Ad Astra Day 2: It builds character

Panellists: Karen Dales; Patricia Briggs

Note: Steven Erikson was not able to attend this panel.

Humourous note: It builds the character or it gets the hose.

KD: Characters are the heart of your story.

PB: It’s all subjective, though. Everyone sees something different. The most important thing is that your characters be internally consistent.

KD: Who plays RPGs here? (Pause for show of hands) What the first thing you do in any game? (Create your character!) We have character sheets, even if they’re only in our heads. We have to become method actors for our characters.

PB: We have to step into their shoes. You have to look at the character’s purpose in the novel. If two characters serve the same purpose, one of them has to go. In Rosenkrantz and Guildenstern are Dead, for example, the title characters serve the same purpose in Shakespeare’s play. They are expendable. Every character has to have a problem to solve. In a series, when one problem is resolved, another has to crop up to take its place. My Mercy, she’s a coyote shape shifter and therefore Native. Her job had to fit. She has her own business. She’s a mechanic for Volkswagons. She likes to fix things.

KD: For my series, I actually used a character I’d built for an RPG in the past. A to Z. What gets them there? Characters have to be complex. Origins need to be pre-defined so we know how they will react to the situations they’re put in.

PB: Characters have to make decisions. With actors, every action has a purpose. What does this gesture mean? What does their body language convey? C.J. Cherryh says every scene must accomplish three things. Mercy was abandoned and taken in by a werewolf pack. She has issues with women and abandonment. She needs to make broken things work. Ben is an obnoxious, misogynist jerk, but once Mercy, and readers, learned why, he became sympathetic. What is the secret the character would kill for or die to protect?

Q: How to you reflect growth in your characters?

KD: Body language changes given circumstances. Everyone has a mask for different occasions. Underlying that is the same core character, though.

PB: You’re limited by word count, though. To fully develop one character takes a hundred pages. Give yourself time.

Q: How do you balance complexity and consistency?

PB: Mercy surprises me all the time, but that’s part of her nature as a shifter. Experienced writers can predict what will happen and how a character will react. Think about your friends and family. How well do you know them? Can you predict what they’ll do? Think about TV shows and the characters you see there.

KD: Circumstances dictate character behaviour, but consistency is where everything originates.

Q: What is your advice regarding negative endings and death?

PB: The reader feels betrayed. Lois McMaster Bujold does this extremely well, though. You have to set up your ending. It must feel like it’s the right thing, the only thing that can happen. The ending must fulfill the character in some way.

KD: I hate Disney’s happy endings. I love tragedy, but it has to have a purpose.

PB: George R.R. Martin does this well, too. It’s what the story demands. Barbara Hambly did it, though, and ended up losing audience as a result.

Q: What do you do about info-dump?

PB: Write it down as part of the character sketch and bring it out as the story demands.

Q: Do some characters deserve to die?

PB: I’ve killed characters who didn’t deserve it and I’ve let some characters who deserved death, live.

KD: Ask yourself what the story needs? One bad guy might need killing, another might not.

PB: Justice must be served. In Pitch Black, for example, the pilot would have sacrificed everyone else for her own survival. When she later dies to save everyone, there’s a sense of justice being served.

Q: My stories are plot driven. The advice I’ve been given so far hasn’t been helpful. For example, I was told that all characters have to have limitations and they have to suffer as a result.

PB: You have to avoid the “super” character.

KD: One must suffer to learn. It’s a common experience, but not necessarily universal. Characters can learn by overcoming adversity.

Sundog snippet: Pupdate

I promised a pupdate and here it is:

The bad news

When we went to see the vet last week on Tuesday, it was supposed to be for an ear flush.

This did not happen.

It turns out that Nuala’s ears are too far gone. Due to her allergies, the tissue in her ear has developed inflammatory polyps. This is not restricted to the external ear tissue, but extends right down the ear canal. What’s worse, her polyps were calcifying.

As a result, the vet could not flush her ears and when we saw him in the evening, he indicated that we should stop the topical antibiotic. The ear was so closed, there was no point. None of the medication could get to the source of the infection.

Though Nuala received her annual vaccinations, there really wasn’t much they could do that day.

The blood work we’d had done from our last visit was returned and showed that Nuala’s kidney and liver enzymes were still within normal ranges. Her liver enzymes had actually improved.

The recommended treatment, as the article linked above indicates, is ablation. This is a surgical procedure in which all the polyps are resected, and, because of the number of growths in the ear canal, removal of the canal altogether.

