Series discoveries: Anime

I’ve been thinking about writing this for a while. I’ve basically become an anime junkie.

The backstory part

A number of years ago, I can’t actually remember exactly how many, I’m that old, now (not), I used to stay up late on the weekends, Friday and Saturday nights. Not terribly late, but 1 or 2 in the morning.

As Mr. Science used to say, sleep is the enemy (he’s since reassessed that particular opinion, stopped drinking coffee in the evenings, naps on weekends, and is generally more pleasant for it).

It was my way of trying to make the most of my weekends, but I’d sleep in the following mornings, so I really didn’t gain any time. I’ve since just decided to use the time that I have more efficiently 😉

But one of the things I used to do at the end of those late nights was to watch YTV. At the time, they were playing Inu Yasha, and though it was cheesy in spots, I thought it was great storytelling.

After that series ran its course, they played Fullmetal Alchemist, Bleach, and then Death Note. I loved Fullmetal and Bleach even more than Inu Yasha, but Death Note not as much.

Even earlier, I’d watched anime movies like Vampire Hunter D, 3 X 3 Eyes, Ghost in the Shell, Appleseed, Akira, and others. A friend of mine owned (and still does) the local comic store, and would order the videos, video discs, and finally DVDs, and brought them gaming nights, parties, and so forth.

So anime was nothing new. Loving it was, though.

New toys, new obsessions

Last year, Mr. Science purchased a Roku stick. For those of you who don’t know, a Roku stick will allow you to access all sorts of free and by-subscription content. You can access BBC World News, Canada Film Board shorts, and other nifty stuff for free. You can set up Netflix on the Roku.

You can also set up anime channels like CrunchyRoll and Funimation. Now these require a subscription fee, but it’s quite reasonable.

We wanted to watch something together. I chose Bleach, largely because the run on YTV had stopped in the middle of the second season. We started from the beginning and burned through the entire series somewhere in June or July.

We kind of went into withdrawal and Phil resorted to a Shonen Jump subscription and buying the continuing manga. I’ve read up to date on the manga as well, but it’s not the same as the anime. There’s something about the form that draws me in more so than the manga.

From there, Phil’s watched Attack on Titan, Death Note, and he’s currently addicted to Gintama. There are a few others that he enjoys as well.

We tried Claymore, Souleater, and Spice and Wolf, and didn’t enjoy them. Claymore and Spice and Wolf didn’t hook us in the first couple of eps, and Souleater was aimed at a younger audience. Though we gave it several eps, it just didn’t appeal.

I wanted to watch the newer version of Fullmetal Alchemist, Fullmetal Alchemist: Brotherhood. Phil joined in part way through and we both found that we enjoyed Brotherhood more than the original.

We wanted to continue watching other series together, though. So we selected Fairy Tail, which we burned through and are now waiting for the weekly instalments (getting our fix tonight). Next, it was the short-lived enjoyment of Blue Exorcist, which was only one season, and then Log Horizon, which again, we are now watching weekly after having watched all the existing eps.

We’re now watching Akame ga Kill in between waiting for new eps of Fairy Tail and Log Horizon. It’s quite graphic in its violence and main characters get themselves killed all the time.

I don’t want to get all spoilery on you and there are so many anime reviews out there on the web that I’ll let you look into all of these series yourself and you can decide if you want to partake. What I will do is let you know what I’ve learned from watching anime.

The takeaways

  1. The power of friendship trumps everything else.

Though we’re not opposed to dark storylines (the protagonist of Death Note is a right bastard who perpetrates all kinds of evil), Phil and I find we don’t enjoy them as much as the ones like Bleach, in which Ichigo Kurosaki continually learns and grows because he wants to protect the people he loves.

Not that Bleach doesn’t have its dark moments (the revelation about Unohana in the manga blew us away), but Ichigo always manages to make the noble choice. Everyone likes him without things getting too saccharine because he’s a flawed and relatable character.

