Tipsday: Informal writerly learnings, April 17-23, 2022

Happy Tuesday! You survived Monday 🙂 Reward yourself with some informal writerly learnings.

Sara Farmer enters the not-so-elementary university of Sherlock Holmes, part 1. Then, LA Bourgeois wants you to acknowledge your limitations and set your stage for success. Gabriela Pereira interviews GG Kellner about using history to speculate the future and change the present. Then, F.E. Choe helps you create your own writing space at home. Gracie Bialecki bemoans the double-edged sword of deadlines. Finally, Ashley Christiano lists five ways astrology can help you write your novel. DIY MFA

Jill Bearup says choreography doesn’t matter.

Jan O’Hara: and the Oscar for best reality show script goes to Will Smith (or, writerly takeaways from the infamous slap). Dave King is in search of faith and goodness. Then, Barbara Linn Probst considers time: backstory, flashback, and chronology. Natalie Hart wonders what if you gave up? Writer Unboxed

K.M. Weiland outlines the six challenges of writing a second novel. Helping Writers Become Authors

Shaelin shares 11 writing exercises to help break writer’s block. Reedsy

Becca Puglisi shares creative ways to brainstorm story ideas. Then, Lynette M. Burrows presents one plotting tool for all. Ellen Buikema continues her literary tour of the senses with the power of vision in writing. Writers in the Storm

Alice Gaines offers three tools for deep point of view. Elizabeth Spann Craig

Margaret McNellis helps you tell your story with three tarot cards. Then, Catherine Baab-Maguira explains why Frankenstein still sells 40,000 copies a year. Jane Friedman

Erica Brozovsky talks about pronouns: the little words that say a lot. Otherwords | PBS Storied

Lisa Hall-Wilson offers one reason readers cheer for unlikeable characters. Then, Angela Ackerman explains how writers can turn the page this spring. Writers Helping Writers

Tiffany Yates Martin: “Leave me alone—I know what I’m doing.” Fox Print Editorial

Kristen Lamb: small steps and the value of just showing up.

Why we’re still so obsessed with the Heather. The Take

Chris Winkle recommends seven external plots for relationship-centered stories. Then, Oren Ashkenazi wonders how useful Michael Moorcock’s ten rules of writing are.  Mythcreants

Angie Hodapp helps you balance the explainable with the inexplicable in speculative fiction. Then, Kristin Nelson says all the writing talent in the world won’t save the wrong story. Pub Rants

Why is Turning Red getting so many weird reviews? Xiran Jay Zhao

Alana Pickerel: new poster exhibit by the Sudbury Writers’ Guild highlights Sudbury’s rainbow hospital. CTV Northern Ontario

Alan Neal interviews John Degen of the Writers’ Union of Canada about proposed Copyright Act changes. CBC’s “All in a Day”

Thanks for taking the time to stop by, and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, July 11-17, 2021

Welcome to tipsday, your opportunity to reward yourself for making it through Monday and stock up on informal writerly learnings.

Greer Macallister wonders if authors should review books. Then, Jim Dempsey discusses the inherent nature of story structure. Juliet Marillier charts the ups and downs of a writer’s journey. Later in the week, Julie Duffy wants you to choose your own adventure. Then, Kelsey Allagood shows you how to be creative when you’re feeling “blah.” Writer Unboxed

Jill Bearup analyzes the Loki ep. 6 fight scene.

Richelle Lyn explains how Creativity, Inc. inspired her. Later in the week, Rachel Smith reveals how to use sensory details in historical fiction. Then, F.E. Choe shares five tips for navigating writing events as an extreme introvert. DIY MFA

Lindsay Ellis reveals the unappreciated women writers who invented the novel. It’s Lit | PBS Storied

Janice Hardy offers some advice. Do, or do not. There is no try. Clarifying what your characters do. Then, Kristin Durfee explains how to plot your way back from an unruly idea. Later in the week, Rayne Hall considers 12 story ending twists that don’t work. Fiction University

Why we can’t save the ones we love. Like Stories of Old

K.M. Weiland provides a summary of all the archetypal character arcs. Helping Writers Become Authors

Lisa Hall-Wilson helps you write complex emotions in deep POV: shame.

Alli Sinclair wonders, what is your character’s love language (and why does it matter)? Writers Helping Writers

Why there are so many lesbian period pieces. The Take

Kristen Lamb explains why editing matters (and simple ways to make your work shine). Then, she’s spotting terminological inexactitude syndrome.

Nathan Bransford advises you to avoid naming universal emotions in your novel.

Kathryn Goldman answers the question: are fictional characters protected under copyright law? Then, Jessica Conoley points out the most significant choice of your writing career. Jane Friedman

Why Disney kids take over everything—corporate girlhood. The Take

Eldred Bird presents five more writing tips we love to hate. Writers in the Storm

Chris Winkle explains how Romanticism harms novelists. Then, Oren Ashkenazi examines how Michael J. Sullivan employs the Neolithic in Age of Myth. Mythcreants

Award-winning speculative fiction author (and Damon Knight Grand Master) Nalo Hopkinson joins UBC creative writing faculty. I may just have to invest in another degree! UBC

Thank you for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!