Unfortunately, there is no one in town that does these procedures on a regular basis. Once again, we’d have to travel a minimum of four hours away to get the surgery.

As I’ve mentioned in the past, this is not an option for Phil and me. We can’t just take vacation when we want and taking unpaid leave would be a hardship. Nu does not travel well, and would have to be sedated there and back. Plus, she’s officially a senior now, and the complications of surgery are increased.

Two other options were presented, cyclosporine and prednisone. The first was shown to be effective in a very small sample of canine patients. The second is effective, but would have an effect on her liver and kidneys. It would also cause an increase in her appetite and thirst, but Phil and I figured we’d be okay with this since Nu had lost so much weight recently.

Fortunately, prednisone would likely be a short term, or at worst, periodic treatment. That’s what we opted for and went home with a new, more powerful, oral antibiotic and enough prednisone for two weeks, at which time we have another follow up booked.

Oh, the vet said on the way out, you know she’s deaf now, right?

The good news

By the time we were on the second day of treatment, we noticed a marked improvement in Nuala. She was once again, behaving like her normal, healthy self and eating again.

Even my mom noticed a night and day difference in her behaviour.

Pus started running out of her right ear again, the one that was, by far, the worst. We’re just using the EDTA ear wash to keep her ears clean. We also noticed that she was not deaf, or at least not completely.

We reported this to the vet and he is sceptical, but when a sleeping dog in another room is summoned by the sound of the opened fridge door, she can hear.

Since then, her ears have continued to improve. The pus has stopped running, but we now figure that it’s the new antibiotic that’s provided relief. She’s no longer shaking her head or losing her balance. Her ears are perky again, with only the tips of them, where her aural haematomas are, folded over and malformed.

We have hope that by the time the two-week check up is due, her situation will improve enough for a flush (if that’s still indicated).

So, we’re happy with our decision and hopeful for the future health of our furbaby.

Nuala is notoriously camera-shy. When she sees me coming with the phone or camera, she turns in the other direction, which is why I generally only get pictures of her when she’s sleeping or has her back turned. I was able to manage this picture with the help of a biscuit.

Nuala

What’s that you got there, Mom?

Happy Nuala

Good biscuit! Can I have another?

Sundog snippet

 

Ad Astra Day 2: The writing life

Panel: Julie Czerneda; Suzanne Church; Stephanie Bedwell Grimes; Karina Sumner-Smith; Ada Hoffman

JC: We’re starting out with our typical days. For me, that’s get up, exercise, write until breakfast, eat, write until lunch, eat, write until supper, take the evening off, sleep, repeat.

SC: Because of where I am in the publishing process, it’s social media and promotion until after dinner.

SBG: Things change depending on where you are in the process. I used to write in the evening. Now, I write in the mornings.

KSS: I had a day job. Then, we moved into a cottage. Now, I have a lot of time. I can work around other tasks. I’m trying different things to see what works. I write at least one hour per day. I’m a night person, but writing in the mornings works. My internal editor hasn’t woken up yet.

AH: I’m in grad school and I live alone. For 8 hours, I’m at my ‘day job’ and then I go home and write. I’m trying different things, too.

JC: Eventually, we all find that ‘sweet spot.’ I have a friend who is a New York Times Bestselling Author (NYTBSA) who used to have a day job. She didn’t adjuster her schedule when she stopped working, she just filled up the hours of her former day job with writing and burned out. I once wrote for 16 hours straight and I ended up in the hospital. Lesson learned. You have to take care of yourself.

SC: I’m a little obsessive-compulsive (OCD). I need a schedule to start my day. The only exception is Hockey. Everything stops for hockey.

SBG: I had a day job. Actually two at one point. You have to keep the well full.

JC: We renovate.

SC: I make time for cultural stuff. Galleries, theatre.

SBG: I’m guilt-driven.

AH: I like reading books by other authors, listening to music. I find poetry begets poetry.

JC: Even 15 minutes of something else is enough of a break: dishes, plants, whatever.

KSS: I like to put on some loud and stupid song and have a five minute dance break. (Mel’s note: Grey’s Anatomy!)

JC: I have dancing songs built into my play list.

SC: I have several play lists: one for NaNoWriMo, one for editing, one for those ‘dark and stormy’ days.

Q: Several of you are working on multiple projects. How do you stay organized?

