2014 in review

The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 9,900 times in 2014. If it were a concert at Sydney Opera House, it would take about 4 sold-out performances for that many people to see it.

Click here to see the complete report.

Tipsday: Writerly Goodness found on the interwebz, Dec 21-27, 2014

K.M. Weiland offers beta readers a guide.

Sarah Lovett of DIY MFA shares the reasons why you need to start a writers’ group or critique circle.

What traditional publishing learned in 2014. Kristine Kathryn Rusch.

Town hall debate: what every literary writer needs to know about the digital disruption. Hosted by Porter Anderson and featuring (among others) Jane Friedman. The focus may be on literary writers, but this is informative for all writers. Vimeo.

Steven Pinker, author of Sense of Style: The thinking person’s guide to writing in the 21st century, interviewed by the CBC’s Anna Maria Tremonti.

Steven Pressfield on his “overnight” success.

Giving yourself the gift of writing, by Barbara O’Neal.

Madeline L’Engle on creativity, hope, getting unstuck, and how studying science enriches art. Brainpickings.

This kid’s theory about The Princess Bride is AWESOME!

The ancient origins of modern science fiction tropes. Blastr.

Words that used to be considered poor English that are now accepted. Gives you a little perspective on your current grammar bug-a-boos, doesn’t it? Mental Floss.

Hope you have fun tomorrow night!


Review of Walls of Wind by Jane Ann McLachlan

I actually started reading this novel in parts, as it came out earlier this year, before I received the advanced reader copy (ARC) of The Occassional Diamond Thief this past fall. The ARC took precedence, however, and as I generally don’t review anything I haven’t finished and enjoyed, this review had to wait a bit.

Yes, this is another bit of catch up 😉

The Walls of Wind

What Amazon says:

What if males and females were completely different species from each other?
WALLS OF WIND explores this question and its ramifications on a world in which males and females are two equally intelligent sentient species: Ghen and Bria. They are interdependent and reproductively symbiotic, although physically, emotionally and mentally they have little in common. Or so they believe, until their city-state is threatened by increasing internal conflict and a terrifying external predator that has invaded the forests just beyond their walls. A handful of Ghen and Bria struggle desperately to find a solution before their civilization is destroyed.

WALLS OF WIND combines anthropological speculation with the tragedy, suspense and triumph of individual characters who struggle to overcome external threats as well as their own internal fears and prejudices.

My thoughts:

When I started reading The Walls of Wind, I was immediately reminded of Ursula K. Le Guin’s Left Hand of Darkness, which presented an alien race with distinct gender and reproductive attributes.

McLachlan goes further, technically eliminating gender, but biologically linking two species. The unique circumstances of this biology define McLachlan’s world of Wind and form the heart of her story.

Bria and Ghen are very different, and very aware of their differences. One of the walls on Wind that must be broken down is the prejudice that exists between these two quintessentially linked species.

This is where McLachlan’s novel became reminiscent of Sherri S. Tepper for me. Tepper often explores the stratification of human society as it encounters alien worlds and species, or the post-apocalyptic changes that humanity undergoes, usually in terms of divisions along gender lines.

The dynamics between the Bria and the Ghen struck me as similar, but because the two species are effectively gender neutral, McLachlan is able to offer the reader a fresh perspective on the old challenges of equality and compassion.

A terrible secret is another of the walls of Wind that must first be revealed, and then addressed by the Bria and Ghen who have conspired—for the betterment of their peoples—to keep it hidden for generations.

There are love stories that play out through the novel, the generational stories of several families, transgressive acts by various characters that challenged species roles and capabilities, scientific discoveries, and adventures.

At every turn, the centre around which McLachlan’s story turns is the encounter with the other, whether between Bria and Ghen, Ghen and the fearsome Broghen, or Bria and Ghen society and the unknown communities of Bria and Ghen discovered elsewhere on Wind.

There is something for every reader in these pages. The novel is tremendously rewarding, and though tragic, ultimately hopeful.

My rating:

Five out of five stars. Yup. I’m a new fan. Jane Ann is amazing.

About the author:Jane Ann McLachlan

J.A. McLachlan was born in Toronto, Canada. She is the author of a short story collection, CONNECTIONS, published by Pandora Press and two College textbooks on Professional Ethics, published by Pearson-Prentice Hall. But science fiction is her first love, a genre she has been reading all her life, and The Walls of Wind is her first published Science Fiction novel. She is represented by Carrie Pestritto at Prospect Agency.

Robert J. Sawyer reviewed The Walls of Wind and had this to say:
“Look out, C. J. Cherryh! Step aside, Hal Clement! There’s a new master of truly alien SF, and her name is J.A. McLachlan. THE WALLS OF WIND is doubtless THE debut novel of the year.”
— Robert J. Sawyer, Hugo Award-winning science fiction author

You can learn more about J.A. McLachlan and her books on her website at: http://www.janeannmclachlan.com

Connect with Jane Ann on Facebook: https://www.facebook.com/janeann.mclachlan

How to get published

Once again, here’s some November catch up displaced by other priorities.

On November 6th and 7th, I travelled down to Humber College in Etobicoke (Toronto) to attend the How to get published workshop Hosted by Cythia Good and Jennifer Murray.

Humber Shcool For Writers Lakeshore Campus

About the presenters: Cynthia Good is the former president and publisher of Penguin Canada and current director of Humber’s Creative Book Publishing program. Jennifer Murray is the former director of marketing at Penguin and vice-president, marketing at Kids Can Press.

As with any of my transcribed sessions, discretion is advised. I fully acknowledge my humanity and there may be errors. If you see any, please be kind enough to let me know so I can make corrections, post-hasty.


You can’t make a living creative writing alone. (Mel’s note: It is possible to make a living writing, even in Canada. I know several people who do it, but it usually involves a fair amount of risk that most of us are not prepared to take. Do not lose heart if it is your goal to quit your day job. You just have to plan carefully and understand what level of risk you are comfortable with. As ever, do your research. /end rant)

It’s a brave new publishing world since the advent of digital publishing.

Publishing used to be a paternal system. Now it’s more like a partnership. Much more business and marketing knowledge is required of the average writer.

There have been a few big sea changes in the publishing world.

Two years ago Random House and Penguin merged (Mel’s note: officially, it’s Penguin Random House, or P/RH, but I still like Random Penguin). It’s a 51% to 49% balance of the controlling interest in the company and a shift from primarily German to primarily English oversight.

More recently, HarperCollins (HC) announced that it would be shutting down its Canadian distribution centre. This will mean the layoff of 120 people including the former president of sales, distribution, and administrative finance.

What does this mean for HC? They bought Harlequin last year. Another merger of sorts.

Another recent bit of news is that the government has disallowed new foreign publishers to set up operations in Canada. This is affecting Simon & Schuster (S&S) and their imprints, resulting in the departure of several key employees.

A Canadian publishing company that started up eight months ago may not be able to make it in this increasingly hostile publishing environment.

Will we see a HC and S&S merger?

The thing about mergers is that in order to support their infrastructure, publishers depend on authors whose sales will finance that support. Midlist authors are being dropped. Fewer chances are being taken on new authors.

These authors are going to small and boutique Canadian publishing houses.

In Canada, a bestseller is about 5,000 copies. Really, if you take into consideration returns, the print run should be anywhere from 7,500 to 10,000 copies and at least 5,000 of those must sell. 5,000 is the break-even point.

Why go for a traditional deal?

If you write non-fiction, there’s still money for public speaking. Though marketing and promotional budgets are disappearing, there is still some money to be had.

Traditional publishers are also branching out into digital. Hazlitt is an online magazine put out by RH.

They’re also getting into providing author services. Author Portal, through RH again, is much like Kobo Writing Life and offers similar metrics. Penguin bought Author Solutions (Mel’s note: BOO!) because selling author services ala carte is more lucrative.

Marketshare by format (Canada)

  • 18% ebook (24% in the US)
  • 58% paperback
  • 24% hardcover

Booknet keeps the statistics and only publishers and booksellers have access to that.

