Clean Reader, censorship, and political correctness

The big news of the week has been Clean Reader, which, despite the rumours, is still an app. Essentially, it’s an ereader that disguises what the creators of the app see as profanity.

There have been two camps among writers. One would rather their work not be read at all rather than have it read in an altered form, particularly when the alterations were made without the author’s consent. If the reader doesn’t like what the author writes, they have the right not to purchase or read it.

The other writerly camp concede that once the work is out in the world readers can and often do what they wish with it and as long as the author’s work is still being read and they are still being compensated for it, they’re okay with it (despite how repugnant they might find the practice of altering the work without consulting the author).

Here are some of the posts that have made it across my social media streams this week. (They’ll all appear again in my Tipsday post, BTW.)

As I mentioned on Facebook, on which I shared most of these, I’ll let you read through and decide what you think about Clean Reader for yourselves.

I will, however, share with you, why Clean Reader disturbs me.

It is censorship. No bones about it.

But censorship happens all the time in all of the arts, you say. This is true.

Profanity in television and movies is *bleeped* or dubbed when these shows are televised on network television during hours when impressionable young people might be watching.

There is a rating system for movies and while cinema employees may not strictly enforce it, they do have the right to turn away patrons if they are deemed too young to watch the movie.

Trigger warnings are plastered on music in various formats and there are usually “clean” versions of songs released for radio play.

Books are routinely banned because they are considered profane.

It was just a matter of time before categories for books (adult fiction, YA, children’s, etc.) became insufficient for some readers, or their parents.

I assume that Clean Reader is using the same conventions that allow the bleeping or dubbing of profanity in movies and music to justify the alteration of the ebooks they provide their readers.

It’s a choice and it’s a validated approach as much as I might disagree with it.

You might get the idea that I’m one of those writers in the first camp (above). You’d be right. If people don’t like what I write, they don’t have to read it. Not that every other word I write is a swear word, but I do write about sex, and body parts are also words that the creators of Clean Reader are not comfortable with.

It also smacks of political correctness (to me). It’s like some thought experiment. If we change the words, we protect those who might be harmed by them. If we change the words, we’ll prevent our children from becoming violent or otherwise behaving in a way we find unacceptable.

Big Brother, anyone? Maybe that’s overstating the issue, but I’ve always thought that common courtesy and thoughtfulness were more effective than political correctness.

Why does this concern me? Political correctness is another form of censorship. It all comes from the same, admittedly well-meaning, place, but truthfully, it doesn’t help anyone.

Those of you who have young children will know what happens when they learn their first swear word. Even if it’s something merely socially unacceptable like poopy-head or fart-face (kids often return from daycare or kindergarten with words like these) is it ever effective to forbid them from saying it?

If you’ve tried that strategy, you may have had a wee tyke running through your house shouting poopy-head at the top of her or his lungs. They do that.

More often, parents will have (sometimes repeated) discussions with their children to let them know that their words may make other people feel uncomfortable or hurt and that these words are not ones we should say without thinking about them and about the consequences of saying hurtful words to others.

Parents teach their children respect and courtesy. They teach their children to think before they speak. They teach their children about context and about human failings (you might hear Mommy or Daddy say a bad word when we’re really upset, but sometimes even we forget we shouldn’t say these things).

These early lessons can be the groundwork for more important issues that need to be discussed as children grow older. From bullying to bigotry, sexism to sexuality, words that some people find offensive are essential to these discussions.

We need to use our words, all of them, to provide our children with the tools that will help them mature into courteous and respectful people. We need to use sexually explicit terms to discuss the facts of life as well as alternative sexualities and the respect we all should have for them.

We can’t pretend vulgarity doesn’t exist. We can’t ignore bullying, discrimination, misogyny, or homophobia, and hope they’ll go away just because we don’t use “those words” anymore.

We need to teach people to be wise about their use of words.

I think that’s why Clean Reader disturbs me so much. It’s a dumbing down of language. Censorship of this kind is for people who think reading profanity will corrupt them. Censorship is for people who can’t or don’t want to trust their own judgement.