AH: I work on one thing at a time. I’ll focus on short stories and novels for a while, and then take a poetry break.

KSS: I’m working on a sequel, so a lot of the world building and character development are done. If I work on a stand-alone, it requires that I keep my current project in my head all the time. It takes me a week to pull myself out of one project and get into another. If I have to work on multiple projects at once, I find setting up separate writing times works.

SBG: I tried working in the mornings on one project and in the evenings on another. Sometimes when I’m working on one book, another sells and I have to stop working on the first to address the editing. I usually stop everything else to work on an emergent issue, like edit notes.

SC: Once again, the OCD rears its head. I use spreadsheets. I have one for chapters, another for characters, a third for settings, and so forth.

KSS: No offence, but you’re crazy.

SC: I have a degree in mathematics. Analysis appeals to me.

JC: For the first ten years, I wrote while I was the editor of a science magazine. Currently, I might have as many as seven novels in various stages at once. An outline is indispensable. Your editor will wait as long as you’re up front with your delays. My first book took 17 years to get from inception to publication. My second took nine months.

Q: Where do you get your ideas?

SC: Smart phones. Take a picture, or write a note on the go.

JC: Take a nap.

Q: How do you prioritize your work?

JC: Length. A longer project takes more time and so might have to take priority.

SC: I work by deadline. I write one page every morning. I call it my 100 words.

JC: Neil Gaiman wrote Coraline that way.

Q: How much writing stops when you get a deal? How much time do you have to devote to promotion?

JC: It’s a myth that you have to promote your book, unless you self-publish. The way I look at it, if I don’t write, I don’t eat. I spend one morning on promotion per week.

SC: The first time out, it’s a learning curve. You have to learn what you can do and what you can’t.

KSS: Some people are not suited to promotion. Promotion can take over your life. Do the research. The number one thing is that you have a good book.

JC: Talk to your readers. That’s the most important thing, but it can be consuming. I don’t blog because it takes too much away from my writing.

Q: How do you balance relationships and writing?

JC: Writing isn’t selfish, but it’s hard for others to relate to. Communicate what you’re doing to your partner.

SC: My second spouse relates, but my first didn’t get it. I’d have to leave the house and go to Starbucks to write. My current spouse is very supportive. I travel with him on his commute into the city. While he works, I go to Starbucks to write. On the way home every day, I read to him what I’ve written. When I was working on a horrific SF book, I warned him that it would be dark. After the read, he turned to me and asked, “What the hell is wrong with you?”

JC: Before I was a professional writer, my writing was secret. My husband found my stories and read them. He bought me a typewriter, then a desk. If I was happy, then he was happy.

KSS: Share the joy. Let them know how a good writing day makes you feel, what the payoff is.

JC: And if they don’t get it, don’t make them feel guilty. They can also feel like you’re putting your writing first. You have to if you’re serious, but a solution could be to put them first. Go on a date, ask about their day, be present. Then, go write.

Q: How do you write when you’re exhausted?

SBG: Just do it. Give yourself permission to suck.

AH: I find writing gives me energy.

KSS: There are two kinds of tired: resistance and true exhaustion. Resistance is what most people call writer’s block. In that case just give yourself space, but stay on task. The words will come. If you’re truly exhausted, the only solution is sleep.

JC: Set up something fun to work on for the next day, a fight scene, or a sex scene. Write hot. Have a good breakfast and get to it.

Q: How do you stay motivated?

SC: Read. Aversion therapy. Set yourself a really nasty task as an alternative.

JC: Then you end up doing everything else.

AH: Treats. I’m not above bribery.

SBG: Will write for cookies.

Thoughty Thursday: Things that made me go hmmmm on the interwebz April 6-12, 2014

Thoughty ThursdayShort weeks are often difficult. You seem to have to do your full week’s work in only four days. Hence the lateness of this post.