Ebooks have hit a plateau and are expected to hold. Pricing is not expected to hold, however.

Scribd, through HC, is billed as the Netflix for books. Amazon also offers a subscription-based service (Kindle Unlimited) whereby you can loan unlimited material.

In general, Amazon sells ebooks at a low price. Print prices are also falling.

Publishers in Canada can’t compete and can’t survive without government grants.

Three years back, in the battle between what was then the Big 6 and Amazon resulted in an Amazon win.

In part, it comes down to discoverability. How do readers find their books?

The traditional path between author and reader: author -> agent -> publisher -> distributor -> bookseller -> reader.

Now authors can go directly to the reader.

There are also book apps. Apps based on popular books. No one is making money on boo apps yet.

E.L. James’s success led to trends in erotica. Young adult and new adult are still strong categories.

Wattpad is a Canadian company and you can post your novels on there, chapter by chapter, for free. You can get great reader feedback that way. There are no stats currently on how releasing material on Wattpad may affect sales of ebooks or print books later on.

Of the Big 5 publishers, Canadian authors have access to three:

  • P/RH – both still take submissions seperately for the main publisher and all imprints. RH has Vintage, DoubleDay, Knopf, McClelland and Stewart, Tundra, etc. Penguin’s imprints include Viking, Allan Lane, Hamish-Hamilton. Collectively, they publish 100-150 books annually.
  • HarperCollins, which has recently acquired Harlequin.
  • Simon & Schuster, though they are, as mentioned, in the midst of transition.

There’s also Scholastic. They’re US-based, but Canadian authors can access them.

Small or independent publishers

  • Dundurn in Hamilton. Their focus in on history. They are in growth mode.
  • ECW publishes everything.
  • ChiZine is a niche publisher of horror.
  • Bundoran and Edge Science Fiction and Fantasy.

Micropublishers, or boutique publishers

  • Biblioasis
  • Gaspereau
  • Freehand
  • Goose Lane
  • Pedlar Press
  • Bookthing
  • Tightrope
  • Insomniac
  • Mansfield
  • Groundwood
  • Pyjama Press
  • Second Story

How do you choose?

If you aim for a big publisher, you will usually get a better deal.

With smaller houses, you get more attention and they will take more risks on new authors. Smaller presses are more agile and have specialties.


It’s a matter of match-making. The editor needs to make money for their publisher. They have a lot to read and a lot of work to do for their current clients.

Make sure your first page is memorable.

A well-written book with excellent sales can make an editor’s career. They receive bonuses based on sales, awards, and word-of-mouth (reviews). They usually have “stables” of writers.

They curate their authors’ best work.


Do you need one? For the big publishers, yes. The best way to get an agent is to get a publisher (ironic, isn’t it?).

You can approach editors directly. They’re always looking for new authors.

Think about why you want an agent. They can offer:

  • Emotional support
  • Editorial support
  • Career counselling
  • Access to big publishers
  • The ability to negotiate a good deal
  • Contract review
  • Interpretation of your royalty statements
  • The ability to negotiate for marketing budget or cover input
  • Advice on next books

For all this (sometimes more, sometimes less) they get 15% of every sale. Foreign rights, television, movies, audio, etc. (all subrights) generally demand 20%.


  • Westwood Creative Artists
  • Cooke Agency
  • Transatlantic Literary (primarily children’s)
  • Anne McDermid
  • Helen Heller (commercial)
  • Rights Factory (experimental/literary)
  • Rick Broadhead (practical/non-fiction)
  • PS Literary
  • Beverley Slopen

Always check the agency’s submission guidelines.

Other resources that might give you additional information on agents are the Association of Canadian Publishers and the Writers’ Union of Canada.

Make sure that your manuscript (ms) is complete and polished. N.B. Non-fiction should be queried with a proposal.

Why might you not want an agent?