We can’t engage in meaningful discussion without words, and yes, that includes the bad ones.

It’s only my opinion, but I think my life would be diminished by the disappearance of profanity. If I’d never discovered the Shakespearean Insult Generator (and this is only one of many such sites) or Rogers Profanisaurus (they have an app now too), I would have laughed a lot less and my vocabulary would be significantly limited. Mind you, my sense of humour is distinctly scatological 🙂

I wouldn’t want to read, or write, in a world without profanity.

There are some books I’ve read and enjoyed very much that would not be affected at all by the censoring of profanity, but I couldn’t imagine enjoying Diana Gabaldon’s books (for example) half as much without it, nor would I appreciate someone editing out all the profanity in them.

If someone feels, however, that they want this service and that they can’t read books without it, I support their right to choose Clean Reader. I also pity them for feeling that Clean Reader was the only choice they could make.

Nerdmaste, my writerly peeps.

Muse-inks

Tipsday: Writerly Goodness found on the interwebz, Feb 22-28, 2015

Roz Morris asks the question, can writing be taught?

In a related article . . . things Ryan Boudinot can say about MFA programs now that he no longer teaches in one. The Stranger.

Now, this started up a bit of a kerfuffle. Though the following two posts by Chuck Wendig belong to the current week, I’m offering them as a counterpoint to Boudinot’s. Some people agreed with Boudinot and some with Wendig. Some took exception to the whole conversation. You may judge for yourselves.

K.M. Weiland explores the six elements of an effective story premise in her weekly post and podcast.

And her Wednesday vlog: how to drive your readers wild with hints and hooks without frustrating them. It’s a delicate balance.

Dan Blank posts on becoming a student of your own writing process on Writer Unboxed. I love process-y stuff. This was “in my wheelhouse.”

Heather Webb explores the science of character creation (lots of resources). Writer Unboxed.

The Kobo Writing Life podcast: Mark Leslie interviews Kristine Kathryn Rusch.

This one goes along with my post on Gatekeepers, rejection, and resilience: Ten of the reasons your manuscript might be rejected. Ruth Harris on Anne R. Allen’s blog.

And . . . 12 famous authors on literary rejection. Aerogramme Writers’ Studio.

Tor.com’s Ilana C. Myer deconstructs the strong, female character in SFF.

Okay, I’m gonna link dump here, but each one of these posts on Jim C. Hines’s web site on the topic of representation is well worth the read. Expand your brains.

How to know if you’re really a writer. Authors Publish.

The ALLi watchdog examines the merits of Amazon versus Apple.

May 2, 2015 will be the first ever Canadian Authors for Indies Day. Publisher’s Weekly.

30 books that were challenged by censors. Infographic on CBC Books.

Why How to get away with murder is TV’s most progressive show. The Daily Beast. It’s great storytelling. Also, I watch TV and movies for craft. This belongs in the writing tips post. So sez me.

And that’s all the Writerly Goodness I gots for this week.

See you Thoughty Thursday!

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Feb 15-21, 2015

Roz Morris wrote a guest post for K.M. Weiland on Friday the 13th. Though it’s more than a week ago, I didn’t get around to sharing this gem until Sunday (!). So here you go: Four reasons you might be missing out on your best plot ideas.

Katie’s Sunday post and podcast: The crucial way you can figure out how much time your story should cover.

And her Wednesday vlog: Why a killer hook may not be enough to sustain reader interest.

Anne R. Allen offers nine considerations we should all review before we send our first novel out into the world.

Adventures in YA publishing offers this story concept worksheet to help you nail your story’s concept.

Chuck Wendig delivers another excellent post on writing strong women characters. This caused quite the discussion on the SF Canada listserv.

One of those members, Ada Hoffmann, made i09 with her Twitter mini-rant on agency. A cogent summation of the issue.

The second of Nina Munteanu’s posts on rejection. This time: how rejection can help you as a writer.