Other series, like Fairy Tail and Log Horizon focus on the power of friendship in a more obvious fashion. The only thing that bothers me a bit about those two series is that the power of friendship often takes precedence over all other considerations.

Mind you, most of the series we watch are intended for tween and teen boys, and so romantic overtures are often set aside (despite the ample breast size of most of the female characters), even when they (the overtures and the ample breasts) are boldly thrust at the protagonist, as they are in Akame ga Kill.

  1. Story arcs predominate.

They could be as short as two or three episodes, or as long as two seasons, but the writers of anime have their plot shit wired tight. There’s always a payoff and it’s satisfying even if there are aspects of the story arc that I don’t enjoy.

Redemption is a big theme. Heroes become villains, and villains become heroes. Sometimes you’re not sure which is which.

  1. Humour abounds.

There’s always a ridiculous argument or reaction to something. Erza, in Fairy Tail, for example, though she’s an awesome wizard and warrior, is socially inept and often obsesses over silly ideas to extremes that her friends find embarrassing. Even so, they support Erza in her obsession not only because they’re her friends, but also because they all have a healthy respect for her power.

Though I don’t watch it, Gintama is constantly parodying other anime (the protagonist reads Shonen Jump and wants his own Bankai – Bleach), and goes to great extremes with scatological humour. If a weapon can find its way into someone’s ass, it does, people are hit so hard their balls fly off, and shit flinging monkeys often foment chaos.

It’s a bit much for me, but Phil laughs himself silly.

  1. It’s good to be surprised.

Just when you think that the story can’t go anywhere else, it does, and it goes to a completely unexpected place.

The concept behind Bleach is that an otherwise normal boy who can see the spirits of the departed has to assume the powers of a soul reaper. In order to save his friends, he is constantly breaking the rules, achieves greater and greater power, and then, because his enemies are so much more powerful than he is, new dimensions and risks open to him in his quest.

In Fairy Tail, the celestial wizard Lucy, though not very powerful on her own, is the key to a greater adventure that everyone in her guild becomes involved in.

It’s all about the creativity in the storytelling.

For better or worse, I’m addicted to anime now, and happily so. I enjoy it more than most of the television I watch.

I watch it like I watch anything, as a writer looking for lessons that I can take to the page.

Next week: Ima write about my literary mothers 🙂

Be well until then!

Series Discoveries

The Next Chapter: August 2014 update

This has been a weird month, writing-wise.

I started out well enough, continued working on Gerod and the Lions, and started revising one of my longer short stories for submission.

Then I went to When Worlds Collide.

It was a great conference, but the pace was killer. They really need to work in proper breaks for lunch and dinner. It’s bad enough that they have eight sessions running at all times, but if you want to eat, you have to grab and go.

Yes, Surrey had more concurrent sessions than WWC, but there were a number that I didn’t regret missing. They kind of organized sessions into streams so that sessions on similar topics wouldn’t conflict with each other.

Maybe it was that I was a little more eclectic in my choices of what to attend at WWC. Maybe it was the extra day where I hiked approximately twelve kilometres in the mountains and canyons of Alberta. Maybe it was the time change and the red-eye flight back to Ontario with only a day off to recover before I returned to work.

I don’t know. Whatever it was, I was exhausted upon my return.

I finished the work on my story and got it submitted. As I mentioned previously, it’s a longer short story, nearly 10,000 words and the magazine to which I’ve submitted it is one of the big markets. I still don’t want to talk about it too much right now because I could come off as cocky. I could just end up jinxing the whole business. Regardless of the outcome, I’ll let you know once it’s transpired.

I just couldn’t get back into GatL, though.

On Collapse

Then I received an email from SARK. She was giving a free conference call on the topic of creative collapse.

It was interesting.

One of her points is that all creative people collapse, whether they admit to it or not, and many of us will need to collapse every once in a while.

Now collapse isn’t a negative thing. It’s more of a phase where we’re not actively writing new words, but maybe working through ideas, researching, editing, and the like. So I’ve been in this place, off and on, for a while now. It’s part of a creative cycle and it seems to me, a natural part.

