford to be putting good energy after bad.

I just have to make it through the remainder of my current acting assignment with my sanity intact first.

Wish me luck?

Muse-inks

Tipsday: Writerly Goodness found on the interwebz, Feb 15-21, 2015

Roz Morris wrote a guest post for K.M. Weiland on Friday the 13th. Though it’s more than a week ago, I didn’t get around to sharing this gem until Sunday (!). So here you go: Four reasons you might be missing out on your best plot ideas.

Katie’s Sunday post and podcast: The crucial way you can figure out how much time your story should cover.

And her Wednesday vlog: Why a killer hook may not be enough to sustain reader interest.

Anne R. Allen offers nine considerations we should all review before we send our first novel out into the world.

Adventures in YA publishing offers this story concept worksheet to help you nail your story’s concept.

Chuck Wendig delivers another excellent post on writing strong women characters. This caused quite the discussion on the SF Canada listserv.

One of those members, Ada Hoffmann, made i09 with her Twitter mini-rant on agency. A cogent summation of the issue.

The second of Nina Munteanu’s posts on rejection. This time: how rejection can help you as a writer.

Dan Blank wrote this wonderful piece for the National Endowment for the Arts on risk in writing. Everyone needs to read this. It’s awesomesauce.

And on the sad side, here’s Oliver Sacks’s piece for The New York Times about what he’s decided to do now that he knows he doesn’t have much time remaining.

Jamie Raintree shares her experience with Storyist on Thinking through our fingers.

Chuck Sambuchino’s definitive guide to manuscript lengths.

Ten authors who took themselves way too seriously. ListVerse.

The writing habits of famous authors, an infographic shared by BookBaby blogs.

The three roles of the shapeshifter archetype. The Better Novel Project.

Buzzfeed shares 21 reasons why the Harry Potter series was the cleverest ever.

So, this priest decided to adapt Leonard Cohen’s “Allelujah” for a wedding:

 

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Jan 18-24, 2015

Roz Morris with more tales from her masterclasses for The Guardian. This week, your inner horse, johari windows, and finding your character’s true nature.

K.M. Weiland on “on the nose” dialogue, how to recognize it, and how to remedy it.

In her weekly vlog, Katie discovers the one common element in all the books she loves. Want to make sure you have it? Watch and learn.

After a lengthy pause, MJ Bush posts about how to know your character deeply in one step: the back door. Writingeekery.

I have a writer-crush on Chuck Wendig because he writes bad-ass stuff like this: 25 ways to be a bad-ass maker who makes bad-ass stuff.

Dave King writes about forthwringing tonguishness, or, why English is such a mutt language, on Writer Unboxed.

Dan Blank answers the question: why bother with email newsletters? Writer Unboxed.

Christine Frazier of The Better Novel Project interviewed on the writing education, technology (WET) podcast.

 

Writing is self-hypnosis from Stephen King:

 

Four plots structures you want to avoid. The New Yorker.

Fabulous bookshelves brought to you by BookBub. My faves? Nine and nineteen.

Why season three of Orphan Black is going to be even crazier. The Nerdist. Yeah, it’s a TV show, but damnit, it’s also great storytelling.

The Guardian. 20 previously unknown Pablo Neruda poems discovered in Chile.

It was a lovely week for writerly goodness.

Enjoy, my friends.

Tipsday