First, I have to apologize for the tardy. I just didn’t have the spoons to get this posted until now (!)

Welcome to 2024?! Holy crap!

This is the year The Art of Floating (plus launch and as many readings as my publisher can arrange for me) and Superstack Stories come out (!) This is the year I finish final (for now) revisions on Reality Bomb and get back into the querying/submission trenches. This is the year I revise Alice in Thunderland, my alternate history/solarpunk novella. This is the year I move onto The Fenwoman’s Tale in a more serious way and git ‘er done! This is the year I hope to place a couple more pieces of short fiction in good homes.

Wow! That’s a lot (!)

Life in general

We’re in the dark months of the year up here in northeastern Ontario, and I have, characteristically, entered hibernation mode. Gremlin mode (which is my version of goblin mode). A friend of mine calls it turtling, withdrawing into her shell.

It’s all about boundaries and taking care of myself in a meaningful way. Taking the time to ensure I can regulate, which I call defragging 🙂 I’m considering trying to nap in the afternoons, after work and walking Torvi. Just for 20 minutes. So far, except for the period that I was on strike last spring, I haven’t been successful at napping. I lie down and close my eyes and my brain just keeps going like the Energizer bunny.

We’ll see how it goes.

My first attempt was a bust. And there wasn’t a second. I’m too bound into my rituals. I need to have a purpose and block the time out. And I need to be able to reorganize my creative time around it. I’ll keep trying.

The month in writing

The month was again focused on Reality Bomb revisions. Once I submitted my assignment for Suzy, though, I took a few days to write other things. Some poetry, some revisions on short fiction. Thinking about The Fenwoman’s Tale and how I’d like to shape it into a more compelling and more emotional story.

I met with Suzy once this month, on the 14^th. It was a great meeting and validation after a challenging day (week … month) at work. Our next meeting won’t be until the new year. We both deserve some holiday relaxation.

Preparation for the launch of The Art of Floating continues. The pre-order links are up!

• Latitude 46
• Chapters-Indigo
• Amazon.ca

Pre-orders can change the trajectory of any publication. Please consider TAoF for your 2024 to-be-read (TBR) pile 🙂

The year in review

As usual, I set what turned out to be some pretty unrealistic goals. Well, they may have been realistic if I didn’t have an enforced three-month break from writing. From the end of January to April, I was supporting Phil as he recovered from his broken shoulder and then I went on strike for the last week and a half of April.

I was also unable to work with Suzy from January through May because of financial issues. I’ll be honest. My employer was unable to keep me on as an instructional designer because of budget issues (that are still not resolved, by the way), and I had to take a step down in pay. Not great in a year that also saw the cost of everything increase because of runaway inflation.

I intended to revise Alice in Thunderland, my alt-history/solarpunk novella, I thought I’d do some work on my Ascension series, make far more progress on The Fenwoman’s Tale than I did, get through the whole of Reality Bomb and reduce 25k words from the draft, and write more in general.

Very few of these things came to pass. Even the projects I did work on (RB, TFT, short fiction, poetry) I didn’t get as much done as I’d hoped.

A lot can get done (or not) in three months. That could have been six more sessions with Suzy (and the revisions should have been done by the end of the year). I could have done a developmental pass on AiT. And having both of those projects farther ahead would have positioned me to get more work done on TFT later in the year. I could have at least looked at my Ascension master doc and thought about the restructuring that needs to happen to make the series arc more cohesive.

Still. It’s been a good year.

• I became a member of The Writers Union of Canada (TWUC), an associate member of the Science Fiction and Fantasy Writers Association (SFWA), and a full member of the League of Canadian Poets (LCP).
• “Psychopomps Are Us” was published in Pulp Literature.
• I received the Canadian Science Fiction and Fantasy Association’s (CSFFA) professional development grant, which I used to resume work with Suzy in June.
• I judged a poetry contest for the Leacock Museum.
• I developed and presented my first webinar for the Canadian Authors Association (CAA) and SF Canada.
• I edited my poetry collection, got professional author photos taken, chose its cover, and approved the manuscript proofs.
• Two poems were accepted for 2024 publication in Polar Borealis and Polar Starlight, respectively.
• My first creative non-fiction piece was accepted into the Sudbury Writers’ Guild’s (SWG) Superstack Stories: A Changing Skyline, which will launch in the spring of 2024.
• I delivered my first Writers in the Schools (WITS) presentation, funded by TWUC.
• I received a microgrant for mentoring from TWUC which will be paid directly to Suzy when our current sessions are completed in 2024.