We have to recognize our need to collapse, give ourselves permission to do so, and remain creatively open throughout our collapse period so that we can return to our work renewed and ready to give ‘er 😀

So aside from blogging, I’ve given myself permission not to write. It’s felt strange. I still have that urge to write, that need, and if I can’t or don’t work on my fiction, I feel very odd. Outside my own skin. Alien.

But I think it’s been a good thing for me, what with everything that’s been going on in my life otherwise.

So tomorrow will be a planning day. I’m going to relax and think about my re-entry into daily writing practice. Perhaps I’ll sign up for a workshop or two that I want to attend in the fall, and think about whether I can tackle NaNoWriMo this year without having time off from work.

I’m going to figure out how I can fit back into my skin and reconcile the two sides of my life.

What I’ve been doing

I’ve been researching a new story idea. I had a dream back in the spring and it stuck around, started making a fuss, so I figured I should pay attention.

I’ve also been letting Katie Weiland’s Character Arcs posts help me sort out a few things that I want to do with Initiate of Stone and Apprentice of Wind.

And, with Phil, I’ve been working my way through Bleach. I’ll get around to talking more about that when I get to my Mel’s Movie Madness and Series Discoveries posts in September.

SFCanada

I can’t tell you how happy I am that I joined SF Canada in the spring. The discussions that happen on the listserv are awesome. The experiences shared are heartening. I’m learning so much just being attentive.

Recently the topic came up of making the leap to full-time writer, something that’s been on my mind a lot recently. Serendipity at work 😉

I’m going to preface this next bit by explaining to my followers in other parts of the world that being a full-time writer, and a full-time genre writer at that, in Canada, is tricky. Our market is a lot smaller (our population is a lot smaller), and even if we aim for an agent or publisher in the States, we throw our hats into the ring with millions of other writers who are vying for the same kind of success.

It can be daunting.

I know a number of authors who manage to make it work, but each path to independence and story is unique.

Some writers have made the leap after having had another career. Some have supportive spouses who have enabled them to devote time to their craft. Some have “taken turns” with their spouses, alternately supporting each other through career transitions. Some have damned the torpedoes and just gone for it. For this last group, the going hasn’t always been easy, but they’ve managed.

As you know, I’m not in a place where I can do that yet.

In conjunction with this discussion was another strand about paying your dues, fine-tuning your craft, your 10,000 hours or your million words, and about newer writers who feel that they can dispense with revision and editing, and that volume alone is the key to success. Quantity vs. quality was a theme that came up a lot.

So did the idea that just because you can, doesn’t necessarily mean you should.

There was discussion about the dreaded “trunk” novel, the novel a writer uses to learn and practice on and speculation as to whether these novels should ever see the light of day.

The whole has been very informative, and, I must say, inspirational. It’s made me want to get back into my work and start mucking around in the words again.

We’ll see where all this takes me.

August's writing progress

The stats

My total output for the month has been 11,600 words.

A scant 57 words went into the short story, but were then more than edited out again.

1,113 went into GatL.

And, as ever, the bulk of my words went into this blog. 10,430 to be exact.

I’m still waiting for beta reports. I haven’t finished the mapping of Figments yet, let alone moved on to AoW. Despite the limited progress this month, I’m still on track to finish GatL by the end of the year. So everything is on the cusp of its next evolution. I’m full of optimism.

As I watch my writerly friends publish their second novels, I get a twinge of envy, but I’m trying to convert that into motivation, because, in the end, my writing career is up to me.

It’s time to get back to work.

Farewell until next month, my friends. Wonderful words to you all. Break a pencil*!

*I’ve mentioned in the past that this is the superstitious writer’s “good luck,” but more recently, I’ve realized it might be a, shall we say, Canadian, way of saying Chuck Wendig’s “Art harder, motherfucker!” Yup. Break those keyboards, make those pens bleed ink, crush those pencil leads. I want y’all to art that hard. If you will, I will, too. Deal? 🙂

The Next Chapter