Tipsday: Informal writerly learnings, Feb 6-12, 2022

Another week, another batch of informal writerly learnings. Enjoy!

Sara Farmer shares part two of her auto-buy mystery list. LA Bourgeois says that if you want to find your motivation, ask, “How can I make this happen?” Then, F.E. Choe explains how to develop a disciplined writing practice. Lyn Liao Butler wants you to consider writing from your perspective. DIY MFA

How to write first person point of view. Reedsy

Greer Macallister shares what a month of writing every day taught her. “It’s a balancing act, not a limbo stick.” Jim Dempsey: the story of your dreams. Kathleen McCleary wants you to explore the unknown in your writing: the dark side. Then, Kathryn Craft explains how to repurpose your plot. David Corbett tackles explanation vs. fascination—and a woman in the corner opposite. Writer Unboxed

Ellen Brock provides a writing guide for the methodological plotter.

K.M. Weiland wants you to make story structure your own. Helping Writers Become Authors

Sword lady hits ceiling with sword. Happy anniversary! Jill Bearup

Susan DeFreitas says that if you want to write a great novel, be brave. Then, Lisa Cooper Ellison proposes three things to ask yourself before writing about trauma. Janna Marlies Maron suggests three shifts you need to make to finish your book. Jane Friedman

Tuatha dé Danann, the enchanting faeries of celtic lore. Monstrum | PBS Storied

Margie Lawson offers tips to create a bestselling title. Then, Miffie Seideman provides seven steps for healthy emotional endurance for writers. Shirley Jump shares ten ways to reverse engineer your plot. Writers in the Storm

The Little Mermaid as a queer allegory. The Take

Elizabeth Spann Craig: promo for introverts.

Marissa Graff outlines the zig-zag plot arc. Then David. G. Brown offers three considerations for revising scene by scene. Writers Helping Writers

Nathan Bransford lists essential computer skills for writers.

Is Arcane a dystopia? Tim Hickson thinks not. Two the Future

Chris Winkle explains how to include thoughts from multiple characters without head-hopping. Then, Oren Ashkenazi analyses five stories that spoil their mysteries. Mythcreants

Robert Lee Brewer explains how to write successful queries for any genre of writing (with lots of examples). From 2019, but it’s a timeless topic 🙂 Writer’s Digest

Simon Usborne: forget Wordle! Can you crack the Dickens code? An IT worker from California just did. The Guardian

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Informal writerly learnings, Jan 30-Feb 5, 2022

Was it a monumental Monday for you? Well, now it’s time to reward yourself with some informal writerly learnings.

Anita Ramirez concludes her writerly journey with a couple of revelations. Then, Angela Yeh is finding nourishment and joy in daily life through the spirit of haiku. Eliza Jane Brazier explains how to write better by not writing. Then, Heather Campbell shares five sneaky ways perfectionism sabotages your writing. DIY MFA

The existential dystopias of Arcane and Squid Game. Hello, Future Me

Tessa Barbosa presents an introvert’s guide to a public online presence. Donald Maass: back story versus the past. Keith Cronin gets an unexpected gift from covid. Then, Rheea Mukherjee is writing with depression. Writer Unboxed

Rape revenge and Promising Young Woman: realism vs. catharsis. Melina Pendulum

K.M. Weiland explains what conflict in fiction really is and why it’s important to plot. Helping Writers Become Authors

What is white room syndrome? Reedsy

Shannon A. Thompson: yes, writers need to hear the hard truths, but warnings can go too far. Then, Eric Newton discusses making difficult decisions about the work left behind when a writer dies. Joe Ponepinto explains how to use telling details to connect description to character. Jane Friedman

Why are cats mythology’s most popular creatures? Fate & Fabled | PBS Storied

Diana Clark wonders how much research is enough. Then, Eldred Bird is building a better villain. Ellen Buikema continues her explorations of sensual writing: using the power of taste in your writing. Writers in the Storm

Why the disabled villain trope is so offensive. The Take

September C. Fawkes shares six cheats to “tell” well (when it’s warranted). Writers Helping Writers

Chris Winkle lists nine personality clashes for character conflicts. Then, Oren Ashkenazi explains why tossing in calamity won’t make your story exciting. Mythcreants

How writers revise: the relentless resilience of Ruta Sepetys. Fox Print Editorial

Point of view: definition and examples for the narrative path. Story Grid

How Disney commodifies culture – Southeast Asians roast Raya and the Last Dragon, part 1. Long, but well worth your while. Xiran Jay Zhao

And part 2:

Part three … yet to come.

Nina Munteanu touts the benefits of expressive writing: the journal writer.

Susan DeFreitas shares the lessons learned during her year of reading every Ursula K. Le Guin novel. Literary Hub

Weike Wang: notes on work. “There’s a masochistic pride to overworking. How heavy a workload can I truly handle? How many plates can I keep in the air?” The New Yorker

Ena Alvarado: animal teachers and Marie de France. JSTOR Daily

Thanks for hanging out with me. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe.