Tipsday: Informal writerly learnings, Sept 18-24, 2022

It’s the last tipsday of September. Finish off the month in style by filling up on informal writerly learnings!

Disha Walia advises what not to include in the first chapter. Then, Angela Yeh helps you move past the middle muddle mood. Best line: “Writing a novel isn’t all sunshine and unicorn butts.” Adam W. Burgess presents LGBTQ+ literature in translation: Notes of a Desolate Man. Helen Scheurerer offers a masterclass in planning and writing a series. Later in the week, Diane Cohen Schneider shares five tips on how to add facts to fiction without sounding wonky. DIY MFA

Why Marilyn Monroe deserved much, much better from us. The Take

Matthew Norman recounts the thrill of changing lanes. Then, Dave King shares the view from inside. Barbara Linn Probst tell some wild and crazy research tales, or the things we do for our stories. Then, Julie Carrick Dalton explains how to attend a literary conference without checking a bag: keep calm and carry-on. Writer Unboxed

What’s up with your shoes? Another armour tier list. Jill Bearup

Janice Hardy suggests five ways to revive a novel that doesn’t work. Fiction University

Penny C. Sansevieri explains why writing conferences matter for writers. Then, Lynette M. Burrows helps you make music with character voices. Ellen Buikema is writing minor characters that matter. Writers in the Storm

Kahina Necaise presents the top four challenges of fantasy worldbuilding and how to overcome them. Live, Write, Thrive

Valkyries: the real story behind these warriors of legend. Fate & Fabled | PBS Storied

Di Ann Mills shares the art and purpose of subtext. Then, Jennifer Browdy is transforming coal into diamonds: telling painful true stories through fiction. Jane expands on her DOJ vs. PRH antitrust trial coverage in The Hot Sheet to explain why it doesn’t change the game for authors, regardless of outcome. Lisa Cooper Ellison says, to nail your book proposal, think synergies, not sections. Jane Friedman

Worldbuilding with giant monsters. Tale Foundry

Lucy V. Hay helps you reach the finishing line and celebrate a completed book. Writers Helping Writers

Nathan Bransford warns, don’t let your opening cement in your mind.

Literally no one likes a grammar cop. Otherwords | PBS Storied

Kristen Lamb explains how shame, regret, and guilt shape story.

Christina Delay advises us about avoiding blocks and refreshing ideas. Jami Gold

How much does it cost to self-publish a book? Reedsy

Chris Winkle points out seven easy sources of real-world danger. Then, Oren Ashkenazi analyzes six stories with cheap cop-outs. Mythcreants

Lucy Knight announces that Hilary Mantel, celebrated author of Wolf Hall, dies aged 70. The Guardian

The five principles of revision. Shaelin Writes

Leah Drayton reveals Toni Morrison’s advocacy against censorship: truth is trouble. The New York Public Library

Stephanie Morris shares autumnal equinox writing tips and rituals. Write of Die Tribe

Thank you for stopping by, and I hope you found something toe support your current work(s) in progress, whatever stage they’re at.

Until Thursday, keep stay safe and well, my writerly friends!

WWC2014 Day 1: The Perfect Pitch Package with Jacqueline Guest

Before we begin, some context

Jacqueline publishes, and always has published, in the Canadian market. As such, she doesn’t have, nor does she need, an agent. Jacqueline pitches her publisher directly. This is a little different that pitching an agent, or querying an agent.

It’s more like a book proposal. Many of Jacqueline’s tips can be amended slightly for agent queries.


First, you have to make sure your manuscript is perfect. Edit it. Print it out. Read it aloud. Don’t edit on the computer screen. You’ll miss too much on the screen.

There’s an editor’s checklist for writers in the package. This document covers the basics that every editor looks for.

Mel’s note: Jacqueline’s package included a sample query letter, tips on submitting to a publisher, the editor’s checklist for writer’s, a tip sheet from Frank L. Visco called “How to Write Good,” and a page of resources about free and purchased writing software, and recommended writing craft books.

