Barbara O’Neal

Tipsday: Informal writerly learnings, June 26-July 2, 2022

/ Melanie Marttila

Another week, another batch of informal writerly learnings. And so it goes …

Vaughn Roycroft is living an artist’s life with lessons from Kate Bush. Then, Erika Liodice is finding inspiration in unexpected places. Tessa Barbosa shares some easy tricks for crafting memorable characters. Then, Sarah Callender is writing (and living) in the midst of fear. Barbara O’Neal considers the practice. Writer Unboxed

Tim fixes Legend of Korra season 2. Hello, Future Me

K.M. Weiland offers eight ways to avoid cardboard characters and plot contrivances. Helping Writers Become Authors

Susan DeFreitas explains how (and how not) to write queer characters: a primer. Then, Tiffany Yates Martin reveals how to improve your storytelling by studying other people’s. Jane Friedman

That … could have gone better? (Analysis of Luke vs. Vader in Empire Strikes Back.) Jill Bearup

Kris Maze says re-gear your writing career—take risks to revitalize. Then, Jenny Hansen shares Kurt Vonnegut’s ten tips for successful writing. L.A. Mitchell is opening the top-secret client vault on ghostwriting (and how you can find your first). Writers in the Storm

Teresa Conner shares three design secrets for captivating book adds. Hyacinthe M. Miller helps you avoid writing stereotypes of people of color. Writers Helping Writers

Death by misadventure—Passing and the nature of identity. Princess Weekes

LA Bourgeois is battling the guilt monster. Then, F.E. Choe offers a few, humble thoughts on voice. Michael Bourne lists five ways to turn your setting into a fully realized character. DIY MFA

Tiffany Yates Martin points out the main writing skill you may be neglecting. Fox Print Editorial

Moiya McTier—Trickster gods and the mortals who love them. Fate & Fabled | PBS Storied

Chuck Wendig says sometimes writing is finding a place to put all your rage, sorrow, and even joy. Terribleminds

Chris Winkle explains how to write a first-person retelling. Then, Oren Ashkenazi reveals the myth of conflict-free story structures. Mythcreants

Kristen Lamb: writing to formula vs. formulaic writing.

Thank you for visiting with me 🙂 I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Aug 15-21, 2021

/ Melanie Marttila / 1 Comment

You’ve made it through Monday! Reward yourself with some informal writerly learnings 🙂

Vaughn Roycroft is living with unpublished characters. Then, Barbara O’Neal is finding the particular. Barbara Linn Probst considers writing: is it an art, identity, or profession? Why not all three? Later in the week, Porter Anderson gets provocative about flights of self-censorship. Then, Kelsey Allagood explains how creation myths affect character motivation. Writer Unboxed

Princess Weekes explains how true crime reveals the corruption and failures of the legal system. Melina Pendulum

K.M. Weiland explains why you should always identify your characters, pronto. Helping Writers Become Authors

Jane (herself) says, the value of book distribution is often misunderstood by authors. Then, Tiffany Yates Martin shares the secret to a tight, propulsive plot: the want, the action, the shift. Sangeeta Mehta interviews agents Michelle Brower and Jennifer Chen Tran about whether you should publish with a small press. Jane Friedman

Related: E.J. Wenstrom shares what she’s learned in six years of small press publishing. Elizabeth Spann Craig

Story structures: In medias res. Reedsy

Melinda VanLone offers some advice for branding a series. Then, Lisa Norman lists seven things every author website needs. Miffie Seideman offers some helpful advice on writing about drugs: Fentanyl 101. Writers in the Storm

Andrea Turrentine shares two key factors in successfully outlining stories. Live, Write, Thrive

Rayne Hall lists 11 reasons you should submit your short stories to anthologies. Then, Janice Hardy wonders, why ask why? Because your readers will. Bonnie Randall considers the risks and rewards of uncommon narrative structures. Fiction University

Nathan Bransford advises what to cut when your book is too long. Nathan Bransford

Seven-point story structure. Reedsy

Ambre Dawn Lefler wants you to be a conference guru. Then, Susan Francis Morris explains how writing helped her live life after trauma. Later in the week, LA Bourgeois offers five ways to trick yourself into writing. DIY MFA

E.J. Wenstrom explains why we need ADHD representation in fiction. Terribleminds

Christina Delay is breaking free. Writers Helping Writers

Chris Winkle: what do writers need to describe? Then, Oren Ashkenazi analyzes five characters with the wrong skill set. Mythcreants

Why it’s time to write out the nag. The Take

Angie Hodapp introduces us to the trinity of premise, plot, and prose. What happens when one is missing? Then, Kristin Nelson shares 14 reasons why agenting is harder now than it was 20 years ago. Pub Rants

Nina Munteanu: to boldly go where no human has gone before ….

