Tipsday: Writerly Goodness found on the interwebz, July 26-Aug 1, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is not a political statement. It’s a fundamental truth.

22 new confirmed cases of covid-19 have occurred in Sudbury over the last week or so, most of them in people under 30. Just because we’ve entered phase 3 of reopening doesn’t mean we’re back to normal. Wear your masks people. Maintain physical distance.

And now, onto the informal writerly learnings!

The Take traces the development of the interracial relationship onscreen.

K.M. Weiland shares seven misconceptions about being a writer. Helping Writers Become Authors

Bonnie Randall explains how to weave setting into a deep point of view. Later in the week, Bethany Henry shares seven ways to deal with burnout. Fiction University

Sacha Black: what “read more to improve your writing” really means. Writers Helping Writers

Abigail K. Perry offers another Story Grid scene analysis: Something Borrowed. Later in the week, Indiana Lee shares five ways to protect your privacy while promoting your writing online. DIY MFA

Shaelin offers some tips about working with critique partners. Reedsy

Then, she helps you deal with rejection. Key takeaway: NEVER give up. Reedsy

Nathan Bransford shares his thoughts on how to spice up relationships in novels.

Laurie Schnebly Campbell reveals the most important reader question. Then, Kris Maze lists five steps to better writer self-care. Writers in the Storm

Jael R. Bakari visits Jami Gold’s blog to discuss writing process: developing a coherent story.

Aiki Flinthart is creating unique voices for multiple point of view characters—and how to show their emotions. Lisa Hall-Wilson

The universal beauty of LGBT+ love stories. Like Stories of Old

Kim Bullock wants you to use uncertainty to enhance your story. Writer Unboxed

Chris Winkle helps you create a magical atmosphere with this description makeover. Then, Oren Ashkenazi considers five cool storylines that went nowhere.  Mythcreants

John Foxwell explains why many writers say they can hear the voices of their characters. The Conversation

Matt Blake lists the greatest literary groups in history. Penguin

Thanks for visiting. I hope you found something to support your current work in progress (whatever state it’s in).

Until Thursday, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

Tipsday2019