The 12 most pervasive lies about creativity.

http://12most.com/2014/04/07/12-pervasive-lies-creativity/

Sleep your way to success (get your mind out of the gutter).

http://goodvibeblog.com/sleep-your-way-to-success/

20 magical tree tunnels.

http://www.boredpanda.com/magical-tree-tunnels/

Northumberland’s cup and ring rock art.

http://www.thejournal.co.uk/news/north-east-news/national-recognition-northumberland-ancient-history-6933058#.U0fJa1QoNSd.facebook

Rachel Sussman on the world’s oldest living things TED talk.

http://www.ted.com/talks/rachel_sussman_the_world_s_oldest_living_things

This professor says he’s photographed fairies. Do you believe?

http://www.manchestereveningnews.co.uk/news/greater-manchester-news/fairies-john-hyatt-rossendale-valley-6909619

Smart ways to beat social media burnout.

http://rebekahradice.com/social-media-burnout/

Yes, this is a commercial, but it’s still a good message. Just ignore the last few seconds.

http://blog.petflow.com/this-3-minute-video-made-me-cry-and-i-never-cry-must-see-for-everyone/

If social networks were the Game of Thrones houses.

http://mashable.com/2014/04/06/game-of-thrones-social-networks/#:eyJzIjoiZiIsImkiOiJfOXdtemp5aG94a2gxZDZzNCJ9

A doggy reunion. Just for the feels.

http://www.huffingtonpost.com/2014/04/04/dog-reunited-with-family-17-months_n_5092228.html

I may have shared this before, but it’s just so cute, I couldn’t resist. Puppy cover of Pharrell’s Happy.

http://blog.theanimalrescuesite.com/happy-puppy-cover/

And that’s a wrap, folks.

Have a happy Easter, everyone!

Tipsday: Writerly Goodness found on the interwebz April 6-12, 2014

TipsdayAnother eclectic bumper-crop here on Tipsday.

Wired podcast with Elizabeth Bear:

http://www.wired.com/2014/04/geeks-guide-elizabeth-bear/

MJ Bush’s WritinGeekery. A balance of strengths to take your story higher.

http://www.writingeekery.com/strength/

Robin Lafevers on Writer Unboxed. Dear soon-to-be-published author.

http://writerunboxed.com/2014/04/11/dear-soon-to-be-published-author/

And Lisa Cron on The importance of letting ‘em see you sweat.

http://writerunboxed.com/2014/04/10/the-importance-of-fear/

And … Jael McHenry on the relative value of writing craft books.

http://writerunboxed.com/2014/04/07/should-you-read-about-writing/

3 tips for writing better action scenes from BookBaby blogs.

http://writerunboxed.com/2014/04/10/the-importance-of-fear/

Wlater Benjamin’s thirteen theses from Brain Pickings.

http://www.brainpickings.org/index.php/2013/04/15/the-writers-technique-in-thirteen-theses-walter-benjamin/

Agent Carly Watters answers the question, Can I write fiction for a living?

http://carlywatters.com/2014/04/07/q-can-i-write-fiction-for-a-living/

Patty Jansen offers her thoughts on when hiring an editor isn’t necessarily the answer.

http://pattyjansen.com/blog/get-your-book-edited/

The Outlander fan gathering. If you’ve been drooling over the coming Starz series as much as I have, you’ll want to see this 🙂 BTW, for my Canadian friends, Showcase will be broadcasting (eeeee!). this summer. Can hardly wait.

http://www.starz.com/videos/video/388

How to be the lord of your novel’s timeline (timelord, get it?) from Roz Morris.

https://nailyournovel.wordpress.com/2014/04/05/an-easy-way-to-make-your-plot-plausible-control-your-novels-timeline/

10 ways pre-published authors can start their careers now, from Anne R. Allen.

http://annerallen.blogspot.ca/2014/04/10-ways-pre-published-writers-can-start.html

K.M. Weiland on the elephant in the room. Are you ignoring your writer’s instincts when it comes to revision?

http://www.helpingwritersbecomeauthors.com/2014/04/story-revision.html

Enjoy, my friends.

Ad Astra, Day 1: Writing when you have a day job

Panelists: Marie Bilodeau; Karen Danylak; Ada Hoffman; Joel Sutherland

AH: Scheduling your writing is like another job in itself.

JS: Now that I have kids, I use my time more efficiently. I writer on my lunch hour at work.

KD: I’m in a similar situation, but I can’t write at work. I have to carve out time elsewhere. I can’t write every day either. How many of you manage to write every day?

JS: It’s not always a possibility.

AH: Some authors say that you must write everyday, but I find that advice can’t apply equally to everyone.

JS: I get depressed if I can’t, though.

AH: I think the advice might be meant to counteract the people who claim to be writers but never actually write.

JS: I commonly do what I can do. I ignore everyone else while I’m writing. I once attended a reading by a single mom with seven kids who wrote her first book on her bus commute. [Mel’s note: Joel later supplied the author’s name: Martine Leavitt.]

