character arc

Tipsday: Writerly Goodness found on the interwebz, March 22-28, 2020

/ Melanie Marttila

I hope you’re all keeping safe and well.

I’m now working from home and only leaving to walk the dog. Phil continues to be our designated shopper. We’re all remaining as isolated as possible given the circumstances.

While you’re at home, you might have the time to catch up on your informal writerly learnings.

Julianna Baggott is creating in the time of quarantine. Liz Michalski: sea glass. Heather Webb says, the beauty is in the words. John J Kelley: for the love of Moira—the arc of a memorable character. Writer Unboxed

K.M. Weiland touts the power of hopeful stories in a stressful time. Helping Writers Become Authors

E.J. Wenstrom explains how authors can build a true community of fans. Later in the week, Savannah Cordova lists five signs your story’s structure needs work. DIY MFA

Shaelin shares six ways to improve your craft. Reedsy

Barbara Linn Probst visit’s Jane Friedman’s blog to explain the when, why, and how of peer critique and professional editing.

Lisa Hall-Wilson explains how to write compelling emotional triggers. Ellen Buikema explores white space on the page. Writers in the Storm

The Take takes on the weird girl trope.

Chris Winkle helps you make the most of your narrative premise. Then, Oren Ashkenazi explains why zombies aren’t a good pandemic parallel. Mythcreants

Meg LaTorre shares ten fantasy tropes she loves. iWriterly

Jami Gold explains how point of view affects dialogue.

Nina Munteanu: dreams and perceptions and “the other.”

Robert Lee Brewer clarifies fable vs. parable vs. allegory. Writer’s Digest

Adrienne Westenfeld recommends the best books for distancing yourself from reality right now. Esquire

Open Culture introduces us to the world’s first author: the Sumerian High Priestess Enheduanna.

Thank you for visiting, and I hope you took away something to support your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 23-29, 2020

/ Melanie Marttila

March first was lamb-like. I’m hoping for a gentle month. How about you?

Now, it’s time to get your fill of informal writerly learnings.

Tiffany Yates Martin lists ten specific ways to encourage your reader to like your protagonist. Kris Maze shares five steps to becoming a superstar self-editor. Writers in the Storm

Julia Munroe Martin is not above spying … again. Barbara Linn Probst is taking it scene by scene: the “middle level” of writing. Heather Webb tackles the social media meltdown and burnout. Writer Unboxed

K.M. Weiland shares the professional resources she uses for all aspects of writing and publishing processes. Helping Writers Become Authors

Do you need to outline your book? Reedsy

Then, Shaelin recommends how to develop your best writing process. Reedsy

Joanna Penn interviews Barbara Poelle about finding and pitching a literary agent. The Creative Penn

Sarah Chauncey lists five flashback mistakes. Jane Friedman

Nathan Bransford: don’t release the tension.

Manuela Williams shares five tips for writing an author bio that stands out. DIY MFA

Jami Gold explains how to get advice from an editor. Later in the week, she wonders, do our stories have deeper meanings?

Chris Winkle lists the four essentials of an effective character arc. Then, Oren Ashkenazi explains how to use failure in your story. Mythcreants

Thanks for stopping by. I hope you took away something tasty that will support your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Sept 15-21, 2019

/ Melanie Marttila

Here we are, officially in the fall. Take the time to enjoy the turning leaves and the delicious smells of the season. And, of course, spoil yourself with some informal writerly learnings.

Vaughn Roycroft is using theme to leverage revision. Julie Carrick Dalton hopes no one will notice. Writer Unboxed

K.M. Weiland critiques another brave writer to demonstrate ten ways to write excellent dialogue. Helping Writers Become Authors

Susan de Freitas points out three things you won’t learn from an MFA program. Jane Friedman

Joanna Penn interviews James Scott Bell about writing unforgettable endings. Then, Harrison Demchick offers you four ideas to help authors revise a first draft. The Creative Penn

Chris Winkle returns with the fourth aspect of goal-oriented storytelling: satisfaction. Writers Helping Writers

Jenna Moreci offers her top ten tips on character arcs.

Nathan Bransford offers six ways to build intimacy between characters. Later in the week, he asks, are you creating a mystery, or are you just being vague?

Jenn Walton shares three ways to find inspiration at a writing conference (or any work event). DIY MFA

Jenny Hansen wants you to find and share your story’s theme. Writers in the Storm

Chuck Wendig explains how to be a professional author and not die screaming and starving in a lightless abyss. Terribleminds

Jami Gold helps you figure out how to build your story with chapters, scenes, or both. Then, Kris Kennedy returns with part four of her avoid infodumping by making backstory essential series.

Bunny discusses choosing a follow-up strategy for a popular story. Then, Oren Ashkenazi shares five ways to handle parents without killing them. Mythcreants

Robert Lee Brewer advises writers regarding spacing between sentences. Writer’s Digest

Daniel Ross Goodman shows us the haunting magic of Maurice Sendak. National Review

Thank you for visiting. I hope you found something you need to move your work in progress forward.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 25-31, 2019

/ Melanie Marttila

Ah. Here we are in September. Back to … all the things. Ease back into your routine with some informal writerly learnings.

Lainey Cameron advises you use a three-tier backup plan. Then Tiffany Yates Martin helps you to reclaim the creative spark in troubled times. Writers in the Storm

K.M. Weiland explains how to use a truth chart to figure out your character’s arc. Helping Writers Become Authors

Julia Munroe Martin wonders, what makes you love your main character? Molly Best Tinsley explains how hearing voice(s) led to order in a previously chaotic manuscript. Barbara O’Neal explains what happens when the book takes over everything. Writer Unboxed

Pathologist Jane Bennett Munro wants to help you explain forensics to readers. Elizabeth Spann Craig

Jeanette the Writer reveals the secret importance of readability. Tess Enterline explains why it’s okay (and sometimes necessary) to step away from our writing.  Constance Emmett shares five tips for writing complex, flesh and blood, LGBTQ+ characters. DIY MFA

Janice Hardy doesn’t want you to create cardboard conflicts. Fiction University

Jami Gold explains how sequels make scenes stronger. Then, Kris Kennedy stops by to explain how to avoid info dumping by making backstory essential.

Chris Winkle: how to turn your fanfic into your original fiction. Then, Oren Ashkenazi answers the question, how do cannon affect your naval combat? Mythcreants

Robert Lee Brewer considers OK vs. Okay vs. O.K. Writer’s Digest

N.K. Jemisin, Jasmine Guillory, and Lauren Wilkinson: publishing’s still owned by white men. The Washington Post

Nick Venable talks to the creators of The Dark Crystal: Age of Resistance about the challenges of making a puppet series on Netflix. Saw the first episode—love! CinemaBlend

And that was tipsday. I hope you found something to help you progress with your work in progress.

Come back on Thursday for some thoughty goodness 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 4-10, 2019

/ Melanie Marttila

You’ve worked hard this week (so far). Reward yourself with some informal writerly learnings.

Jael McHenry: it’s always in the last place you look. Donald Maass considers persuasion.  Then, Kathryn Craft wants you to give your reader an experience. David Corbett has a conversation with Zoe Quinton about developmental editing. And Kathryn Magendie writes about becoming a rogue planet (when you lose your publisher). Writer Unboxed

K.M. Weiland shares part two of her five character arcs at a glance series: the three negative arcs. Helping Writers Become Authors

Abigail K. Perry looks at characters in terms of grit, wit, and it. Slush Pile Survivor

C.S. Lakin explains when telling, not showing, emotion is the right choice. Writers Helping Writers

Leanne Sowul: what writing can do for you. DIY MFA

Jenna Moreci lists her top ten worst dystopian tropes.

