We’re staying the course here. I will likely be working from home for the foreseeable. I could also see our local and regional management making the case that we can and should continue to work from home on a permanent basis.
My current position has been largely virtual since I moved into it eleven years ago. There’s still an element of the surreal to the situation (where does the job end, how do I transition into home/creative life?) but now that we’re closing in on two months of pandemic life and six weeks (for me) of working from home, I’m finding my way to a workable routine.
Here’s hoping that whatever your circumstances are, that you’re finding your feet, so to speak. Everyone’s dealing with “stuff.” Take a break and peruse some of these informal writerly learnings.
K.M. Weiland lists 15 productive tasks you can do when you don’t feel like writing. Helping Writers Become Authors
How to master fight scenes (a follow up from the other fight scene video I shared—as Tim will tell you, please watch that one first). Hello, Future Me
Justin Attas explains the puzzle piece plotting method: using what you know to build what you don’t. Susan DeFreitas is helping you develop your writing practice, part five: neurohacks. Later in the week, C.S. Lakin touts the three Ms of character setup. Jane Friedman
Developing a book, part 2: the characters. Reedsy
Nathan Bransford tells you everything you need to know about inciting incidents.
Related: Jami Gold explains the difference between the inciting incident and the first plot point.
Jenn Walton shares three ways to preserve your creativity. DIY MFA
Nina Munteanu uses a walk in the forest to discover hidden character archetypes.
Alison Flood: study shows most authors hear their characters speak. Do you? The Guardian
Keziah Weir says poetry is having its moment. Vanity Fair
Thank you for visiting. I hope you found something to assist you with your current work in progress, even if you’re not actively writing.
Until Thursday, be well and stay safe!