It was another fantabulous week of writerly goodness 🙂

K.M. Weiland helps you find the exact right story hook. Helping Writers Become Authors

Nina Munteanu helps you make your opening count.

Over on Writers Helping Writers, Angela Ackerman writes about describing your character: making every detail count.

Jessica Stawser is acting out of character. Writers in the Storm

Cathy Yardley: writer, know thyself. Writer Unboxed

Donald Maass bid us add a touch of romance to our stories. Writer Unboxed

Susan Spann explains how to evaluate a publishing contest. Writer Unboxed

Porter Anderson: “… when authors hunker together to kvetch about “writing is so hard,” they’re romancing the career in a profoundly counter-productive way.” Writer Unboxed

Jo Eberhardt: be the encouragement you want to see in the world. Writer Unboxed

Janice Hardy: how to write a teen voice. Fiction University

Fae Rowan invites us to use the energies of 2017 to jumpstart our writing careers. Writers in the Storm

Naomi Hughes returns to Jami Gold’s blog with her top three scene issues.

Becca Puglisi delves into overcoming mental illness for the character motivation thesaurus. Writers Helping Writers

Gabriela Pereira interviews Shanthi Sekaran about capturing diverse experiences on the page. DIYMFA

Bess Cozby: three questions you should ask before committing to a revise and resubmit. DIYMFA

Michelle Chalkey lists five benefits of the writer-editor relationship. DIYMFA

Brandon Taylor helps you escape the slush pile. Electric Lit

Blake Atwood launches his new column, editorially speaking, with this post: how to find a book editor you can trust. The Write Life

David Robson introduces us to the untranslatable emotions we never knew we had. BBC

Chris Saylor reminds us how to use apostrophes properly. Marcy Kennedy’s blog

Meet the 2017 Canada Reads contenders. CBC

Ursula K. Le Guin writes a letter to the editor, responding to a comparison between “alternative facts” and fiction. Oregon Live

Andrew Postman’s father, Neil, in his book Amusing Ourselves to Death, posited Brave New World as our probable dystopic future as opposed to Nineteen Eighty-Four. It turns out, he was right. The Guardian

David Tennant, the eleventh Doctor himself, tells us everything will be all right.

 

Alisdair Stuart believes it’s time for Doctor Who to change television history for the better. Tor.com

And that was your informal writerly learnings for the week!

Stay strong until Thursday!