MB: You do what you have to, especially when your publisher has a contract for two books with six month deadlines. I did my research. I used to write in the morning. Life changed and now I write in the evenings. I do write every day. It may not be much, but I write something every day.

AH: If I’ve been away from writing for a couple of days, it takes a while for me to get back into it. I try to write every day and I find I miss it when I can’t.

KD: I beat myself up for a while. Ultimately, you have to be accountable for your choices.

MB: I burned out after Heirs of a Broken Land was complete. I couldn’t write for a while after.

JS: Full time writers often have a rich spouse or some other financial supports to rely on. A friend of mine got a $25,000 advance and I was jealous until I realized how far $25,000 goes.

AH: And what about health insurance?

KD: So the plan is to marry rich. Bose noise cancelling headphones really help me to focus. I put them on while my three kids are in gymnastics. Yes I’m that person. You have to learn to write anywhere. Don’t let Mom Guilt get you. That’s the worst. I have to leave the house sometimes, or before you know it, I’m doing laundry. I made up a Tuesday night course so I could get out of the house and write.

AH: I set myself a goal. I have to write so many words before I get to do the laundry.

MB: Writing in the evenings is more difficult than writing in the morning.

KD: “Who dropped you on your head and broke your ‘NO’ button?” You have to learn to say no.

JS: It helps if you don’t have friends.

KD: What’s your Kyrptonite (outside the day job)?

MB: Zombie novels. Netflix. Anything shiny. I write by candlelight so I don’t get distracted.

AH: I’m in a long distance relationship. When my boyfriend comes over nothing gets done.

JS: Relationships. Kids, I love reality TV.

KD: Sometimes I binge-watch something, but I have given up TV in general.

MB: What about binge writing? I’ve written for three days straight before. You get ridiculous word counts. I go to a convent, a silent retreat. They provide you with meals but otherwise leave you alone. I talk to Giant Jesus. And one time, one of the nuns scratched my ass.

KD: Sometimes I binge write, like when I’m away a cons. I’d recommend Sherry Peters, author and coach. She has an ebook: Silencing your inner saboteur. Stay off social media.

[Mel’s note: After the session, I approached Marie, whom I’d met years earlier when she came to Sudbury. We reconnected and she said the nicest thing, that she was fascinated by my journey (!) Unfortunately, I wasn’t able to meet up with her again before the convention was over. Online stalkage begins!]

Sundog Snippets: Renny DeGroot launches Family Business in Sudbury

Renny reading

Renny reading from Family Business

After the Tweet chat and HVC, I shot downtown to catch what I could of Renny’s book launch for her novel Family Business at the Fromagerie Elgin.

I managed to be in time for her reading and to purchase a book and get it signed.

Renny signing a book for a fan

Renny signing a book for a fan

The afternoon also included performances by one of the tenors Renny manages, and a classically trained pianist.

Music feeds the writerly soul.

Artisan cheeses, fruit, and baguettes were provided.

Though smaller than her Toronto launch, the afternoon met Renny’s expectations and generated additional publicity for her novel.

You should really check it out.

 

 

 

 

Here’s what Amazon says:

Family Business

Family Business

Set in the Netherlands against the backdrop of the Great Depression and through World War II, Family Business follows the story of Agatha Meijer and her sons, André and Johan, as they build their textile business, a business Agatha is determined her sons will carry on, regardless of their own desires. Family tension comes to a head when the boys each take a stand, sending all their lives spinning in directions none of them would have ever anticipated, and making each of them question the true meaning of loyalty, love, and freedom.

 

Sundog Snippets: Workshop with Roz Morris, part the first

Yesterday was a busy day.

First up, I had a Tweet chat, followed by a Google Plus hangout video call (HVC), with Roz Morris, Lori Sailiata, and Amy Pabalan for @M2the5th.

This was the first in what will be monthly workshops which will lead up to the release of Roz’s next Nail Your Novel.

Here is the Storify of the Twitter portion: https://storify.com/LaraBrittWrites/mto5-tweetchat-roz-morris-hel?awesm=sfy.co_jg2A

RozMorrisStorify

I’ll let the Storify speak for itself.

We did adjourn to Google Plus, but were unable to lure more than our core into the video chat. This was not recorded, because we want to invite newer users into a friendly, non-threatening space 🙂

For those of you who may not know, an HVC is much like Skype, or Facetime, if you’ve used either service. All you need to participate is a video camera, microphone, and a Google Plus account.