  • Control over your career
  • Direct relationship with editor or publisher

A Baker’s Dozen (things to do before you query)

  1. Perfect your manuscript
  2. Get feedback
  3. Attend writers’ workshops and courses
  4. Hire an editor (freelance). N.B. Humber is launching its own Publishing Services.
  5. Submit to journals and magazines
  6. Research and submit to competitions
  7. Attend conferences or conventions
  8. Volunteer for or attend literary festivals like Word on the Street (WotS)
  9. Read
  10. Get to know local bookstores and librarians
  11. Have a presence on the internet
  12. Be prepared to give it away.
  13. Learn everything you can about publishing (Publishers Weekly, Quill & Quire)

Preparing to write your query

Research your comparatives/competition. Market research.

Be professional.

Submit to multiple agencies. Have your A list, your B list, etc. It’s also good to identify what you’re not interested in.

Have a strategy.

Query letters

Start with the story. Make it compelling. Get to the facts (word count, genre, etc.) at the end.

  • Introductory paragraph – if you have met or been referred to the agent. If not, show your research. Why do you think you’ll be a good fit?
  • Pitch/short synopsis – be as interesting as possible. Don’t give away the ending.
  • Comparables – be realistic.
  • Biographical info – keep it relevant.
  • Closing.

Agents will not appreciate it if you do not state the word count, call your book a “fiction novel,” use poor spelling, and/or poor grammar.


This is not new. Virginia Woolf and Walt Whitman self-published.

Keep in mind that for every Hugh Howey there are thousands of self-published wannabes. Only 400 out of every 1.5 million books published sell more than 100 copies.

Consider your motivation. You may be:

  • An oft-rejected writer (this doesn’t necessarily mean your book is badly written, but consider the possibility)
  • Someone who wants to establish credibility
  • Someone who wants to help others
  • Disappointed with traditional publishing
  • Interested in establishing a legacy

If you self-publish print books, you generally need as many as 2,000 books for distribution.


  • Certainty/total control
  • Speed to publishing
  • Increased income


  • Up-front costs
  • No advances
  • Time consuming
  • Marketing and promotion are entirely on you
  • Distribution
  • Liability
  • Access to prizes and grants

Terry Fallis states he spent $1,400 for editorial review, cover layout and $2,000 for additional editing.

Use Wattpad to get reader feedback.

Use Kickstarter or Indie-go-go to fund your publication.

Check out James Altucher’s blog. Start with this post on Publishing 3.0.

Be prepared to become an authorpreneur.

Consider partner publishing with a company like Iguana Books.


As I said at the outset, my notes are not complete. I can’t write down everything said in the course of a day and a half. We also wrote query letters and critiqued them in class, as well as learning how an agent sells your book to a publisher. We also went over non-fiction book proposals, which I chose not to share with you here. There was a lot I couldn’t include.

That was the first day and a half. The last half of the second day was given over to Jennifer Murray to discuss marketing and promotion.

I’m sorry, but I didn’t take notes for the marketing piece.

You’ll have to register for the next session if you want to find out about that 😉 I’d recommend it if you’re in the Toronto area.

And that’s it for Writerly Goodness tonight. Toddling off to Bedfordshire.

Putting the team first

Back in November, I co-facilitated a team building course called Putting the Team First. I haven’t blogged about it until now, well, because NaNoWriMo, and Christmas shopping, and other stuffs.

So here’s my first learning and development related post in, like, forever . . .

Let’s get one thing straight

I attended the training for trainers (T4T) version of the course back in December of 2013 and one of the first things we needed to get straight was the name of the course. People were calling it Putting Teams First. The designer (who was also one of the trainers) was very specific on this point.

It’s Putting the Team First, thank you very much.

Why so picky? Because that’s the focus of the course, to improve performance, one team at a time. We put the team first and each class focuses on one team, the entire team, if possible.

The hand off

The T4T was being delivered to train regional advisors and consultants in the material and methodology because our internal college, which is national, was handing off delivery of the course to the regions.

While I had scheduled multiple sessions of the course for each sector in Ontario throughout the year (in my former capacity as training coordinator) this was the first occasion I’d had to deliver the course in the year since I’d received the training.

So, I jumped at the chance.

Theme and methodology

The theme was a nautical one and the one-day course was divided, as usual, into modules. The introduction was Boarding, followed by Packing for the Journey, The Crew, and Under Full Sail.