Dan Blank wrote this wonderful piece for the National Endowment for the Arts on risk in writing. Everyone needs to read this. It’s awesomesauce.

And on the sad side, here’s Oliver Sacks’s piece for The New York Times about what he’s decided to do now that he knows he doesn’t have much time remaining.

Jamie Raintree shares her experience with Storyist on Thinking through our fingers.

Chuck Sambuchino’s definitive guide to manuscript lengths.

Ten authors who took themselves way too seriously. ListVerse.

The writing habits of famous authors, an infographic shared by BookBaby blogs.

The three roles of the shapeshifter archetype. The Better Novel Project.

Buzzfeed shares 21 reasons why the Harry Potter series was the cleverest ever.

So, this priest decided to adapt Leonard Cohen’s “Allelujah” for a wedding:

 

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Feb 1-7, 2015

Most common writing mistakes, number 38: Irrelevant endings. K.M. Weiland. Helping Writers Become Authors.

Katie helps you create a more compelling backstory in three minutes 🙂

Roz Morris posts about what to do when feedback leads you astray.

Then Roz visited Jane Friedman’s blog to offer tips on how to recognize when backstory is sabotaging your novel.

Chuck Wendig shares the emotional milestones of writing a novel. Don’t think I ever left the sphincter-clenching panic stage 😛

How and why Marie Bilodeau made the leap to full time writer.

How Kameron Hurley hacked her writing process with 10,000 word-a-day marathons. I don’t think I could do this, but I find process to be endlessly fascinating.

Kameron, again, on how we can build a more pragmatic SF&F dialogue.

Why J.J. Marsh doesn’t want your free book.

Open Minds Quarterly answers the question, what makes a writing contest legitimate?

How Harper Lee’s long-lost sequel was found. The Atlantic.

15 thought-provoking SF films that are worth your time. Taste of cinema.

George R.R. Martin explains why The Winds of War isn’t on HarperCollins’ 2015 list (yet). The Daily Dot.

And here is the season 5 trailer for Game of Thrones:

 

I’m putting this in Tipsday because. My favourite song from the Fifth Element soundtrack. I had no idea it could be sung without electronic assistance O.O

 

See you on Thoughty Thursday!

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Jan 18-24, 2015

Roz Morris with more tales from her masterclasses for The Guardian. This week, your inner horse, johari windows, and finding your character’s true nature.

K.M. Weiland on “on the nose” dialogue, how to recognize it, and how to remedy it.

In her weekly vlog, Katie discovers the one common element in all the books she loves. Want to make sure you have it? Watch and learn.

After a lengthy pause, MJ Bush posts about how to know your character deeply in one step: the back door. Writingeekery.

I have a writer-crush on Chuck Wendig because he writes bad-ass stuff like this: 25 ways to be a bad-ass maker who makes bad-ass stuff.

Dave King writes about forthwringing tonguishness, or, why English is such a mutt language, on Writer Unboxed.

Dan Blank answers the question: why bother with email newsletters? Writer Unboxed.

Christine Frazier of The Better Novel Project interviewed on the writing education, technology (WET) podcast.

 

Writing is self-hypnosis from Stephen King:

 

Four plots structures you want to avoid. The New Yorker.

Fabulous bookshelves brought to you by BookBub. My faves? Nine and nineteen.

Why season three of Orphan Black is going to be even crazier. The Nerdist. Yeah, it’s a TV show, but damnit, it’s also great storytelling.

The Guardian. 20 previously unknown Pablo Neruda poems discovered in Chile.

It was a lovely week for writerly goodness.

Enjoy, my friends.

Tipsday

Tipsday: Writerly Goodness found on the interwebz, Dec 28, 2014-Jan 3, 2015

K.M. Weiland’s last post and podcast of 2014! The difference between your story’s hook and your story’s heart.

Chuck Wendig’s 2015 publishing wishlist.

Here’s a podcast you may want to check out: Coode Street. The episode I’m sharing features Robert J. Sawyer and Peter Halasz having a heated, but friendly, discussion about Canadian Science Fiction.