Many manufacturers now produce video camera and microphone in one, specifically for this kind of situation.

I have a Microsoft unit, and it’s worked swimmingly so far *looks for wood upon which to knock*.

The next events will be set up for the first Saturday of the month, the next one being May 3, 2014. The time has to be early enough for Roz in the UK, and late enough for Lori in Hawaii. So we’ve set it for 6 am HST, noon ESDT, and 5 pm BST.

It’s difficult to set a good time for everyone with a 12 hour time difference and daylight savings time complications.

We’re just happy that Roz has agreed to continue her involvement. She’s a busy author/entrepreneur, but, as you may be able to tell, so generous with her time and talents.

To stay in the know, please join us on the @M2the5th Google Plus community (linked above).

Please join us for the next @M2the5th Tweet chat and HVC. I’ll probably post something to get the newly initiated started with HVCs later this month. Yes, more writer tech commeth 🙂

Ad Astra Day 1: Myth-information in modern fantasy

Friday night session: Myth-information in modern fantasy.

Panel: Marie Bilodeau; Chadwick Ginther; Jen Frankel; Stephen B. Pearl; Katrina Guy

How do authors incorporate traditional lore and myths into their modern-day fantasy settings? Is it possible to make a witch burning pertinent in the twenty-first century? Discuss these, and other inflammatory questions, in this panel.

Sadly, I entered this session a bit late because of my travel turnarounds and check-in delays (and the fact that my room was possibly the furthest removed from the convention centre it could have been :P).

But here’s what I caught:

CG: Manitoba is the province in which there have been the most reported sasquatch sightings.

JF: Native legends are such a rich source of material. The Six Nations Reserve. Hoodoos.

SBP: In Europe and specifically the British Isles, the legends are equally rich. Take the stories of the Bogart.

MB: Why do we, as writers, depend so heavily on mythology? Are we lazy?

SBP: We’re tapping into something universal. Joseph Campbell was a smart man. Think what you will, but look at Robert Jordan’s work, particularly Dragon Reborn. The protagonist is comprised of bits and pieces of multiple mythologies, including Christianity and modern (Superman).

KG: In Simcoe County, there is this swamp which is reported to be haunted. The story goes that a monstrous baby was abandoned there. His spirit now haunts the swamp.

SBP: From the European tradition again, the trope of the unbaptised child recurs. In one instance, the person he haunts names him “Billy Bones,” and it turns out that was all he wanted: a name. Once he was named, his spirit became content and he disappeared.

JF: Where does urban legend cross the line into folktale? When does folktale become myth?

CG: In Winnipeg, there is the urban legend of “the hanging tree” out back of one of the courthouses. This was supposedly where the criminals were hung, but it’s really just a tree where an old tire swing was hung. The rope burn in the trunk was all it took for another, darker story to take hold in the imagination.

Q: There are real figures, such as the Black Donnelleys, that have become legend, tantamount to myth. What is it about these figures that attracts us? Is it the drama of their stories?

SBP: You have to be careful when you draw from myth or legend to stick to the principle, but make the situation suit the world of your novel. For example, I used a Japanese legend, rokurokubi, a demon which is a disembodied flying head. My work is paranormal, and I changed the flying head into the astral projection of a flying head, sent out to terrorize victims.

Q: What about the prevalence of mash-ups in Canadian horror and fantasy? For example, Jesuit priests and vampires?

MB: Myth informs our stories. My educational background is in religious and cultural studies.

SBP: To look at a modern interpretation of classical myth, look at The Almighty Johnsons.

CG: Also the current storyline in Thor comics.

JF: Drawing on myth is about the impact is has on us. For example, “everything comes in threes.” The supernatural tells us something deep about human nature. Mine those lessons for impact.

Q: Is it a challenge to be “boxed in” by mythology?

JF: The traditional, Voudoun zombie has been totally lost in the more modern “plague” zombie, or Romero’s zombies. Authors writing zombie stories now are somewhat constrained by what other authors have done with the trope.

MB: With fantasy, some people say it’s tame. It’s not a political genre. Science fiction is supposedly the avant garde genre, but if you dig down, it still draws on the same material.

CG: Joseph Campbell’s hero’s journey is cannon, if sexist.

SBP: The foundational myths go back as far as Aristotle.

KG: Fairy tales aren’t just Disney. I’ve visited a church where they have plaques from their sister church, half-way around the world, and stones from an ancient basilica. These are talismans as much as they are artefacts. We’re in touch with the fantastic every day. We walk past it and fail to recognize it.