Sangeeta Mehta interviews Sarah LaPolla and Kim Lionetti for Jane Friedman’s blog.

Chuck Wendig: on writing from a place of fear vs from a place of love. Terribleminds

Reedsy offers a guide to fantasy subgenres.

Chris Winkle: filling in your story’s middle. Then, Oren Ashkenazi relates six common forms of bad writing advice. Mythceants

Jami Gold: when writing advice goes wrong.

Robert Lee Brewer looks at the difference between it’s and its. I know, seems basic. Doesn’t mean I don’t make the mistake from time to time. Reinforcement is always good. Writer’s Digest

Richard Lea and Sian Cain pay tribute to Toni Morrison, who died August 6, at the age of 88. The Guardian

Dwight Garner honours Morrison as a writer of many gifts who bent language to her will. The New York Times

There were so many more tributes, this humble curation would have been huge. I just chose a couple.

Thanks for stopping by. I hope you found something of value.

Until Thursday, be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, July 28-Aug 3, 2019

/ Melanie Marttila

And here we are in August! It’s time to change direction and indulge in some informal writerly learnings.

Kathryn Craft: where a writer’s story begins. Laurie Schnebly Campbell asks, where, when, why? Writers in the Storm

K.M. Weiland helps you learn five types of character arc at a glance: the two heroic arcs, part 1 of 2. Helping Writers Become Authors

William R. Leibowitz delves into the challenges of believability in writing science fiction. C. S. Lakin

Allison Winn Scotch is writing in the chaos. Meanwhile, Cathy Yardly is addressing anxiety. Writer Unboxed

How to use and eliminate passive voice. Reedsy

Nathan Bransford explains what it costs to self-publish a book.

Sara Letourneau is identifying themes in poetry. Jeanette the Writer extolls the power of punctuation.  DIY MFA

Jami Gold: do we know what we’re capable of?

Peter Gelfan explains how to craft engaging dialogue exchanges. Writers Helping Writers

How to write a fight scene. Reedsy

Angela Ackerman is depicting characters held back by fear. Then, Oren Ashkenazi teaches authorial endorsement 101. Mythcreants

Robert Lee Brewer explains the difference between a lot and allot (and that alot is NOT a word!). Writer’s Digest

Cecelia Watson recounts the birth of the semi-colon. The Paris Review

Thanks for stopping by. I hope you found something helpful.

Until Thursday, be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Apr 7-13, 2019

/ Melanie Marttila

Happy Tuesday! Time to reward your hard work this week with some informal writerly learnings.

Rheea Mukherjee explains what it’s like to be the bi-cultural writer. Jim Dempsey helps you discover your characters’ goals. Sarah Callender asks, so you think you can write? Kathryn Craft encourages you to use short story collections as novel prompts. Writer Unboxed

James R. Preston has a conversation about pushing the envelope of first person. Becca Puglisi discusses first pages and character emotion. Julie Glover shares ten things she learned from ten years of writing. Writers in the Storm

K.M. Weiland: what is the relationship between plot and theme? Helping Writers Become Authors

Sara Letourneau provides some exercises for exploring the theme of family in your writing. Later in the week, Jeanette the Writer looks at five famously rewritten novels. DIY MFA

Jami Gold is worldbuilding a series but writing without a plan.

Oren Ashkenazi analyses six unsatisfying character arcs. Mythcreants

Nina Munteanu explains how walking in nature helps her write.

Jenna Moreci updates her list of the top ten worst romance tropes.

 

For balance, Jenna also shares her ten favourite villain tropes.

 

Jessica Leigh Hester: for centuries, know-it-alls carried beautiful, miniature almanacs wherever they went. Atlas Obscura

Nicola Davis reports on the latest research indicating that Beowulf was the work of a single poet. The Guardian

Alison Flood: “extraordinary” 500-year-old library catalogue reveals works lost to time. The Guardian

Thanks for stopping by and I hope you found something to feed your creative process or craft.