The best science fiction and fantasy books of 2014. i09.

Brandon Sanderson explains why superheroes are so hard to get right. i09.

Western fairy tales given a Korean makeover. i09.

Arthur Kade interviews Sam Heughan and Catriona Balfe from last summer (in case you needed a little droughtlander viewing).

 

Neil Gaiman’s eight rules of writing on Brainpickings.

Margaret Atwood’s timeless advice for writers. The Huffington Post.

Our poet laureate is putting poetry on our transit 🙂 The Northern Life.

Opportunities for writers in January and February 2015. Aerogramme Writers’ Studio.

19 short story competitions from same.

Enjoy!

Tipsday

The Next Chapter: December 2014 update and a year in the writerly life

Janus has two heads so he can look back and ahead. Plus, you really can’t make meaningful progress unless you take some time to reflect on your accomplishments and understand where your journey has brought you to this point.

Let’s start with December, shall we?

In the wake of NaNoWriMo, I needed a wee respite from the purely creative writing. I kept up with my regular blog posts and caught up on a few things that happened in November that I had set aside posting about because of the aforementioned NaNo.

I returned to Marushka after a few days, though, because the force is strong in this one 😉 Also, I have to finish my shit (Wendigism).

Toward the end of the month, though, I wanted to get another short fiction submission revised and sent.

December 2014 writing progress

So at the end of the month, I’d written a total of 15,167 words, 8,812 of them on the blog, 6,234 on Marushka, and 121 on the short story.

What about 2014?

It was a good year, I think.

Since it was the first year I tracked my writerly output, I really have nothing to compare it to, but I know I’ve written more words in this year than I did in 2013 or any year before that.

The highlights:

“The Broken Places” was published in Bastion Science Fiction Magazine in its June issue.

“On the Ferry” won second place in the In Places Between contest.

“Downtime” will be in the fall 2014 issue of On Spec Magazine. The issue hasn’t come out yet (long story short—please subscribe or support them on their Patreon page), but I’m still pleased as punch.

I have writerly income to report on my tax return for the second year in a row!

I’ve put “The Broken Places” and “Downtime” in the short story category in the Auroras. It’s my first year doing this kind of thing, so we’ll see how it goes.

Overall, I submitted six short stories for publication. This is fewer than in past years, but given my greater focus on my larger projects, I’m happy with this.

I attended Ad Astra, CanWrite!, and When Words Collide conferences, and workshops by Brian Henry and The Humber School for Writers.

In 2014, I have written:

  • 110,361 words on this blog
  • 34,589 words on Marushka
  • 21,464 words on Gerod and the Lions
  • 3,521 words of short fiction
  • 3,161 words on Apprentice of Wind
  • 2,384 words on Figments
  • Total: 175,480

2014 Summary

That’s a fuckload of words. Sorry. I felt the profanity appropriate.

Plus, I mapped out and reverse engineered both IoS and Figments, and revised some of IoS.

I am still eternally grateful to Jamie Raintree for her wonderful Excel spreadsheet. This year’s has enough project slots that I don’t have to modify it 🙂 Also, it appears to have a way to track drafting and revisions. I’m excited to see how it works out.

For the second year in a row, the most popular posts on my blog have been those I wrote back in 2012. Dress for Success has been consistently popular. I didn’t think a post about writing in my pyjamas would have been so compelling. Go figure.

Eight Metaphors for Persistence . . . is also a heavily viewed post. I appreciate that a bit more because it was the first post on this iteration of the blog and spoke to how I picked up the pieces after being hacked.

Still, I would like to see some of my book reviews, or conference reportage posts, rank higher.

My overall views on the blog went down from last year. In 2013 I filled the Sydney Opera House five times. In 2014 I only filled it four times.

I take all this with a grain of salt, however, as the number of my followers through WordPress has only grown and at 373, I’m closing in on 400 followers. That’s not bad for three years of blogging when I don’t have a book to sell.

Those who receive my posts via email, or who can read them through WordPress may not be counted because they haven’t actually visited the site.