I’m still waiting to hear about another piece of short fiction that made the shortlist for an anthology. I hope to hear something in the new year.

I also went to my first conference (non-virtual, out of Canada) post-pandemic. It was a really good experience, but it also reminded me how difficult travel is for me. At least now I know why (good ole autistic brain).

Lots of good things are happening. It’s hard to remember that publishing takes time, and the returns are often overshadowed by the next project in the queue.

I have a lot to celebrate.

Take some time to review your own creative progress. I guarantee that you’ve accomplished more than you think you have. And then celebrate your accomplishments before diving into the next thing on your list.

And take care of yourself. You can’t continue to be productive if you’re not in good health.

Filling the well

The reed new moon in Sagittarius was on December 12^th. I observed, as usual, with a guided meditation. BTW, my goto for these is Alina Alive’s YouTube channel. She generally does a guided meditation for each new and full moon and has a bunch of meditations for specific purposes in her archive.

The winter solstice, shortest day of the year, was on Dec 21^st this year. I lit my altar and switched over my seasonal sensory supports.

The full cold, or little spirits moon in Cancer was on the 26^th, Boxing Day. No guided meditation this time, and it was overcast, so no observation of any kind. I was still technically recovering from Christmas dinner, anyway, so it was a good thing (!)

I kept it light with the writerly events this month.

On the 6^th, I attended a virtual reading by the League of Canadian Poets new Poet Ambassador in Residence Tara Borin. I participated in the open mic that followed. So many lovely words! Such a wonderful evening!

I registered for Cece Lyra’s “Hacking Writing on the Line Level” on the 7^th, but because it was during the work week and Cece is legendary for her epic webinars, I decided to watch the replay. If you’re not listening to The Shit No One Tells You About Writing podcast yet, you’re missing out!

And on the 8^th, I attended “How to Write Opening Pages that Win Over Readers and Agents” with agent and author Eric Smith. Eric’s another agent with PS Literary, like Carly Watters and Cece Lyra, but this webinar was offered through Authors Publish.

And that was it (!)

Christmas was at my sister-in-law, Steph’s this year. Last year, the holidays were hijacked by covid, and my SIL has now joined the ranks of those with persistent long-covid symptoms. Steph went all out, and the spread was fabulous. Tastiest turkey I ever had. Stuffing, potatoes, gravy, turnip puff, Phil made buns, and Mom made jellied salad and cranberry sauce. There was also cookies, pumpkin pie, and traditional Christmas pudding and sauce.

Needless to say, most of us were rolling out of there and caught the post-turkey sleepies. BEST. CHRISTMAS. DINNER. EVAR!

What I’m watching and reading

I watched Candy Cane Lane (Amazon) while I started the Christmassing of the house. It was okay. A disgruntled elf curses humans to become animated ornaments. Chris (wife Carol, son Nick, and daughters Holly and Joy—see the Christmas theme here?) Carver has literally hand carved his Christmas decorations every year, perpetually being outdone by a neighbour with a fondness for inflatables. When he loses his job and the local TV station announces a $100,000 prize for this year’s decorating competition, Chris falls prey to the malevolent elf, only later discovering what he failed to read in the fine print: he’ll be turned into an ornament, too, unless he can find all the gold rings from the “12 Days of Christmas” before midnight on Christmas Eve.

Then, Phil and I watched Scott Pilgrim Takes Off (Netflix). The series is animated in the style of the comics, and they got all the actors from the movie to voice their characters. The first episode seems like it’s going to duplicate the events of the movie, but Scott loses his first battle with Matthew Patel (!) I won’t spoil it except to say that it was a fabulous subversion of expectations. And we loved it.

I finished watching Superpowered (Crave). Interesting comic industry history. DC was a little too self-laudatory. They admitted some faults and difficulties but glossed over a lot.

Next, I watched DC’s League of Superpets (Crave). Fun and sweet. Just what I needed after a rough week at work. And the voice cast is superb (Dwayne Johnson, Natasha Lyonne).

I finished watching the first (and sadly only) season of Kindred (Disney +). I enjoyed it and would rather have seen the full story. The season left off with Dana and her mother Olivia returned to the present, leaving poor Kevin in the past. No resolution. Guess I’ll have to read Octavia Butler’s book. Finally.

I finally watched Frozen 2 (Disney +). When I consider the two films, they’re more properly about Anna. Elsa’s journey is secondary and it’s Anna’s actions that save the day in both. I appreciated the Northuldra as an analogue for the Sami and the effort Disney made to avoid appropriation. Enjoyed.