Rebecca Thomas explores Mi’kmaw language in poetry collection: I Place you into the Fire. CBC’s The Next Chapter

Vicky Qiao reports that Ojibway journalist and author Tanya Talaga to write three new nonfiction books. The first will be published in 2023. CBC

Thank you for taking the time to visit. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Oct 25-31, 2020

/ Melanie Marttila

Welcome to the first—and last—tipsday of November! Load up on informal writerly learnings and I’ll see you in December. ‘Cause NaNoWriMo.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot. We are firmly in the second wave and the situation is getting steadily worse. We all have to pull together to survive and protect each other until a vaccine is available.

Kim Bullock explains why writers need rooms of their own. Later in the week, Barbara O’Neal distinguishes between using memory vs. backstory. Writer Unboxed

K.M. Weiland: the midpoint as the swivel of your novel’s linked structure. Helping Writers Become Authors

Janice Hardy shares six steps to creating a great character. Fiction University

Susan DeFreitas says, don’t hold out for publishing to make you feel seen. Pursue this goal instead. Jane Friedman

The Karen trope, explained. The Take

And then, the witch trope, explained. The Take

Tasha Seegmiller: how do your characters love? Later in the week, Eldred Bird offers some tips for upping your “what if” game. Then, Laurie Schnebly Campbell explains why we love (and resent) alpha males. Writers in the Storm

Gilbert Bassey offers four ways to fix a boring story. Writers Helping Writers

Helen J. Darling wants you to reconnect with your values if you’re feeling stuck. Then, Pamela Taylor helps you create authentic details in historical medicine. Later in the week, Gabriela Pereira interviews Laura Jamison about writing the ensemble cast. Then Sara Farmer interviews Linda Olson. DIY MFA

Shaelin reviews structuring your novel with Dan Harman’s plot embryo. Reedsy

And then, she looks at the traditional three act structure. Reedsy

Jami Gold gives some thought to world building on an epic scale.

Oren Ashkenazi analyzes the mixed climaxes of Marvel’s phase three, part 1. Mythcreants

Kristen Lamb explains why some stories fall apart and fail to hook readers (spoilers: it’s story structure).

Summer H. Paulus offers some insight into the origins of Halloween and its traditions. Fantasy Faction

Tricia Ennis reveals the strange, difficult history of queer coding. SyFy

Aja Romano explains how voice actors are fighting to change an industry that renders them invisible. Vox

Disney’s new content warnings on classic animation featuring racist characters. BBC

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 23-29, 2020

/ Melanie Marttila

Welcome to tipsday 🙂 Pick up some informal writerly learnings to get through your week.

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I don’t want this to be a “performative wokeness” thing. I believe it wholeheartedly. I’m going to keep putting this message out there until real change happens.

Next week will see Ontario students return to class. Though additional money has been allocated to help schoolboards prepare, there still doesn’t seem to be a firm plan across all schoolboards. We’re going to have to wait and see.

Tiffany Yates Martin considers whether you should set your stories in a pandemic world. Then, Laurie Schnebly Campbell wants you to follow your heroine beyond the Hero’s Journey. Writers in the Storm

Kathleen McCleary: get me out of here. Barbara O’Neal: a writer’s sacred task to observe. Then, Heather Webb is struggling through the shitty first draft. Writer Unboxed

Shaelin explains how to write a plot twist. Reedsy

K.M. Weiland offers five steps to get past your fears of sharing your work. Helping Writers Become Authors

Nathan Bransford compares third person omniscient, third person limited, and head-hopping.

Tim Hickson explains how class systems fall. Hello, Future Me

Savannah Cordova shares some predictions for publishing trends in late 2020 and beyond. Writers Helping Writers

Bonnie Randall is learning from the mistakes of the greats. Then, Janice Hardy offers three quick steps to write a scene. Fiction University

Kristen Lamb helps you find focus during crazy times: only so many ducks to give.

Sara Farmer interviews Marcie Rendon. DIY MFA

Nina Munteanu explores the Mozart effect and the power of music.

Oren Ashkenazi lists six common misconceptions of new writers. Mythcreants

Catching up on some awesome from The Take. First up: is Kill Bill’s Beatrix Kiddo a feminist hero?

Then, the model minority trope, explained.