Personally, as long as you’re enjoying what you read, I’m good. I’m a fan of the slow build.

What’s ahead for 2015?

I’ve you’ve read me for any length of time, you’ll know I don’t go in for resolutions. I set goals and manage my projects on an ongoing basis, sometimes re-evaluating and adjusting my goals to account for the dreaded scope creep 🙂

That’s all stuff I learned from the project management I have to do for work. It’s also similar to the dreaded underwear creep (damnit, not another wedgie).

In all seriousness, I intend to revise and submit several more short stories throughout the year. I also intend to write a few new ones.

I intend to finish my first drafts of Marushka (goal length approximately 76,000 words) and GatL (goal length approximately 50,000 words). I can manage this at a pace of about 5,000 words a month. I’ll finish Marushka first, because it’s where my head is at the moment, and then return to work on GatL afterward.

I will revise IoS and finally (FINALLY) start querying. This is so long overdue, I can’t even. Can’t. Even.

I will move onto revisions of Figments once I start querying IoS.

I will map and reverse engineer AoW and probably Marushka.

I don’t think I’ll be able to manage much more than that for the bulk of the year.

I will again engage in the NaNoWriMo Challenge, even though I will be working through the month of November. I was very pleased with the 2014 results, even though it wasn’t a “win,” per se.

For financial reasons, I’m going to stay close to home this year with conferences and conventions. Most likely Ad Astra and Can-Con.

My big expense, professional development-wise, will be a writing retreat in the summer (if I can swing the leave from work—summer’s a peak time and it’s always a big deal), also local.

I’m facilitating my first writing workshop in years in February. You know I’ll be blogging that one 🙂

And the rest will be based on opportunities as they come my way.

I like preparing my Tipsday and Thoughty Thursday curation posts on the weekend for easier distribution (and more writing time) through the week.

Aside from that, the bloggage will come out of my writerly life, as it usually does.

I have one more post to go before the night is over.

See you shortly 🙂

The Next Chapter

Tipsday: Writerly Goodness found on the interwebz, Nov 30-Dec 6, 2014

Here’s another post and podcast on theme from K.M. Weiland. This theme stuff is a little brain-twisty. Katie makes it accessible without getting didactic. That’s exactly what you have to do with your theme.

Jane Kisacky writes about literary hypochondria for Writer Unboxed.

Ruth Harris wrote this wonderful post for Anne R. Allen’s blog on managing your social media for sanity.

Listen to the Creative Penn podcast. This week’s guest: David Farland 🙂

What Catherine Ryan Howard learned about rejection. Catherine, caffeinated.

Karen Thompson Walker. What fear teaches us. TED Talk.

 

11 books aspiring writers should read. Bustle.

25 words you should add to your vocabulary.

Pixar’s 22 rules of phenomenal storytelling.

Chuck Wendig’s simple, no-fuckery plan to write and the no-fooling, fix-that-shit plan to finish your goddamned novel.

Last week, we learned that readers have more empathy. This week, writers are proven to have better coping skills and better physical resilience. Go figure. Arts.Mic.

I think this might go along with last week’s reader discovery. Book ban in prison repealed. BBC.

How not to build a future society. BBC.

If any of you out there are like me, you’re in agony waiting for April and the resumption of the Outlander season. Here’s a little teaser for you to tide you over courtesy of The Nerdist.

I am a BIG B5 fan, so when I read about a reboot movie, I was vibrating on a higher level. Ars technica.

The Saturday Evening Post DC superhero series by Juan Carlos Ruiz Burgos. Deviant Art. I waffled about whether to put this on the Tipsday post or the Thoughty Thursday post.

The Creative Arts Shop on Etsy offers Doctor Who themed merchandise. I kind of like the fingerless gloves meself.

Buzzfeed presents some awesome writing nooks.

The science of Shakespeare on CBC’s Ideas.

Do you write in your books? Consider this post by Tim Parks for The New York Review of Books.