Boarding dealt with the usual icebreaker activity, establishing trust, and navigation (the agenda) for the course.

Packing involved identifying issues that the team faced and prioritizing them according to what could be addressed by the team (cargo), what was negotiable (dock), and what was out of the team’s control (warehouse).

We also did a fun exercise on prioritizing salvage in the event of a shipwreck. The team had to work together to come to a consensus regarding what the most important items would be. The answers were prioritized by the Coastguard including rationales for each.

The crew moved on to Tuckman’s Model. I’d encountered it before, but it was never given its proper name. For those who don’t know, Tuckman’s is the model of group dynamics that includes four stages: forming, storming, norming, and performing. Some thought was given to where the team thought they were on that continuum, but we didn’t belabour it.

We also delved into team player “types” with an emphasis on the fact that everyone is a mixture of all four identified types, but that one manner of “expression” may be predominant. The four types were contributor, collaborator, communicator, and controller. Participants identified themselves and gave some thought to how tasks might best be allocated based on the strengths of each type.

Finally, in Under Full Sail, we returned to the issues identified by the participants back in the Packing module and the team had to once again work together to create an action plan to address their most challenging issues.

The idea is that the team will have the tools that they need to take action on their plan after leaving the course. We don’t check up on them, however. It’s entirely up to the team to take the information and run with it.

So that’s what a day of team building is like where I work.

What kinds of team building training have you facilitated? Participated in? What did you think?

The Learning Mutt

Thoughty Thursday: Things that made me go hmmmm on the interwebz, Dec 14-20, 2014

It’s Christmas Day . . . whee! I’ll be sharing a great meal with the family. Hope all of you are similarly occupied today.

Creative people are paradoxical. Who knew? 😉 Fast Comapny.

What it means to have the heart of an empath. Sensitive is also one of the defining traits of the introverted, so you may find some enlightenment here. Elephant Journal.

I have this amazing friend (Hi, Dani!) who’s been teaching mindfulness to her class. They made this video:


Have a look at the lovely (and detailed) maps being sent back to us from Mars. Wired.

The huge issues science fiction movies conveniently gloss over. Cracked.

How ancient Romans made stronger concrete than we do. Construction companies, take note. i09.

I’m not even sure where to put this . . . The blood-curdling sound of the Aztec whistle. Dangerous Minds.

A creative musician figured out a way to translate the information contained in tree rings into piano notes. The result is amazing. IFLS

This is awesome. How a 3D printer was used to make prosthetics for a dog born with malformed front legs. Fabulous implications for human application, too, don’t you think? IFLS.

See you Saturday!

Thoughty Thursday

Tipsday: Writerly Goodness found on the interwebz, Dec 14-20, 2014

It’s Christmas Eve Eve . . . if that makes any sense 😀

K.M. Weiland on the difference between theme and message.

An excellent podcast by DIY MFA’s Gabriela Pereira on some of the ways you can outline.

Why a year-end review is important for writers. Jamie Raintree on thinking through our fingers.

And related to that, Dr. Jonathan Ball on how he uses Jamie’s awesome word count Excel spreadsheet to track his writing progress. Whether you think the post is sexy or not (I rather think Jonathan was being facetious with his post title), there are some great ideas in there. And that, to me, is sexy.

Why emotional excess is essential writing and creativity. Do you agree? Brainpickings explores the diaries of Anais Nin.

Common sayings you may be misusing. How stuff works.

The Lord of the Rings mythology explained in four minutes. CGP Grey.


Need something to tide you over until Outlander resumes its season? Here’s a sneak peek. E! Online.

That’s it for this week.

All the best of the season to you, whatever that means to you. To me, it’s still Merry Christmas 🙂


Caturday quickie, part the second: Pupdate

The last time I offered a pupdate, Nuala had been diagnosed with diabetes, we had a VetPen, but were having difficulty regulating her blood sugar. We’d also stopped the prednisone and started an alternate treatment, cyclosporin.