I invite you to return on Thursday for some thoughty inspiration.

Until then, be well!

tipsday2016

Tipsday: Writerly Goodness found on the interwebz, Mar 3-9, 2019

/ Melanie Marttila

I have a lot of informal writerly learnings for you this week.

By the way, a couple weeks ago, I decided to group posts by blog/source. Are you liking this slight rearrangement, or do you find it more difficult to read? Let me know, if you wish, in the comments. I can always change things back. More whitespace on the page can be helpful for readers.

Oren Ashkenazi examines six common mistakes in fight scenes and explains how to avoid them. Bunny explains how to use the uncanny in your writing. Mythcreants

Greer Macallister explains what it means to be a working writer. Sophie Masson outlines the options for planning your book launch (‘cause not every publisher has budget for that anymore). Donald Maass eschews his usual concise and pithy titles in this installment: nasty, menacing, and murderous protagonists and why we love them. Alma Katsu offers tips for complex historical research. David Corbett writes about what it means to sink into the bog. Kathryn Magendie wants to thank those who encourage us to write and dig deeper. Writer Unboxed

Joanna Penn interviews Sacha Black on how to create heroes and villains for the Creative Penn podcast. Then Bharat Krishnan stops by to discuss how to write diversity authentically. The Creative Penn

James Scott Bell visits Writers Helping Writers: does every protagonist need an arc? Spoilers: yes, but it doesn’t have to be a positive or negative change arc. Sometimes … it’s flat (no change). Janice Hardy stops by later in the week to point out three ways writers tell, don’t show and how to fix them.

Abigail K. Perry examines another of James Scott Bell’s signpost scenes. This time, #8: pet the dog. Brenda Joyce Patterson takes a deep dive into flash non-fiction. Gabriela Pereira interviews Anita Sarkeesian and Ebony Adams for DIY MFA radio. Rachel Thompson list five ways to celebrate women and non-binary authors on International Women’s Day. DIY MFA

Fae Rowan wants to write the perfect book. Spoiler: it’s not possible. What to do instead 😉 Then, Julie Glover wonders, have you forgotten to have fun writing? Writers in the Storm

Susan DeFreitas: when your query reveals a story-level problem. Jane Friedman

Self-rejection: what it is, why you do it, and how to chuck its ass out an airlock. Chuck Wendig, Terribleminds.

Ammi-Joan Paquette is taming the synopsis with these four steps. Writer’s Digest

Jami Gold says, what makes a story uplifting is more than a happy ending.

Rosa Saba: authors irritated by “smug” defense of the Vancouver website they say is stealing their work. Readers, shun ebook.bike. SHUN! The Toronto Star

And that is tipsday for this week. Come back on Thursday for some inspiration and research resources.

Until then, be well, my friends!

tipsday2016

Book review: K.M. Weiland’s Creating Character Arcs

/ Melanie Marttila / 1 Comment

What Amazon says:

Have you written a story with an exciting concept and interesting characters—but it justcreatingcharacterarcs isn’t grabbing the attention of readers or agents? It’s time to look deeper into the story beats that create realistic and compelling character arcs. Internationally published, award-winning novelist K.M. Weiland shares her acclaimed method for achieving memorable and moving character arcs in every book you write.

By applying the foundation of the Three-Act Story Structure and then delving even deeper into the psychology of realistic and dynamic human change, Weiland offers a beat-by-beat checklist of character arc guidelines that flexes to fit any type of story.

This comprehensive book will teach you:

  • How to determine which arc—positive, negative, or flat—is right for your character.
  • Why you should NEVER pit plot against character. Instead, learn how to blend story structure and character development.
  • How to recognize and avoid the worst pitfalls of writing novels without character arcs.
  • How to hack the secret to using overarching character arcs to create amazing trilogies and series.
  • And much more!

Gaining an understanding of how to write character arcs is a game-changing moment in any author’s pursuit of the craft.