Tipsday

The next chapter: November 2014 update

So. Just to get it out there, I didn’t meet my NaNo goal this year. Honestly, I thought it was going to be a tall order writing 50k words while working full time.

If you remember my pre-NaNo post, I said that if everything went to hell and I only got 20k words written, that I’d still be happy.

Well, I wrote 28,355 words on my new novel idea and I’m more than happy with that.

NaNoWriMo participant 2014

I didn’t do more than maintenance housework.

I did try to live as normal a life as possible.

I did not abandon my blog, though I was less present on social media.

I had two birthday celebrations, two weeks of training (which always drains introverted Mellie), two weeks of travel, a workshop on publishing, a Christmas party fiasco, and a new critique group meeting to attend.

I’m surprised I got as much done as I did.

I’m still in recovery.

So here, briefly, is what the month looked like.

November's Writing Progress

5,269 words on the blog and 28,355 on the new novel.

33,624 words total for the month.

Whew!

I’ve taken a few days’ respite so far in December (sorry about the time warp, folks), but I’m getting back on that wee writing horsie next week.

As Chuck Wendig says, I gotta finish my shit. As Kristen Lamb says, life rewards finishers.

Specifically, I’m not only going to work further on Marushka, which is another YA urban fantasy/fairy tale re-envisioning, but I’m also going to get back to my other draft-in-progress, Gerod and the Lions, my MG fantasy, and work on a few short stories for upcoming contests and anthology calls.

I’ve written Marushka in Scrivener, my first project using that program. To be honest, while I can see the value of Scrivener, I’m organized enough, and well-versed enough in Word that I’m content to return to it.

Unless, of course, Microsoft does what it’s threatening to do and make Office into a subscription-based service. If that happens, they’ve lost a heretofore faithful customer and I’m jumping ship to Scrivener.

I don’t know why MS has to go and screw up a perfectly good office suite.

I’ve had the pleasure of being on the launch team for a fellow author for the past few months as well. It’s been an interesting process helping Jane Ann McLachlan choose a title for her novel, a cover, reading the ARC, and writing the review for her.

I’ve also gleaned a few things for my toolbox. I knew that one must place one’s review to Amazon.com (as opposed to .ca) but now I know that I should also find other reviews helpful and click that little button on as many of them as possible.

Apparently that’s another little tip: Amazon will give preference and weight to helpful reviews, as opposed to reviews on which the button has not been clicked. Amazon also prefers it if you have purchased the book or ebook through them prior to posting the review. A verified purchase carries more weight again.

Interesting stuff. And here I thought I was helping people out by posting my reviews of their books. Now I know how to help them even more.

And that was my month.

I got a little present in my inbox this past week. See that lovely Excel spreadsheet depicted above? That was created by the wonderful and talented Jamie Raintree. I got her newsletter, and a link to the 2015 version (happy dancing commences).

You need to subscribe to that lovely lady 🙂

I spent most of today cleaning the house after my month of sloth. Phil helped (bless him) by doing the pots in the kitchen and cleaning the bathroom.

Now Mellie has to toddle off to Bedfordshire. She has five submissions to critique for tomorrow’s meeting and Christmas decorations to haul out of storage and place artfully around the house.

You know what? I love my life 🙂

The Next Chapter

Thoughty Thursday: Things that made me go hmmmm on the interwebz, Nov 23-29, 2014

Chuck Wendig confesses to being a sexist, racist, and whatever other ‘ists you can think of. This is social justice in my opinion, so I’m presenting it on thoughty day.

The psychology behind messy rooms. Elite Daily.

Wired’s absurd creature of the week: The colugo. Flying squirrel meets bush baby.

We’re mistaken about the whole alpha wolf thing. i09.

Ravens have social abilities previously only seen in humans. Another reason curvus corvus rocks my world. IFLS.

Interesting for genealogists and writers. Who is related to whom in what way? A great chart to keep things simple. mic.com

Because I love language. Newfoundland slang, brought to you by Cottage Life.

And that’s a wrap for this week.

Thoughty Thursday