Well, after three glucose curves, her blood sugar is still not regulated, but the vet feels that clinically, she’s doing fine. The stress of a day-long stay at the vet’s may have an impact on her glucose readings, however. So we’re continuing her treatment of 16 units of insulin twice a day.

We ended up returning the VetPen as the maximum dose on it is 16 units and we may have to increase her dosage again, depending on how her symptoms are managed. Phil and I are much more comfortable with syringes anyway, having had previous experience with our cat, Thufir (the caturday quickie mascot).

The cyclosporin was not working and her ears (which the pred and the cyclosporin were prescribed to treat) were once again full of cysts. She had an abscess in one ear, as evidenced by the amount of pus that came out of it, and so the vet has recommended a return to the pred. We have to monitor her water intake and urination and may have to adjust her insulin accordingly . . . because . . .

Nu is once more a piddle pup, incontinence being one of several side effects of the pred. We now have washable incontinence pads made for humans on the bed and the couch, and are otherwise tolerating the occasional dribble. She can’t help it, poor dear.

Other than that, she’s on Fortekor for her proteinurea.

That’s our complex pup in a nutshell.

After only a few days on the pred, her ear cysts are shrinking again, and she seems quite happy.

Nuala December 2014

This is seriously the best picture I could get of her. She’s absurdly camera shy (!)

Our aim is quality of life. She’s nine and a half, even though we still refer to her as the pup.

I hope this will be the last pupdate for a while.

Caturday Quickies

Caturday quickie: Progress? Not.

So . . . when last I wrote about this, Phil and I were optimistic about getting the work on our yard and driveway done. It was October and the road work was to continue until November 15th. We had the beginnings of the retaining wall, and a promise from the city engineer that everything should be completed.

Then it snowed October 31st.

retaining wall

retaining wall 2

retaining wall 3

What we have:

  • a mostly completed retaining wall; and
  • compacting fill in the driveway.

What will be done in the spring (otherwise, Phil and I might not be as understanding as we have been):

  • finish the retaining wall (further wrapping around and steps);
  • install railing on retaining wall;
  • new front steps;
  • old front steps removed from out back yard and disposed of; and
  • driveway paved.

We’re waiting to hear from the engineer about something we’d like to have added to the work order (and which we will pay for because it’s on our property). Since the driveway is all gravel anyway, we’d like to get a contractor to replace the sewer line. We have roots in the line and think it would be a convenient time to get the work done, rather than pay to have the drive dug up, the line replaced, and the drive repaved at a later date.

So that’s where we are.

Will let you know what happens when work resumes in the spring.

Caturday Quickies

Thoughty Thursday: Things that made me go hmmmm on the interwebz, Dec 7-13, 2014

Why every year seems to pass more quickly than the last. The Mind Unleashed. An argument for remaining present in the moment if I ever heard one.

The CBC’s Anna Maria Tremonti interviews Bletchley Circle code breaker.

Albert Einstein wrote to Marie Curie and advised her to take heart and ignore the “trolls.” i09.

28 months on Mars. What Curiosity has taught us so far. The New York Times.

Two blue giants engage in interstellar merger. IFLS.

Is there a parallel universe that moves backward in time? IFLS. As one friend commented, science is finally catching up with Merlin (The Once and Future King, T.H. White).

One physicist has a groundbreaking idea about why life exists. Business Insider.

Are there still people out there that think climate change is a conspiracy? Ask them to watch this:


Images of Bhopal and its people, thirty years after the disaster. The Altantic.

Rinelle Harper calls for national inquiry into violence against aboriginal women. The Huffington Post.

What an x-ray reveals about the art of Artemesia Gentileschi.

How one boy responded when his friend came out to him. Elite Daily.

Amazing uncensored art reflects modern society. So bad, so good.

Here’s some inspiration for you: Why you will fail to have a great career. Larry Smith’s TEDxUW talk.


This is just fun: someone created a map of the UK with only the rude place names listed. *giggles* Buzzfeed.

Ok. Time to get a little weepy over our canine buddies. Why dogs never really die. Tickld.

And on that sombre note, Thoughty Thursday is adjourned.

See you Saturday for all things updatey 🙂

Thoughty Thursday