Next, I watched the first season of Reginald the Vampire (Network). Based on the Fat Vampire series of novels by Johnny B. Truant, RtV follows the adventures of Reginald Andres, who is attacked by vampires and must be turned by Maurice to save his life. Unfortunately, Reginald is frozen in his generously-sized body for the rest of his undead life. Jacob Batalon is charming as Reginald. Fingers crossed for a second season.

I finished watching the first season of American Born Chinese (Disney +). The series is based on the comics of the same name and draws on the classic Chinese novel Journey to the West. Jin is just trying to keep his head down and fit in at school when he is saddled with exchange student Wei-Chen. But Wei-Chen is not who he appears to be. I’m really hoping for a second season.

Then, I watched Noelle (Disney +). I was in the mood for a Christmas movie and John Scalzi recommended this one in his Christmas comfort watch posts on Whatever. A charming movie about the daughter of Santa, who has some big boots (and red, fur-trimmed clothes) to fill when her brother decides he doesn’t want to go into the family business.

I watched Barbie (Crave). Loved. I can see the criticisms leveled at it, but I thought it was fun. Very self-aware. Maybe a little too much going on, but very enjoyable.

Phil and I watched Spiderman: Across the Spiderverse (Crave). It was awesome. The animation is amazing! And the story was great. Miles’ story is being told in a very conscious trilogy. While this movie was the middle of the trilogy, it was anything but muddy/soggy. The Spot is the principle antagonist and he’s tied to the events of the first movie. That story will arc through the third movie, Beyond the Spiderverse. In this movie, though, the immediate antagonist is Miguel, who’s taken it upon himself to keep the web of life and destiny intact by preserving “canon” events. The problem with Miles is that he wasn’t supposed to be bitten by a spider in his world at all. He is the ultimate anomaly.

I look forward to the third instalment.

Phil and I also caught the three 60^th anniversary Doctor Who specials with David Tennant and Catherine Tate, and the Christmas special with Ncuti Gatwa as the 15^th (!) Doctor. DW is another series I’m totally uncritical of. I just love it.

My first read of the month was Jordan Ifueko’s Redemptor. In this sequel to Raybearer, Tarisai, Empress Redemptor, has promised to go to the underworld to free the souls of all previous redemptor children. But of course, the deal she’s struck isn’t so simple to fulfill.

Then, I finished reading Women Who Run with the Wolves, by Clarissa Pinkola Estés. It’s been on my list for years and I finally got to it (!) I loved the reframing of a woman’s life and development through fairy tales. I aspire to be a wild woman but have no idea if I’ve made it there yet. It’s now on my reference shelf with all the other archetypal journey/writing books.

Next, I read Michèle Laframboise’ graphic novel Mistress of the Wind. A gentle fable set in the author’s Gardener’s Universe about a lower-class girl who has a dream to become a wind master.

Then, I finished book three of Ashley Shuttleworth’s Hollow Star saga, A Grim and Sunken Vow. I don’t know what it is about this series, but I love it. I’m looking forward to the next instalment, but I’ll have to wait until next year.

Then, I listened to Mistletoe Murders 2, an Audible Original by Ken Cuperus. I listened to the first one last year and enjoyed the short, cozy mysteries. Cobie Smulders is a great narrator, and these are, despite the murder, fun, light mysteries with a romantic subplot that just came to fruition. And then, of course, someone from Emily Lane’s past comes knocking. Guess we’ll find out what happens next year!

I also listened to Blood Like Fate by Liselle Sambury. I was a little irritated that the narrator didn’t check her pronunciation of the various Canadian settings (cities, towns, policies, supports, public transportation, etc.) because her lapses took me out of the story, every time. But the novel itself is good. A science-fantasy with a strong romance subplot. Fairly typical for YA.

Next was Jes Battis’s The Winter Knight, a queer and neurodivergent retelling of Sir Gawain and the Green Knight. Imagine if the figures of myth and Arthurian legend were transported to modern-day Vancouver where they were reincarnated in people who may or may not remember who they are. Knights and Runesmiths and Fates and Valkyries populate Battis’s masquerade Vancouver and strive to solve the mystery when the reincarnation of Mordred is found decapitated at a party.

Finally, I listened to Robert J. Sawyer’s The Downloaded. It’s an Audible Original for now but will be out in print from Edward Willett’s Shadowpaw Press in 2024. Good cast. Good story. With the usual optimistic ending. A little more on the bittersweet end this time, but optimistic, nonetheless. Enjoyed!

And that was the month in this writer’s life.

Until next month, be well and stay safe; be kind and stay strong. The world needs your stories!