My thoughts:

Creating Character Arcs: The Masterful Author’s Guide to Uniting Story Structure, Plot, and Character Development is a fabulous writing craft book.

K.M. Weiland digs deep into the three types of character arcs and how they work with and influence story structure.

Then, she offers a few ideas on how to use character arcs in your main and supporting characters (and whether it’s worth making the assay with the latter instance), layering character arcs, how to use character arcs over series, and whether or not it’s possible to write a story without a character arc (*spoiler alert,* it is, but there are specific considerations the writer must address).

At the end of each chapter, Kate has a slew of helpful questions that will focus your new understanding of character arc and apply it to your current work in progress. As she has with Outlining Your Novel and Structuring Your Novel, I wouldn’t be surprised if a Creating Character Arcs Workbook is in development 🙂

As with Kate’s other writing craft books, Creating Character Arcs emerged from a blog series on the same topic. Even if you’ve read/listened to the entire series, there’s something about having the reference at your fingertips.

This book works well in conjunction with the other Helping Writers Become Authors books and each builds on the others to form a rich body of writing craft knowledge.

For me, every story begins with the characters and they inform everything else. Creating Character Arcs will help you to connect the dots between your characters, their arcs, and your plot. Using Kate’s method, you can craft a tight, compelling story that works on multiple levels.

Every writer should own a copy.

My rating:

Five out of five stars!

About the author:

kmweilandK.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY and NIEA Award-winning and internationally published author of the Amazon bestsellers Outlining Your Novel and Structuring Your Novel, as well as the portal fantasy Dreamlander, the historical/dieselpunk adventure Storming, the medieval epic Behold the Dawn, and the western A Man Called Outlaw. When she’s not making things up, she’s busy mentoring other authors on her award-winning blog http://www.helpingwritersbecomeauthors.com. She makes her home in western Nebraska.

Tipsday: Writerly Goodness found on the interwebz, Sept 28-Oct 4, 2014

/ Melanie Marttila

I think this week was taken over by Roz Morris and Diana Gabaldon 🙂

Novels aren’t movie scripts: how to write great dialogue in prose, by Roz Morris.

Roz has been busy with Peter Snell of Barton’s Bookshop recording Masterclass radio shows for Surrey Hills Community Radio. Now they’ve made them available as podcasts, too. You’ll miss out on the musical selections, but Roz is always careful to offer the artist and song title so you can have a listen on your own.

Plus, Roz offers excellent advice for NaNoWriMo prep on Writers & Artists.

Ruth Harris has fourteen (writer’s) block busters for you on Anne R. Allen’s blog.

What if your character has no arc? K.M. Weiland discusses the differences between a flat arc and no character arc and whether or not it’s possible, let alone permissible, to write a novel about a character without an arc.

Agent Sarah Negovetich’s Hey, Sarah! In which she discusses how she works with self published authors.

 

Last week, I featured Chris Winkle’s post on Mythcreants about the heroine’s journey. Having read Maureen Murdock (both The Heroine’s Journey and The Hero’s Daughter), I was naturally interested. Now Chris has supplemented that with this post about villains who follow the heroine’s journey. Effective examples of how the heroine’s journey can be used in your novel.

Banned books week was two weeks ago, but I found this Huffington Post article interesting in retrospect: banned books by the numbers.

Maureen Ryan wrote this thoughtful article for The Huffington Post about Outlander’s wedding episode and what it means for the female viewer. Is television’s sexual revolution finally coming of age? I get to watch this tonight because the Canadian affiliate started the series two weeks late (probably by agreement). #ohcruelfate

Visit Scotland has an exclusive three part interview with Diana Gabaldon about her inspiration for the Outlander series of books and its resulting television series on Starz.

i09’s Charlie Jane Anders offers this list of ten characters that totally wasted their immortality.

Hop you enjoy these offerings, my writerly friends.

See you Thursday!

Tipsday