Know your audience.

Do you need an agent? In the American market, yes, but not in the Canadian one. You can pitch directly to a Canadian publisher. Best to make sure that the publisher has American distribution, however.

Contracts are tricky. Check out the Writers’ Union of Canada (WUC) site for assistance.

Everything is electronically generated these days.

Start with the Writer’s Market. It’s published in print annually, but there is also a web site that you can access that is continually updated.

Do your homework. Identify the publishers that publish the kinds of novels you write.

If you use the print version of the Writer’s Market, go to the publisher’s web site to make sure there have been no changes to the editors since the publication date. I’d recommend that you call the publisher to confirm.

What goes in your package:

  • Your query letter.
  • A 1-2 page synopsis.
  • 3 chapters, or the number of chapters/pages/words the publisher specifies.

Format:

  • Double spaced
  • Single sided
  • 1” margins
  • Header: On the left, type the title of the novel and beneath it, your name. On the right insert the page number.
  • Use clips for synopsis and sample pages. Use an elastic when sending a whole manuscript.

There are lots of “How-To” books out there on how to write a query or proposal. Get them from your public library and read them.

I use what I call the two-sentence sell.

In the first sentence, you identify your audience, the word count of your novel, and the story line (Mel’s note: Think tag line).

In the second sentence, identify your novel’s unique qualities, and any marketing points (Mel’s note: For example, if you write middle grade fiction, mention if you’ve prepared teaching guides, or activity guides for librarians. If your book is for adults, you may consider mentioning, or suggesting, book club notes.)

These two sentences must be succinct and on target.

Jacqueline then set us the assignment of writing our 2 sentence pitch.

If you need to include a chapter outline, write no more than 1 or 2 sentences on each chapter.

Everything needs to work together. Print it out and read it aloud. You’ll find more errors and awkward phrasing that way.

If you want to write and learn to write better, you must read.

Jacqueline brought out several resource books that she recommends, including Strunk & White’s Elements of Style.


Jacqueline GuestAbout Jacqueline:

Jacqueline is a Metis writer who lives in a log cabin nestled in the pinewoods of the Rocky Mountain foothills of Alberta.

Her award-winning books are unique in that many of the main characters come from different ethnic backgrounds including First Nations, Inuit or Metis. Her well-drawn characters face issues common to every child such as bullying, blended families and physical challenges and are strong role models for today’s youth. Jacqueline’s historical novels for young readers’ present Canada ’s vibrant past as an exciting read every child will enjoy. Her young adult mysteries address teenage problems in a sensitive way while still providing a great page-turner.

Jacqueline’s interactive curriculum-based History & Literacy Presentations appeal to students in all grade levels and are of interest as they incorporate her own background as she shows how the Metis people are a strong part of the fabric of Canada ’s past. Her Easy Key Writing Workshops provides the EasyKey Method to facing a language arts exam and passing! She also teaches writing how-to’s and encourages children to follow their own literary dreams.

Jacqueline has participated in Mamawenig, the Saskatchewan Aboriginal Literacy Gathering, where she helped shape the direction of Native literacy in Saskatchewan . She has performed pro-bono workshops at the Edmonton Young Offenders Centre, presented for the Cultural Diversity Institute, University of Calgary , Batoche Historical Site and participated in Back to Batoche Days, and Fort Calgary ‘s Metis Cultural Festival. Jacqueline has also presented at the Manitoba Association of Teachers of English, the Alberta Association of Library Technicians as well as numerous Writers’ Conferences.

She is the current Writer-In-Residence for the Marigold Library System and a member of Calgary Arts Partners in Education Society.

Jacqueline has been nominated for a National Aboriginal Achievement Award and the prestigious Esquao Award for outstanding achievement by an Aboriginal woman. She has travelled extensively and as far away as Nunavut to spread the good word on literacy.

A strong advocate of reading, Jacqueline believes the key to the future is through better literacy today.