Next, The Take explains how Kat, from 10 Things I Hate About You emphasizes the feminist message of Shakespeare’s Taming of the Shrew.

Finally, the neurotic, type A woman trope, explained.

Hephzibah Anderson reveals the surprising secrets of writers’ first drafts. BBC

Roxanne Fequiere: Black women are topping the bestsellers lists. What took so long? Elle

Farzana Doctor explains why her latest novel, Seven, is about khatna, or genital mutilation. Chatelaine

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

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Tipsday: Writerly Goodness found on the interwebz, July 19-25, 2020

/ Melanie Marttila

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

The biggest covid concern of the moment is school reopening. I really think that they need to stay virtual and that employers and the government need to collaborate to support parents who need to stay home for their school-aged children. The economy is still in bad shape and will continue to be for some time. There are signs of recovery, though. Getting kids back to school and risking them and their teachers and everyone they might come into contact with is not the answer.

Yes, virtual learning is hard. Yes, all learners will not excel in a virtual environment. Yes, it requires more of students and parents. And yes, I do not have kids, nor am I an elementary or high school teacher, but some of my best friends are teachers and I’m listening to their concerns. As the old saw goes, I’d rather be safe than sorry. Covid is not going away tomorrow.

On that cheerful note, please fortify yourself for another week of #pandemiclife with these informal writerly learnings.

Jan O’Hara shares a plotstorming technique. Then, Barbara O’Neal explains how to write during a pandemic even if it feels like you can’t. Later in the week, Heather Webb says, writers, pay yourself first. Keith Cronin has a great writing craft recommendation: the guy who wrote Fight Club just kicked my ass. Writer Unboxed

Princess Weekes offers an introduction to Afrofuturism. It’s Lit | PBS Storied

K.M. Weiland offers four questions that will help you avoid plot holes. Helping Writers Become Authors

Jenna Moreci offers her top tips for self-editing.

Angela Ackerman suggests a secret weapon for characterization: the character’s job. Then, Ellen Buikema is creating memorable animal characters. Writers in the Storm

Chrys Fey explains how to create a free book trailer using Adobe Spark. Fiction University

Ginnye Lynn Cubel shares five tips for a mindful writing practice. DIY MFA

Bunny lists seven reasons storytellers should consume bad stories. Then, Oren Ashkenazi examines six sexist themes from the early Wheel of Time books. Mythcreants

Paul Graham explains how to do what you love. Very though-provoking essay.

The Irish language and beauty. Dónall Ó Héalaí | TEDxBerkeley

Joi-Marie Mckenzie lists the 50 most influential books by Black authors in the past 50 years. Essence

Cinema’s racist history. The Take

Amy Sackville: I am not reading. I am not writing. This is not normal. The Guardian

Nathan J. Robinson parses the issue of J.K. Rowling and the limits of imagination. Again, this article discusses TERF-dom. Please avoid if you are triggered by that material, but it is a very considered and thoughtful take. Current Affairs

Thank you for stopping by, and I hope that you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 25-31, 2019

/ Melanie Marttila

Ah. Here we are in September. Back to … all the things. Ease back into your routine with some informal writerly learnings.

Lainey Cameron advises you use a three-tier backup plan. Then Tiffany Yates Martin helps you to reclaim the creative spark in troubled times. Writers in the Storm

K.M. Weiland explains how to use a truth chart to figure out your character’s arc. Helping Writers Become Authors

Julia Munroe Martin wonders, what makes you love your main character? Molly Best Tinsley explains how hearing voice(s) led to order in a previously chaotic manuscript. Barbara O’Neal explains what happens when the book takes over everything. Writer Unboxed

Pathologist Jane Bennett Munro wants to help you explain forensics to readers. Elizabeth Spann Craig

Jeanette the Writer reveals the secret importance of readability. Tess Enterline explains why it’s okay (and sometimes necessary) to step away from our writing.  Constance Emmett shares five tips for writing complex, flesh and blood, LGBTQ+ characters. DIY MFA

Janice Hardy doesn’t want you to create cardboard conflicts. Fiction University

Jami Gold explains how sequels make scenes stronger. Then, Kris Kennedy stops by to explain how to avoid info dumping by making backstory essential.

Chris Winkle: how to turn your fanfic into your original fiction. Then, Oren Ashkenazi answers the question, how do cannon affect your naval combat? Mythcreants

Robert Lee Brewer considers OK vs. Okay vs. O.K. Writer’s Digest

N.K. Jemisin, Jasmine Guillory, and Lauren Wilkinson: publishing’s still owned by white men. The Washington Post

Nick Venable talks to the creators of The Dark Crystal: Age of Resistance about the challenges of making a puppet series on Netflix. Saw the first episode—love! CinemaBlend

And that was tipsday. I hope you found something to help you progress with your work in progress.