JF: We can look back to connect the dots. The historical record. Why is “such and such” considered true? The writer translates this. What makes your character who they are? What makes us (humans) what we are?

SBF: The gift of perspective. Does the rabbit think the fox is “evil”? Extend that into your story’s mythology: is Dracula “evil”?

Q: What do you think of the trend of rewriting the classics with modern horror tropes? For example, Pride and Prejudice and Zombies?

CG: It’s a fun premise, but at the moment, it’s overdone.

MB: Let’s each give examples of our favourite authors who use mythology to finish off.

KG: Rick Riordan’s Percy Jackson series and the Kane chronicles. Tanya Huff.

SBP: Jim Butcher. The Time Life Enchanted Worlds series of books.

JF: 30 Indian Legends; Grimm’s Fairytales; Arthurian Legend.

CG: Gaiman’s American Gods; The Eddas; Song of the Vikings.

MB: The storytelling tradition, in all its variations.

Sweet mercy, it’s another pupdate

It’s been a while since I’ve posted on this topic, so I think a brief revue may be in order.

This has not been a good year and a bit for my poor Nuala.

In January 2013, she ruptured an anterior cruciate ligament (ACL) and had surgery to repair it. Recovering from that, Nu got a urinary tract infection (UTI). She received antibiotics, but a follow up revealed that the problem was not limited to a UTI.

To address what now appeared to be kidney issues, we changed her food to a kidney diet, and started another medication.

She had been on a hypoallergenic diet due to food allergies. Of course, the kidney issues took precedence, but that meant an increase in overall itchiness.

She gave herself an aural haematoma.

Things seemed to get better for a while and Nu behaved as she had when she was several years younger.

Then, in the fall, she got some strange infection in her eye and nose. We went through a couple of rounds of treatment for that, and then Nu injured her other ear with another aural haematoma. Now she has cauliflower ears.

Again, after she recovered from her eye/nose infection, Nu seemed to be happy and well.

In January this year, her kidney function and enzymes were checked and it was determined that she should remain on the kidney food and medication.

I asked for some Mometamax, because I noticed her ears smelled funky. Usually, that’s the first sign of infection. Likely linked to her allergy issues, Nu has problematic ears.

I completed her course of treatment, but as soon as the drops stopped, her symptoms returned. I tried to keep up with the infection by keeping her ears cleaned.

Then came heck month (A.K.A. March), and I was away so much, I couldn’t keep up with the cleaning.

By the end of March, she was clearly in distress. She was shaking her head and her ears were swollen and they smelled purulent.

The first appointment resulted in more Mometamax and an EDTA ear wash to be administered daily.

A week passed and while pus was draining out of her ear (and apparently down her throat), she was definitely not feeling better. It looked like she’d developed pustules in her right ear. She refused some of her favourite foods (another support for the theory that the infection was draining down her throat – how could she enjoy anything when it all tasted like pus?). She was also hacking a lot in the attempt to clear her throat. She started losing her balance.

A second appointment adjusted the topical antibiotic and added an oral antibiotic as well. On the chance that the ear drum had been pierced or ruptured altogether, the Mometamax had to be discontinued.

A third appointment was scheduled and while there are days when she seems to feel better, Nu was not showing signs of marked improvement.

At the vet’s I had Phil weigh her, and Nu had lost 2 KG (approximately 4.5 pounds). We had started feeding her a full can of food (she usually only had a half-can) because that was the only food she’d eat. Her kibble was what she wasn’t eating, and she got a cup morning and evening.

We got an extension on the oral antibiotics to see us through until next Tuesday, when Nu’s been booked in for a full-day stay, light sedation, aural irrigation, her vaccinations (they’re due), and then we’ll see how she is when we pick her up. They might see if they can express and test the fluid from some of the pustules in her ear as well … ick.

Phil and I suspect the eye/nose infection in the fall, that some of the infection may have taken root in her sinuses and stayed dormant for a while. A sub clinical (no physical symptoms) thing.

Nu Sleeping

Nu sleeping in my office (foot of my desk) and healing, I hope.

Since Thursday’s appointment, Nu has been sleeping most of the time. She’s still shaking her head, and now she’s also started whining a bit when she eats biscuits and other harder foods. Unfortunately these are also some of her favourites (carrots).

Phil and I are distressed to see our little dear so sick.

I’ll let you all know how she’s doing in a future post.