Come back on Thursday for some thoughty goodness 🙂

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Tipsday: Writerly Goodness found on the interwebz, June 23-29, 2019

/ Melanie Marttila

Welcome July! We’ve finally hit summer up here in northeastern Ontario. And it was just Canada Day (yesterday)! It’s time to celebrate with some informal writerly learnings 🙂

CanadaDay

Nathan Bransford explains how to handle multiple protagonists in a query letter. Later in the week, he shares a list of character strengths and weaknesses.

Julie Duffy says, creation is messy—and that’s okay. Barbara O’Neal is writing the next book. John J. Kelley lauds stories that liberate. Writer Unboxed

Abigail K. Perry examines James Scott Bell’s signpost scene #12: mounting forces. Brenda Joyce Patterson takes a deep dive into historical poetry. DIY MFA

Lisa Hall-Wilson wants you to make your setting real with strategic description. Tasha Seegmiller explains how to survive a writing crisis. Laura drake talks ideation: where do ideas come from? Writers in the Storm

Jenna Moreci lists ten reasons you’re not “making it” as a writer.

Again, Alexa Donne riffs on a similar theme: five reasons fiction writers quit.

K.M. Weiland shares four ways to write gripping internal narrative with the help of a brave critique volunteer. Helping Writers Become Authors

What does “plot reveals character” mean? Jami Gold has the answer.

Orly Konig proposes mind mapping as a pantser’s path to plotting. Fiction University

Oren Ashkenazi looks at six stories that focus too much on side characters. Mythcreants

Molly Templeton: YA Twitter can be toxic, but it can also point out real problems. Buzzfeed

Thanks for stopping by, and I hope you found something you need to help move your current creative project forward.

Until Thursday, be well, my friends!

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Tipsday: Writerly Goodness found on the interwebz, May 19-25, 2019

/ Melanie Marttila

Another week, another batch of informal writerly learnings.

Vaughn Roycroft explains what makes a story epic … to him. Barbara O’Neal wonders, are you making writing harder than it needs to be? Heather Webb: protecting your creative mindspace. Writer Unboxed

Fae Rowan is soldiering on. Writers in the Storm

K.M. Weiland shares 20 of the most instructive quotes about writing. Helping Writers Become Authors

Victoria Mixon is contrasting and condensing characters: two sides of the same coin. Writers Helping Writers

The Tale Foundry looks at Sir Terry Pratchett’ unifying voice.

 

Allegra Huston stops by Jane Friedman’s blog to share the two basic rules of editing (and one rookie mistake).

Pamela Taylor is creating authentic character details: names. Research is fun! Then, Gabriela Pereira interviews Jodi Thomas: turning characters into people. DIY MFA

Chris Winkle helps you understand appropriative worldbuilding. Then, Oren Ashkenazi warns against seven ways writers sabotage beta reading. Mythcreants

Jami Gold explains how pacing helps readers care about our characters.

Thanks for stopping by. I hope you found something useful.

Be well until thoughty Thursday!

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Tipsday: Writerly Goodness found on the interwebz, Apr 21-27, 2019

/ Melanie Marttila

Another week, another batch of informal writerly learnings.

Emily Wenstrom advises what to post on social media when you have nothing to say. And here’s my latest speculations column: why you should follow myth and legend off the beaten path. DIY MFA

Kim Bullock shows you the positive side of envy (it’s great motivation!). Barbara O’Neal is finding the world through reading. Julianna Baggott issues a challenge: if your room has a view, but also wifi, will you ever see anything but a screen? Writer Unboxed

K.M. Weiland is helping authors become artists. Helping Writers Become Authors

Lisa Hall-Wilson shares the three-act emotional arc for showing shame in fiction. Laura Drake looks at the reality of writing for a living today. Writers in the Storm

Janice Hardy points out two reasons your protagonist isn’t driving your plot. Fiction University

Jami Gold wonders whether to revise or start fresh? What’s better when you’re stuck?

Oren Ashkenazi shares five activities to beat writer’s block. Then, Oren lists six pros and cons of the magic school genre. Mythcreants

Cherie Demaline answers the question, who gets to write Indigenous stories? (Yes, it’s from last year, but always a timely reminder.) CBC Books

And that tipsday.

Consider returning on Thursday for your weekly dose of thoughty.

Until then, be well, my friends.

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